城里的黑手党老大死后，他的四名助手决定隐瞒他的死亡，继续经营他的生意。但欺骗是一个危险的游戏。又名：换装游戏

本片其实是一部描述大明星与贴身跟班之间复杂感情的文艺片，故事背景是二次世界大战期间的英国，阿尔伯特·芬尼饰演一名享誉极隆的舞台剧泰斗，但他的固执脾气也十分惊人，只有汤姆·康特奈饰演的跟班才能治得了他。主仆之间数十年来培养了一种不为外人所道的特殊感情，把剧团在不理想的战时状态下仍硬撑了起来，直至大明星油干灯枯才结束。导演彼得·耶茨发挥了个人功力，将这部题材稍嫌冷门和狭隘的剧团电影拍出了丰富的戏剧性，两位英国老牌演员对手戏更是精彩可观。 　　1984年奥斯卡奖最佳电影、最佳男演员等5项提名，1984年金球奖最佳男演员等4项提名，1985年英国电影学院奖7项提名等。

本片其实是一部描述大明星与贴身跟班之间复杂感情的文艺片，故事背景是二次世界大战期间的英国，阿尔伯特·芬尼饰演一名享誉极隆的舞台剧泰斗，但他的固执脾气也十分惊人，只有汤姆·康特奈饰演的跟班才能治得了他。主仆之间数十年来培养了一种不为外人所道的特殊感情，把剧团在不理想的战时状态下仍硬撑了起来，直至大明星油干灯枯才结束。导演彼得·耶茨发挥了个人功力，将这部题材稍嫌冷门和狭隘的剧团电影拍出了丰富的戏剧性，两位英国老牌演员对手戏更是精彩可观。 　　1984年奥斯卡奖最佳电影、最佳男演员等5项提名，1984年金球奖最佳男演员等4项提名，1985年英国电影学院奖7项提名等。

《王者出击》衍生节目，通过与当期背景故事或拍摄场地相关的历史文化趣味知识题，由明星出题并解答，边看节目边涨知识，早日成为最强王者！

《王者出击》衍生节目，通过与当期背景故事或拍摄场地相关的历史文化趣味知识题，由明星出题并解答，边看节目边涨知识，早日成为最强王者！

张大剑意外穿越，来到物资匮乏的灾荒年代，成为一户贫苦人家的顶梁柱。面对家中老弱妇孺食不果腹的困境，他刚想设法谋生，便解锁了 “芳心系统”—— 只需绑定女性获得芳心值，就能参与抽奖换取生存物资与技能。 为让家人过上好日子，张大剑凭借系统偶尔抽中的捕猎技巧，进山打猎换取钱财与粮食，逐步改善家境。过程中，他结识了多位在灾荒中挣扎的女子，有被恶霸欺凌的孤女，有走投无路的寡妇，张大剑主动伸出援手，用实力护她们安稳。女子们被他的担当打动，纷纷与他绑定，助力他积累芳心值解锁更多能力，而张大剑也收纳她们组成大家庭，在乱世中撑起一片安稳天地 。

围绕主角陈宇的"因果反转"诅咒展开：他在高武世界中因被判定为"非法入侵者"，行为效果完全逆向——常规修炼会削弱实力，而消极行为反而能提升属性 陈宇需隐藏诅咒真相，避免被世界规则清除。他利用负面行为获取增益（如让鞭炮炸手以增加属性），同时应对身边人的关切，形成荒诞与危机交织的剧情探索诅咒背后的古代传说，并试图打破命运枷锁

According to Giorgio Vasari, the first art historian, the Renaissance was centred on a revival of interest in classical art that began and flourished in Italy. Waldemar disagrees, and accuses Vasari of errant jingoism. In fact, the most significant early developments in Renaissance art took place not in Italy, but in the ‘barbarian’ lands of Flanders and Germany. Instead of understanding the Renaissance as a return to classical models, we should see it as a climax of medieval values - an epoch of huge religious passions and powerful human emotions. 　　The series will celebrate material that is new to television. Waldemar will include art that is not usually thought of as Renaissance art. This will involve 're-classifying' what is sometimes called Late Gothic, and showing it off as a marvellous and native artistic tradition, particularly in the remarkable field of polychrome sculpture. On top of all the new art to be introduced, Waldemar will also look from fresh and intriguing angles at many of the established Renaissance giants, including Michelangelo in the Vatican, Leonardo in the Louvre, Botticelli in the Uffizi and Van Eyck in Ghent.

According to Giorgio Vasari, the first art historian, the Renaissance was centred on a revival of interest in classical art that began and flourished in Italy. Waldemar disagrees, and accuses Vasari of errant jingoism. In fact, the most significant early developments in Renaissance art took place not in Italy, but in the ‘barbarian’ lands of Flanders and Germany. Instead of understanding the Renaissance as a return to classical models, we should see it as a climax of medieval values - an epoch of huge religious passions and powerful human emotions. 　　The series will celebrate material that is new to television. Waldemar will include art that is not usually thought of as Renaissance art. This will involve 're-classifying' what is sometimes called Late Gothic, and showing it off as a marvellous and native artistic tradition, particularly in the remarkable field of polychrome sculpture. On top of all the new art to be introduced, Waldemar will also look from fresh and intriguing angles at many of the established Renaissance giants, including Michelangelo in the Vatican, Leonardo in the Louvre, Botticelli in the Uffizi and Van Eyck in Ghent.