1936年，19岁的阿部初（满岛光 饰）和许许多多同龄女孩乘船前往满洲，以新娘的身份展开了全新而未知的人生。早于数年前，日本政府从全国各地征集贫穷农家的男儿组成开拓团，在满洲实行移民计划。阿初嫁给了千振（今黑龙江桦南市）开拓团的男儿浅野速男（新井浩文 饰），凭借吃苦耐劳的坚韧意志，浅野夫妇在黑土地上逐渐扎根，之后阿初也相继将老家的弟妹接了过来，一家人过上了幸福而短暂的平凡生活。好景不长，随着太平洋战争的爆发，千振不可避免地被卷入无形的绞肉机中。速男随军奔赴战场，阿初和弟妹、子女、千振的朋友们也辗转流离，在苦难的大地上奋力求生。 　　27万人的开拓团，将近1/3死在中国，而这群人的磨难还远远不曾结束……

高维在一次飞机事故中穿越，以塞西尔家族先祖的身份出现在洛伦大陆。面对着没落的家族，他重新开拓领地，面对阶级的隔阂，他发挥人民群众集智。可疯狂且固执的邪教徒、潜在的魔潮危机仍在，高维该如何面对这即将迎来纪元终结的世界…

高维在一次飞机事故中穿越，以塞西尔家族先祖的身份出现在洛伦大陆。面对着没落的家族，他重新开拓领地，面对阶级的隔阂，他发挥人民群众集智。可疯狂且固执的邪教徒、潜在的魔潮危机仍在，高维该如何面对这即将迎来纪元终结的世界…

Timed with the 2020 women's suffrage centennial, American Masters - Unladylike2020: The Changemakers takes a look at women whose courage and tenacity 100 years ago shaped the political life and future of this nation. Their accomplishments were instrumental in accomplishing voting rights for women -- but also in improving the quality of life for all citizens. This hour-long PBS American Masters animated documentary film will present profiles of five little-known women trailblazers who were active in government, civil rights, and citizenship rights, behaving in ways that placed them outside the mainstream of expected behaviors for 'ladies' at the turn of the 20th century. They include: Martha Hughes Cannon, the country's first female state senator; Jovita Idar, a journalist, and president of one of the first Mexican American women's civil rights organizations; Jeannette Rankin, the first woman elected to the U.S. Congress; Mary Church Terrell, a leader in the anti-lynching movement and a founder of the NAACP; and Zitkála-Sá, aka Gertrude Simmons Bonnin, who lobbied for U.S. citizenship, voting rights and sovereignty for American Indians a century ago.

Timed with the 2020 women's suffrage centennial, American Masters - Unladylike2020: The Changemakers takes a look at women whose courage and tenacity 100 years ago shaped the political life and future of this nation. Their accomplishments were instrumental in accomplishing voting rights for women -- but also in improving the quality of life for all citizens. This hour-long PBS American Masters animated documentary film will present profiles of five little-known women trailblazers who were active in government, civil rights, and citizenship rights, behaving in ways that placed them outside the mainstream of expected behaviors for 'ladies' at the turn of the 20th century. They include: Martha Hughes Cannon, the country's first female state senator; Jovita Idar, a journalist, and president of one of the first Mexican American women's civil rights organizations; Jeannette Rankin, the first woman elected to the U.S. Congress; Mary Church Terrell, a leader in the anti-lynching movement and a founder of the NAACP; and Zitkála-Sá, aka Gertrude Simmons Bonnin, who lobbied for U.S. citizenship, voting rights and sovereignty for American Indians a century ago.

一望无际的西部荒原上，走来了歌声不断的商队。在商队的第一辆车上，坐着米奇（沃尔特·迪斯尼 Walt Disney 配音）和他的女朋友米妮（玛西丽特·加纳 Marcellite Garner 配音），他们在谈论恐怖的印第安人，米奇自然表现出勇猛的气概，决然不怕任何危险。在不远处的悬崖上，印第安人的哨兵发现了商队，他飞奔回到营地，向伙伴们通报了这一消息，族人们于是起身，围着篝火跳起仪式般的庆祝舞蹈。 　　另一边，商队的人们也在晚间围坐在一起，弹琴唱歌，欢快无比，俄而一名老人也唱起忧伤的歌曲，令闻者伤心落泪。就在这时，印第安人向他们袭来，攻防战随即展开……

In his interview on Facet Video's DVD of Diary of a Suicide (Le journal d'un suicidé), Serbian director Stanislav Stanojevic mentions a French arts body that dispenses funds for creative filmmaking, and remarks that Luis Buñuel received more money than he did! This early 70s art film depends for its reputation on a quote by François Truffaut, who may have not seen the film, but had high praise for its screenplay. 　　Diary of a Suicide plays very much like a brief episode in a Buñuel film, but padded to feature length and communicating little beyond a vague nihilism. Busy actor Sami Frey is a handsome young man on a pleasure cruise on the east coast of Spain. He flirts with an attractive fellow passenger (Delphine Seyrig). Neither is given a name. No matter how much the man coaxes, the woman refuses to remove her sunglasses. They visit a church in Barcelona but mostly talk on board ship while watching seagulls. 　　The smiling woman encourages the young man to entertain her with a beautiful story. He responds with several morbid, interlinked anecdotes. A man (Bernard Haller) stands before a mirror, unable to make himself smile. Another man faces a firing squad. Anarchist lovers (Marie-France Pisier & Roland Bertin) fail to carry out an assassination. Wounded, she wants to die but is given a life sentence. Her jailer (Sacha Pitoëff) cannot sleep because he was brain-damaged in a war. That infirmity allows him to watch his prisoner around the clock. The jailer explains that his mind holds only one memory, of a beautiful woman he once knew. Should he forget her as well, the jailer reasons, his life will no longer have a purpose. 　　The female cruise passenger seems pleased by the young man's efforts to seduce her, but she has withheld a wicked surprise. 　　Unfortunately, Diary of a Suicide is a weak and uninvolving slice of mannered filmmaking. Scenes with the two main actors seem arbitrary and haphazard. Many of their encounters are staged against blank walls, and some dialogue scenes avoid showing lips, as in the cheapest of post-dubbed low-budget productions. Except for a few color inserts, all of the shipboard scenes are in B&W. Some of the young man's stories are tinted in various hues. The compositions are rarely framed wider than a medium shot, producing a feeling of claustrophobia. 　　With its nameless lovers and stories within stories, director Stanojevic's puzzle picture is more than a little reminiscent of Alan Resnais' Last Year at Marienbad, minus that film's elegance and compelling dreamlike surface. Little tension develops between the shipboard reality and the man's bizarre stories. A melancholy singer performing aboard the ship appears to represent the mystery woman of the jailer's tale. The singer's actor-husband dresses similarly to the jailer, and carries out the jailer's suicide as part of his act. With the exception of Sacha Pitoëff's morose jailer, none of the story characters connect with the audience. The gaunt, sad jailer truly looks like a man haunted by his loss of memory. 　　Stanislav Stanojevic's main coup for his first film is the gathering of an impressive cast. He's secured the services of Seyrig and Pitoëff, two of the stars of Last Year at Marienbad. Sami Frey and Marie-France Pisier have appeared in films by Agnès Varda, Georges Franju, William Klein, Jean-Luc Godard, H.G. Clouzot, François Truffaut, Alain Robbe-Grillet, Luis Buñuel and Jacques Rivette. 　　Director Stanojevic made two more features blending political themes with aspects of the fantastic. 1979's Subversion is about a country ruled by a paralyzed, blind president and his corrupt daughter. Diary of a Suicide has images of soldiers used as cannon fodder and anarchists dedicated to an assassination, but makes no real political statement. Its final twist is indeed a surprise, but an almost pointless one. 　　Facets Video's DVD of Diary of a Suicide is an acceptable flat transfer with English subtitles. For an extra we're given a lengthy video interview with the director. Stanojevic doesn't discuss Diary at length, preferring to give an unfocused talk about film funding and filmmaking in general.

A young man named Rick regularly gets drunk three sheets and seduces women, one after another. But this was not always the case. Once he had a family, rather beloved wife Elke and he was a sailor and had all the chances to become the captain of the ship. One day he was sent to the semi-annual cruise and Elke left alone. When he returned after a long absence, Rick learns that his wife has become a drug addict and a prostitute. Having found it, he realized that all was lost, and all life is too loses meaning for him, but then "rescue" comes the wife of his best friend Doreen, who tries to seduce him and make her lover. Having been refused, vindictive woman who brought Elke to such a state in the absence of her husband, decides to take revenge on cruel Rica. She finds a young girl like an ideal Rica, pays her money and asks that she "fell in love" him in himself, and then violently thrown. But events unfold in such a way that almost all the characters will regret their actions, and not all will survive until the finals ...

In his interview on Facet Video's DVD of Diary of a Suicide (Le journal d'un suicidé), Serbian director Stanislav Stanojevic mentions a French arts body that dispenses funds for creative filmmaking, and remarks that Luis Buñuel received more money than he did! This early 70s art film depends for its reputation on a quote by François Truffaut, who may have not seen the film, but had high praise for its screenplay. 　　Diary of a Suicide plays very much like a brief episode in a Buñuel film, but padded to feature length and communicating little beyond a vague nihilism. Busy actor Sami Frey is a handsome young man on a pleasure cruise on the east coast of Spain. He flirts with an attractive fellow passenger (Delphine Seyrig). Neither is given a name. No matter how much the man coaxes, the woman refuses to remove her sunglasses. They visit a church in Barcelona but mostly talk on board ship while watching seagulls. 　　The smiling woman encourages the young man to entertain her with a beautiful story. He responds with several morbid, interlinked anecdotes. A man (Bernard Haller) stands before a mirror, unable to make himself smile. Another man faces a firing squad. Anarchist lovers (Marie-France Pisier & Roland Bertin) fail to carry out an assassination. Wounded, she wants to die but is given a life sentence. Her jailer (Sacha Pitoëff) cannot sleep because he was brain-damaged in a war. That infirmity allows him to watch his prisoner around the clock. The jailer explains that his mind holds only one memory, of a beautiful woman he once knew. Should he forget her as well, the jailer reasons, his life will no longer have a purpose. 　　The female cruise passenger seems pleased by the young man's efforts to seduce her, but she has withheld a wicked surprise. 　　Unfortunately, Diary of a Suicide is a weak and uninvolving slice of mannered filmmaking. Scenes with the two main actors seem arbitrary and haphazard. Many of their encounters are staged against blank walls, and some dialogue scenes avoid showing lips, as in the cheapest of post-dubbed low-budget productions. Except for a few color inserts, all of the shipboard scenes are in B&W. Some of the young man's stories are tinted in various hues. The compositions are rarely framed wider than a medium shot, producing a feeling of claustrophobia. 　　With its nameless lovers and stories within stories, director Stanojevic's puzzle picture is more than a little reminiscent of Alan Resnais' Last Year at Marienbad, minus that film's elegance and compelling dreamlike surface. Little tension develops between the shipboard reality and the man's bizarre stories. A melancholy singer performing aboard the ship appears to represent the mystery woman of the jailer's tale. The singer's actor-husband dresses similarly to the jailer, and carries out the jailer's suicide as part of his act. With the exception of Sacha Pitoëff's morose jailer, none of the story characters connect with the audience. The gaunt, sad jailer truly looks like a man haunted by his loss of memory. 　　Stanislav Stanojevic's main coup for his first film is the gathering of an impressive cast. He's secured the services of Seyrig and Pitoëff, two of the stars of Last Year at Marienbad. Sami Frey and Marie-France Pisier have appeared in films by Agnès Varda, Georges Franju, William Klein, Jean-Luc Godard, H.G. Clouzot, François Truffaut, Alain Robbe-Grillet, Luis Buñuel and Jacques Rivette. 　　Director Stanojevic made two more features blending political themes with aspects of the fantastic. 1979's Subversion is about a country ruled by a paralyzed, blind president and his corrupt daughter. Diary of a Suicide has images of soldiers used as cannon fodder and anarchists dedicated to an assassination, but makes no real political statement. Its final twist is indeed a surprise, but an almost pointless one. 　　Facets Video's DVD of Diary of a Suicide is an acceptable flat transfer with English subtitles. For an extra we're given a lengthy video interview with the director. Stanojevic doesn't discuss Diary at length, preferring to give an unfocused talk about film funding and filmmaking in general.

《潜能者》是由腾讯新闻立春工作室出品的全网首档极限运动户外访谈真人秀节目。第二季通过“人生各自有光”这一主题来讲述户外极限运动员的挑战故事，他们经历过人生的高低起伏，有过辉煌的巅峰，也有过伤痛的低谷，但是他们从未放弃；他们不是追光者，但他们让自己成为了光，也让自己的光和热照亮更多的人。第二季节目于2020年9月23日在腾讯新闻播出。