A comic celebration of dreamers and their dreams, LIVING IN OBLIVION is the second film written and directed by Tom DiCillo. With a tone that teeters somewhere between Kafka and the Marx Brothers, it chronicles the hilarious misadventures of a group of people who have joined together to accomplish one of the most difficult goals imaginable - the making of a low-budget independent film. With an innovative and surprising structure that shifts fluidly between the movie being made and those making it, the film offers a rare and accurate -- if comically heightened -- look behind-the-scenes, with the people who make the scenes. How they make them -- and the fact that they manage to make them at all -- is what LIVING IN OBLIVION is all about. 　　Starring Steve Buscemi as director Nick Reve, LIVING IN OBLIVION highlights a day on the set of Nick's film where everything that could possibly go wrong, actually does. Struggling against ever-escalating odds to maintain his integrity and his sanity, Nick is both helped and hindered by his bumbling, if well-intentioned crew, headed by his cinematographer Wolf (Dermot Mulroney), a cameraman whose leather gear suggests that he is more inspired by Billy Idol than Sven Nykvist; a leading lady, Nicole (Catherine Keener), a talented but neurotic actress who is involved in a romance and a rivalry with her leading man, Chad Palomino (James Le Gros); an iron-willed assistant director, Wanda (Danielle Von Zerneck); and, for the first time ever on-screen, a Gaffer.

A comic celebration of dreamers and their dreams, LIVING IN OBLIVION is the second film written and directed by Tom DiCillo. With a tone that teeters somewhere between Kafka and the Marx Brothers, it chronicles the hilarious misadventures of a group of people who have joined together to accomplish one of the most difficult goals imaginable - the making of a low-budget independent film. With an innovative and surprising structure that shifts fluidly between the movie being made and those making it, the film offers a rare and accurate -- if comically heightened -- look behind-the-scenes, with the people who make the scenes. How they make them -- and the fact that they manage to make them at all -- is what LIVING IN OBLIVION is all about. 　　Starring Steve Buscemi as director Nick Reve, LIVING IN OBLIVION highlights a day on the set of Nick's film where everything that could possibly go wrong, actually does. Struggling against ever-escalating odds to maintain his integrity and his sanity, Nick is both helped and hindered by his bumbling, if well-intentioned crew, headed by his cinematographer Wolf (Dermot Mulroney), a cameraman whose leather gear suggests that he is more inspired by Billy Idol than Sven Nykvist; a leading lady, Nicole (Catherine Keener), a talented but neurotic actress who is involved in a romance and a rivalry with her leading man, Chad Palomino (James Le Gros); an iron-willed assistant director, Wanda (Danielle Von Zerneck); and, for the first time ever on-screen, a Gaffer.

本作讲述了一个向来回避人际交往、独自生活的男人，因在不知情的状况下被人登记结婚，人生自此朝着意想不到的方向发展。主人公夏野干夫为更新护照前往政府机关，随手拿到的户籍誊本上竟写着自己有个毫无印象的“妻子”。得知名叫繁子的女性擅自与自己登记结婚后，干夫从那天起便开始寻找“夏野繁子”。他最终在街角的一家小花店找到了她，却发现她是个碰什么就弄坏什么、性格极其特别的女人，两人的奇妙关系也由此开启。

Luke is a millennial, an aspiring filmmaker with a creative block. He’s looking for new sources of inspiration in the city where he lives, Rome. In this city, electrifying and stale at the same time, friends and lovers become his only form of distraction, analysis and awareness.

Luke is a millennial, an aspiring filmmaker with a creative block. He’s looking for new sources of inspiration in the city where he lives, Rome. In this city, electrifying and stale at the same time, friends and lovers become his only form of distraction, analysis and awareness.

伊丽莎白·泰勒饰演一名富家女，她同时周旋于小提琴家维托里奥与钢琴家约翰之间玩弄爱情，令两名音乐家苦恼不已，最后她也从惨痛的代价中领悟什么是真正的爱情。 　　此为查尔斯·维多导演的三角恋爱故事片，剧情虽不新鲜，但演员配搭得宜，也具有丰富的音乐性，看来赏心悦目。本片中美丽的欧洲风景和悦耳的动听的古典音乐演奏会来支撑单薄平凡的剧情，加上女主角演出精彩，所以看起来并不沉闷，只是节奏较慢，情节安排了过分肥皂剧化，显得有点冗长。

“即使隔着地球，我也能感觉到你的温暖！”

肉食兽和草食兽共存的世界。在食肉被视为重罪的情况下 ，全寄宿制的名门高中·却里顿学园发生了学生被吞噬的“食杀事件”。 在充斥着不安的校园里，戏剧部的怪人·灰狼雷格西过着与其“庞大身躯”和“锐利尖牙”相反的安静生活。但是和小巧的兔子的女学生·春的相遇，打动了雷格西的心。 “我追求她的心情，是恋爱？还是食欲？” 他真正遇到的东西，是他自己的本能——

欧洲某座城市街头一角，老旧的公寓迎来了一个沉默的身影。男人身着风衣，头戴礼帽，他安静地走进公寓，沿着陈旧朽烂的楼梯一步步迈了上去。最终他走进一间屋子，有条不紊脱掉帽子和风衣，坐到一架风琴前。男人在嘴里塞了一个苹果后，开始演奏大音乐家巴赫创作的狂想曲。伴随激昂、庄重且充满 宗教仪式感的旋律，这座公寓仿佛从沉睡中苏醒了一般，墙砖、石头、墙灰变幻着不同图案，迎合着这穿越时空的演奏。斑驳的壁垒记录着亘古兴衰，生动演绎着时间流动的痕迹…… 　　本片荣获1965年戛纳电影节最佳短片奖。

欧洲某座城市街头一角，老旧的公寓迎来了一个沉默的身影。男人身着风衣，头戴礼帽，他安静地走进公寓，沿着陈旧朽烂的楼梯一步步迈了上去。最终他走进一间屋子，有条不紊脱掉帽子和风衣，坐到一架风琴前。男人在嘴里塞了一个苹果后，开始演奏大音乐家巴赫创作的狂想曲。伴随激昂、庄重且充满 宗教仪式感的旋律，这座公寓仿佛从沉睡中苏醒了一般，墙砖、石头、墙灰变幻着不同图案，迎合着这穿越时空的演奏。斑驳的壁垒记录着亘古兴衰，生动演绎着时间流动的痕迹…… 　　本片荣获1965年戛纳电影节最佳短片奖。