突如、ザンクト・ポルトにいるアメリア軍の航宙艦が攻撃を受けた。スペースコロニー国家トワサンガが、地球への帰還を目指す「レコンギスタ」作戦を開始したためだった。ザンクト・ポルトには地球内外の4勢力が集結、それぞれが権利を主張して意見を戦わせる中、アイーダは真実を求め、ベルリや仲間とトワサンガを目指すことを決意する。そして月の裏側にあるトワサンガで、ベルリとアイーダに衝撃の事実が明かされる......。 　　ポスト宇宙世紀とも呼べる「リギルド・センチュリー（Regild Century＝R.C.）」を舞台に、ガンダムの原作者である富野由悠季自身が総監督・脚本を手がけた『Ｇのレコンギスタ』。その作品が5年以上の月日を経て、新たに劇場版として再編集された。2019年11月、2020年27月に上映された第1部、第2部に続く第3部はさらに新作カットを増し、ハイパーな作品としてよみがえる。今、時代を鮮やかに生き抜く若者たちの物語がここに!!

地球上のエネルギー源であるフォトン・バッテリーを宇宙よりもたらすキャピタル・タワー。タワーを護るキャピタル・ガードの候補生ベルリ・ゼナムは、初めての実習で宇宙海賊の襲撃に遭遇して捕獲に協力。捕まった少女アイーダに不思議な何かを感じたベルリは、彼女が「Ｇ-セルフ」と呼ぶ高性能モビルスーツを何故か起動できてしまう。宇宙世紀終焉後の時代、リギルド・センチュリーを舞台に少年少女の冒険は世界の真相に直進する。2014年にTV放送された「ガンダム Ｇのレコンギスタ」（全26話）に新作カットを追加し、映像を再編集した劇場版『ガンダム Ｇのレコンギスタ』（全5部作）の第1部。

主角罗那（兰/拿）是一个平凡的月之子（月之居民）。为贯彻月之女王迪安娜的回归地球行动而与另外两个同伴一同被送到地球。因不适应新环境而几乎遇险，被姬艾尔/苏菲亚姐妹所救而为她们家打工。在一次偶然的机会下发现了埋在矿山中的Turn A Gundam并凭借月之子的经验/判断力而驾驶其对抗入侵的月之回归军。动画并没有特意便标榜罗那为New Type。剧中一些细节，例如罗那变装美女“罗伦”，用高达运牛，洗衣服等等都为这部高达增添了一份前所未有的轻松感． 　　罗兰肩负月之住民的期望，他是为了用自己的肉体证明月之住民适合地球的环境而被送来的少年中的一人。这是月之住民为回到地球而进行的战斗的第一步，可说是一种献身的行为，罗兰顺利地完成了任务，少年们自从落到地球后，适应了地球的环境并溶入了这里的社会……他们相信，当月球的同伙们访问地球的时候，无论是月之住民还是地球人都可以拉起手来成为朋友。 　　但是现实无情地打碎了少年们的理想。地球人与月之住民各自的道路是不同的，要让两支小流合成一条大河，也许冲突将不可避免。乘上MS的罗兰，虽是月球人，但却成为地球上最强的战斗力。面对最崇拜的月之女王还有在他身上寄予厚望的一帮地球朋友他将怎么样选择自己的命运？？面对苏菲雅和迪亚娜女王（甚至是高安少爷）的爱他又该何去何从？？面对最终劲敌金卡拉姆的Turn X他又将如何应付？？

This short film, made in 2005, starts when Framton Nuttel enters the house of Mrs Sappleton. He is a young man from London suffering from nervous exhaustion, and he goes to the country side for some prescribed rest. He calls upon Mrs Sappleton, an acquaintance of his sister’s. 　　He is shown to the parlour by Mrs Sappleton’s niece, Vera, who entertains the man while he awaits the appearance of his host. Vera tells a story, the terrible tragedy of Mr Sappleton and his sons. He is told how they went out hunting in the marshes, and were lost in a fog three years earlier. Their bodies were never found but the mistress of the house insists that the French doors are left open every day until dusk, preying and hoping that one day they will return. 　　Mrs Sappleton arrives in the room, and quite blithely references that the doors are left open in expectation of her husband and sons. Nuttell and Vera exchange a knowing look. Tea is served while Mrs Sappleton reads Framton’s letter of introduction. As they sit, trying to make polite conversation, Framton notices figures emerging from the mist and heading towards the open doors. 　　Mrs Sappleton exclaims in surprise and delight, but the look of horror on Framton’s face is obvious. He drops his tea cup and leaves the room and house as fast as he can. 　　When Mr Sappleton inquires after the guest he saw leaving in a hurry, Mrs Sappleton explains that he was visiting the country for his health but that she thought he was an odd man. Vera continues to explain his sudden departure as being caused by the dogs they had with them. She explains that he had spent a terrible night some years ago that he was chased along The Ganges by a pack of wild dogs. The film finishes with Vera giving the camera a cheeky knowing glance. 　　http://www.michael-sheen.co.uk/newsdesk/filmography/film-index/the-open-doors/

This short film, made in 2005, starts when Framton Nuttel enters the house of Mrs Sappleton. He is a young man from London suffering from nervous exhaustion, and he goes to the country side for some prescribed rest. He calls upon Mrs Sappleton, an acquaintance of his sister’s. 　　He is shown to the parlour by Mrs Sappleton’s niece, Vera, who entertains the man while he awaits the appearance of his host. Vera tells a story, the terrible tragedy of Mr Sappleton and his sons. He is told how they went out hunting in the marshes, and were lost in a fog three years earlier. Their bodies were never found but the mistress of the house insists that the French doors are left open every day until dusk, preying and hoping that one day they will return. 　　Mrs Sappleton arrives in the room, and quite blithely references that the doors are left open in expectation of her husband and sons. Nuttell and Vera exchange a knowing look. Tea is served while Mrs Sappleton reads Framton’s letter of introduction. As they sit, trying to make polite conversation, Framton notices figures emerging from the mist and heading towards the open doors. 　　Mrs Sappleton exclaims in surprise and delight, but the look of horror on Framton’s face is obvious. He drops his tea cup and leaves the room and house as fast as he can. 　　When Mr Sappleton inquires after the guest he saw leaving in a hurry, Mrs Sappleton explains that he was visiting the country for his health but that she thought he was an odd man. Vera continues to explain his sudden departure as being caused by the dogs they had with them. She explains that he had spent a terrible night some years ago that he was chased along The Ganges by a pack of wild dogs. The film finishes with Vera giving the camera a cheeky knowing glance. 　　http://www.michael-sheen.co.uk/newsdesk/filmography/film-index/the-open-doors/

在二月十四日的情人节惨案后，旧人类与新人类的战争一触即发。在以阿斯兰为首的新人类的一次突袭中，基拉被迫登上了高达并与好友阿斯兰作战。由于基拉的出色战斗，新人类抢夺四台机体后仓促离开，但惨烈的战斗导致旧人类的居住卫星解体，从而引发了地球军与扎夫特军的战争。基拉驾驶高达登上了大天使号，开始代表地球军与扎夫特军战斗。在一场场的战斗中，基拉与阿斯兰从彼此误解到相互理解，最后两人率领一支中间力量阻止了地球军与扎夫特军的战争。

黄秋生2020年12月接下台湾LINE TV实境节目《开着餐车交朋友》，与KID、宋柏纬搭档主持，3人预计开着拖挂式露营车展开1个半月的环岛。他们在晶华酒店举办开镜仪式，黄秋生刚结束隔离14天，苦笑道：“很闷，差不多快疯掉了。” 他展现冷面笑匠功力，故意揶揄KID：“他们告诉我你是国际巨星我才来的”，又说自己买了台语书，但是“放在香港忘了带来”。