丧尸末日爆发15天后，小区内的大部分住户都感染了丧尸病毒，我和我的父母囤货蜗居在家苟活。随着时间推移，缺少食物的住户已经杀红了眼，拿着武器开始一家家搜寻。此时此刻，就有一群人站在我们家门口，开始暴力砸门。

影片以心理治愈为故事主线，交织着爱情线与复仇线， 讲述女主人公京雪萌得知母亲去世的消息，精神状态极不稳定，患上抑郁症，并出现自杀倾向，对父亲的情人林美娜更是恨之入骨。正当自己脆弱之际，心理学硕士男友沈俊昊出于私心，竟“利用了”京雪萌的精神状态，设计了一系列对林美娜的报复计划，另一边失去孩子的林美娜更是仇恨至极。就这样，两个女人在一个豪华的别墅里展开了一场亦真亦假，扑朔迷离的复仇事件……而和京雪萌、沈俊昊是高中同学并一直暗恋京雪萌的韩飞，担任京雪萌心理医生。韩飞心思缜密，就在京雪萌越陷越深时，韩飞揭开了沈俊昊的阴谋，并一步步拉雪萌走出阴影，而林美娜彻底被逼疯！当京雪萌回忆着一幕幕的往事最终与韩飞幸福牵手。

影片以心理治愈为故事主线，交织着爱情线与复仇线， 讲述女主人公京雪萌得知母亲去世的消息，精神状态极不稳定，患上抑郁症，并出现自杀倾向，对父亲的情人林美娜更是恨之入骨。正当自己脆弱之际，心理学硕士男友沈俊昊出于私心，竟“利用了”京雪萌的精神状态，设计了一系列对林美娜的报复计划，另一边失去孩子的林美娜更是仇恨至极。就这样，两个女人在一个豪华的别墅里展开了一场亦真亦假，扑朔迷离的复仇事件……而和京雪萌、沈俊昊是高中同学并一直暗恋京雪萌的韩飞，担任京雪萌心理医生。韩飞心思缜密，就在京雪萌越陷越深时，韩飞揭开了沈俊昊的阴谋，并一步步拉雪萌走出阴影，而林美娜彻底被逼疯！当京雪萌回忆着一幕幕的往事最终与韩飞幸福牵手。

A young waitress is abducted by a religious cult, who are hell-bent on curing her from a sexually transmitted werewolf virus - or killing her in the process. Will she escape before the first full moon?

A young waitress is abducted by a religious cult, who are hell-bent on curing her from a sexually transmitted werewolf virus - or killing her in the process. Will she escape before the first full moon?

A serial killer is loose at an all girl school, where he strangles girls with a piece of barbed wire.

一年前，某山村医院的女医生和江在山路中撞倒一名全身赤裸的美丽女子，令她惊讶的是该女子竟与院长死去的女儿一模一样。她尾随着女孩在山路间穿行，最终见到生平最为恐怖的一幕。一年后，和江迎来了两名公共安全课警察的拜访，从对方口中得知，自明治时代以来就有一个名叫富江的美丽女子存在，她所到之处总会引起情感纠纷，最终她必定会为争夺她的男人杀害，亦或是引起男人们的嫉妒厮杀。恐怖的是，无论死状多么凄惨恐怖，富江都会再次活转，而且她尸体的每一部分都会单独繁殖出一个新的富江，接下来便是新一轮的死亡轮回。公安相信和江一年前撞倒的女孩就是富江的分身，而目前住在医院失忆女子业和富江有着些许的联系。恐怖的故事由此上演…… 　　本片根据日本著名恐怖漫画家伊藤润二的同名系列漫画改编。

林肯总统签署的最后一项法案授权将联合太平洋铁路穿过荒原推向加利福尼亚。但金融投机家阿萨-巴罗斯（Asa Barrows）希望通过阻挠这条铁路获利。首席故障排除专家杰夫-巴特勒（Jeff Butler）手忙脚乱地与巴罗斯的代理人、赌徒希德-坎普（Sid Campeau）斗智斗勇；坎普的合伙人迪克-艾伦（Dick Allen）是杰夫的战友，也是工程师女儿莫莉-莫纳汉（Molly Monahan）的情敌追求者。谁能在不惜一切代价推动铁路贯通的努力中幸存下来？

In the first scene, two men stand outside of a car, waiting for the air conditioner to cool down the vehicle. As one puts on some house music using the car’s CD player, their silence is broken into a state of indescribable feelings. In the second scene, shot on Super 8 film, a person tries to recount a story as he spins a pen around in his hands. As he narrates the story which he cannot fully remember, he ponders this unusual amnesia. In the third scene, also filmed on Super 8, focuses on two pairs of hands cutting each other’s nails, the caring yet sensitive gesture were echoed by the intertitles. The fourth scene features a woman standing in a forest putting tiger balm on her body. And in the last scene, two people are playing cat's cradles, while two voices exchanges stories of inexplicable gestural encounters with other queer bodies. 　　Improvised with a non-white cast, and prominently featuring queer and Asian bodies, these fragmented memories, uneasy gossip, and moments of silence, center on one key question: When the idea of an individual subject cannot take form, how might we reconsider being visible, audible, or legible?

失控世界，潮流、刺激的末日战场。