高维在一次飞机事故中穿越，以塞西尔家族先祖的身份出现在洛伦大陆。面对着没落的家族，他重新开拓领地，面对阶级的隔阂，他发挥人民群众集智。可疯狂且固执的邪教徒、潜在的魔潮危机仍在，高维该如何面对这即将迎来纪元终结的世界…

高维在一次飞机事故中穿越，以塞西尔家族先祖的身份出现在洛伦大陆。面对着没落的家族，他重新开拓领地，面对阶级的隔阂，他发挥人民群众集智。可疯狂且固执的邪教徒、潜在的魔潮危机仍在，高维该如何面对这即将迎来纪元终结的世界…

Timed with the 2020 women's suffrage centennial, American Masters - Unladylike2020: The Changemakers takes a look at women whose courage and tenacity 100 years ago shaped the political life and future of this nation. Their accomplishments were instrumental in accomplishing voting rights for women -- but also in improving the quality of life for all citizens. This hour-long PBS American Masters animated documentary film will present profiles of five little-known women trailblazers who were active in government, civil rights, and citizenship rights, behaving in ways that placed them outside the mainstream of expected behaviors for 'ladies' at the turn of the 20th century. They include: Martha Hughes Cannon, the country's first female state senator; Jovita Idar, a journalist, and president of one of the first Mexican American women's civil rights organizations; Jeannette Rankin, the first woman elected to the U.S. Congress; Mary Church Terrell, a leader in the anti-lynching movement and a founder of the NAACP; and Zitkála-Sá, aka Gertrude Simmons Bonnin, who lobbied for U.S. citizenship, voting rights and sovereignty for American Indians a century ago.

一望无际的西部荒原上，走来了歌声不断的商队。在商队的第一辆车上，坐着米奇（沃尔特·迪斯尼 Walt Disney 配音）和他的女朋友米妮（玛西丽特·加纳 Marcellite Garner 配音），他们在谈论恐怖的印第安人，米奇自然表现出勇猛的气概，决然不怕任何危险。在不远处的悬崖上，印第安人的哨兵发现了商队，他飞奔回到营地，向伙伴们通报了这一消息，族人们于是起身，围着篝火跳起仪式般的庆祝舞蹈。 　　另一边，商队的人们也在晚间围坐在一起，弹琴唱歌，欢快无比，俄而一名老人也唱起忧伤的歌曲，令闻者伤心落泪。就在这时，印第安人向他们袭来，攻防战随即展开……

In his interview on Facet Video's DVD of Diary of a Suicide (Le journal d'un suicidé), Serbian director Stanislav Stanojevic mentions a French arts body that dispenses funds for creative filmmaking, and remarks that Luis Buñuel received more money than he did! This early 70s art film depends for its reputation on a quote by François Truffaut, who may have not seen the film, but had high praise for its screenplay. 　　Diary of a Suicide plays very much like a brief episode in a Buñuel film, but padded to feature length and communicating little beyond a vague nihilism. Busy actor Sami Frey is a handsome young man on a pleasure cruise on the east coast of Spain. He flirts with an attractive fellow passenger (Delphine Seyrig). Neither is given a name. No matter how much the man coaxes, the woman refuses to remove her sunglasses. They visit a church in Barcelona but mostly talk on board ship while watching seagulls. 　　The smiling woman encourages the young man to entertain her with a beautiful story. He responds with several morbid, interlinked anecdotes. A man (Bernard Haller) stands before a mirror, unable to make himself smile. Another man faces a firing squad. Anarchist lovers (Marie-France Pisier & Roland Bertin) fail to carry out an assassination. Wounded, she wants to die but is given a life sentence. Her jailer (Sacha Pitoëff) cannot sleep because he was brain-damaged in a war. That infirmity allows him to watch his prisoner around the clock. The jailer explains that his mind holds only one memory, of a beautiful woman he once knew. Should he forget her as well, the jailer reasons, his life will no longer have a purpose. 　　The female cruise passenger seems pleased by the young man's efforts to seduce her, but she has withheld a wicked surprise. 　　Unfortunately, Diary of a Suicide is a weak and uninvolving slice of mannered filmmaking. Scenes with the two main actors seem arbitrary and haphazard. Many of their encounters are staged against blank walls, and some dialogue scenes avoid showing lips, as in the cheapest of post-dubbed low-budget productions. Except for a few color inserts, all of the shipboard scenes are in B&W. Some of the young man's stories are tinted in various hues. The compositions are rarely framed wider than a medium shot, producing a feeling of claustrophobia. 　　With its nameless lovers and stories within stories, director Stanojevic's puzzle picture is more than a little reminiscent of Alan Resnais' Last Year at Marienbad, minus that film's elegance and compelling dreamlike surface. Little tension develops between the shipboard reality and the man's bizarre stories. A melancholy singer performing aboard the ship appears to represent the mystery woman of the jailer's tale. The singer's actor-husband dresses similarly to the jailer, and carries out the jailer's suicide as part of his act. With the exception of Sacha Pitoëff's morose jailer, none of the story characters connect with the audience. The gaunt, sad jailer truly looks like a man haunted by his loss of memory. 　　Stanislav Stanojevic's main coup for his first film is the gathering of an impressive cast. He's secured the services of Seyrig and Pitoëff, two of the stars of Last Year at Marienbad. Sami Frey and Marie-France Pisier have appeared in films by Agnès Varda, Georges Franju, William Klein, Jean-Luc Godard, H.G. Clouzot, François Truffaut, Alain Robbe-Grillet, Luis Buñuel and Jacques Rivette. 　　Director Stanojevic made two more features blending political themes with aspects of the fantastic. 1979's Subversion is about a country ruled by a paralyzed, blind president and his corrupt daughter. Diary of a Suicide has images of soldiers used as cannon fodder and anarchists dedicated to an assassination, but makes no real political statement. Its final twist is indeed a surprise, but an almost pointless one. 　　Facets Video's DVD of Diary of a Suicide is an acceptable flat transfer with English subtitles. For an extra we're given a lengthy video interview with the director. Stanojevic doesn't discuss Diary at length, preferring to give an unfocused talk about film funding and filmmaking in general.

A young man named Rick regularly gets drunk three sheets and seduces women, one after another. But this was not always the case. Once he had a family, rather beloved wife Elke and he was a sailor and had all the chances to become the captain of the ship. One day he was sent to the semi-annual cruise and Elke left alone. When he returned after a long absence, Rick learns that his wife has become a drug addict and a prostitute. Having found it, he realized that all was lost, and all life is too loses meaning for him, but then "rescue" comes the wife of his best friend Doreen, who tries to seduce him and make her lover. Having been refused, vindictive woman who brought Elke to such a state in the absence of her husband, decides to take revenge on cruel Rica. She finds a young girl like an ideal Rica, pays her money and asks that she "fell in love" him in himself, and then violently thrown. But events unfold in such a way that almost all the characters will regret their actions, and not all will survive until the finals ...

Michael Regardie is a lonely, delusional and sick religious zealot of his own invented faith -a faith that justifies hideous rituals of murder, rape and sexual torture. Absolution from his ..

《潜能者》是由腾讯新闻立春工作室出品的全网首档极限运动户外访谈真人秀节目。第二季通过“人生各自有光”这一主题来讲述户外极限运动员的挑战故事，他们经历过人生的高低起伏，有过辉煌的巅峰，也有过伤痛的低谷，但是他们从未放弃；他们不是追光者，但他们让自己成为了光，也让自己的光和热照亮更多的人。第二季节目于2020年9月23日在腾讯新闻播出。

《力量·潜能者》是腾讯新闻立春工作室出品的极限运动户外访谈真人秀节目。每期挑战发起人吴振天会跟随一位极限运动者开启不同体验。吴振天有丰富户外竞技节目经验。节目邀请了中国攀爬自行车车手张京坤、翼装飞行运动员娄宇、地球密码探险队领队熊二、攀岩大师王清华以及明星体验嘉宾邹市明来挑战新任务。观众能跟随他们的脚步，见证骑攀爬车穿越亚拉雪山、在河南嵩山进行翼装飞行、到大兴安岭探寻神秘之地等精彩过程。通过他们的视角，我们能看到内心隐藏的力量，突破日常束缚，探索并释放人生的内在潜力。

《力量·潜能者》是由腾讯新闻立春工作室出品的一档极限运动户外访谈真人秀节目，节目中每期由挑战发起人吴振天跟随一位极限运动者去感受不同的世界。吴振天有着丰富的户外竞技节目经验，节目将邀请中国攀爬自行车车手张京坤、翼装飞行运动员娄宇、地球密码探险队领队熊二、攀岩大师王清华以及明星体验嘉宾邹市明去挑战新的任务。观众将跟随他们一起骑攀爬车穿越亚拉雪山，翼装飞行河南嵩山，在大兴安岭探寻这个让他们魂牵梦绕的神秘之地，透过他们的视角，带我们看到隐藏在自己内心的力量，破茧日常藩篱，探索与释放人生的内在潜力。