单亲妈妈戴安（安妮·杜尔瓦勒 Anne Dorval 饰）大大咧咧，抽烟喝酒满口脏话，有着一颗不服输的心。她独自抚养患有多动症、常做出暴力行为的儿子斯蒂夫（安托万-奥利弗·波尼安 Antoine-Olivier Pilon 饰），母子关系游走在爆炸的边缘。戴安担心斯蒂夫惹是生非，斯蒂夫迫切想表达对妈妈的爱。新邻居凯拉（苏珊娜·克莱蒙 Suzanne Clément 饰）适时出现，这位患有失语症的高中女教师充当了母子的缓冲阀，让三个人都开始看到平衡和希望。然而斯蒂夫以前暴力行为带来的后果正在发酵，戴安需要支付一大笔赔偿金。她决定出卖自己的幸福并且做出一个痛苦决定：将儿子送回医院接受治疗...... 　　《妈咪》是加拿大年轻导演泽维尔·多兰执导的第五部剧情长片，与多兰五年前在戛纳导演双周单元惊艳亮相的处女作《我杀了我妈妈》构成对照，同样讲述单亲家庭中狂躁而又深刻、依赖而又隔膜的母子关系。但不同于《我杀了我妈妈》的高度自传属性，《妈咪》更加宽厚和温暖，情绪更加饱满，几乎可以看作是多兰为自己处女作年少轻狂做出的一份愧意表达。本片入围第67届戛纳电影节主竞赛单元，与《再见语言》并列评审团奖。

根据真实故事改编而成，以独特的视角剖析边缘世界的内部生活，揭露被忽视群体的尊严与人性挣扎，是一部充满话题性的数字电影。故事讲述在夜场工作的三个女孩若诗、瑶瑶、小雨，因为不同的价值观，虽是好姐妹却走上完全不同的人生轨道。通过三个女孩的心态与人生轨迹，以及夜场中形形色色人的生活状态，为观众呈现一段不一样的夜场故事。

根据真实故事改编而成，以独特的视角剖析边缘世界的内部生活，揭露被忽视群体的尊严与人性挣扎，是一部充满话题性的数字电影。故事讲述在夜场工作的三个女孩若诗、瑶瑶、小雨，因为不同的价值观，虽是好姐妹却走上完全不同的人生轨道。通过三个女孩的心态与人生轨迹，以及夜场中形形色色人的生活状态，为观众呈现一段不一样的夜场故事。

五年前，宁知夏一夜情救了首富继承人裴隽，被裴家老太太去母留子。裴隽一边抚养孩子，并靠着宁知夏身上的蝴蝶胎记坚持寻找孩子亲妈。五年后，大难不死却失忆的宁知夏，重遇儿子寻寻与裴隽，却因互相没有认出来，发生了一系列的误会和矛盾。

五年前，宁知夏一夜情救了首富继承人裴隽，被裴家老太太去母留子。裴隽一边抚养孩子，并靠着宁知夏身上的蝴蝶胎记坚持寻找孩子亲妈。五年后，大难不死却失忆的宁知夏，重遇儿子寻寻与裴隽，却因互相没有认出来，发生了一系列的误会和矛盾。

当神秘的位面融合发生，全人类被卷入诡异世界。这里危机四伏，恐怖的怪物、未知的陷阱时刻威胁着生命，稍有不慎便会万劫不复。但同时，难以想象的机遇也隐藏其中，稀世珍宝、强大技能等待有缘人发掘。在这绝境中，人类能否利用机遇克服危险，闯出一条求生之路？

They’re the band that everybody has an opinion on, the band that spawned a thousand copyists but combusted too soon to achieve their true potential. In 2004, two years after releasing their first single, The Libertines split. Then in 2010, Carl Barat, Pete Doherty, John Hassall and Gary Powell reunited to play Reading and Leeds, the biggest shows of their career. 　　Frequently described as the UK’s most important music photographer and photojournalist, Roger Sargent was responsible for shooting many iconic photos of this acclaimed British band. His debut feature THE LIBERTINES – THERE ARE NO INNOCENT BYSTANDERS is an all-access music documentary that spans the period of time from the announcement of this reunion to the weekend of Reading and Leeds. With unrivalled access to their inner sanctum, Sargent’s aim was to look beyond tabloid headlines and give an intimate insight into a band reforming and friendships repaired. Rather than taking a strictly linear approach, it’s the spirit that Sargent wanted to capture: stories and moments retold and relived by the band themselves. This includes whimsical, romantic snapshots of the bands history told by band members in locations which resonate with them: for example, a day with Pete in Paris, and Carl giving a guided tour of the “Libertines East End” including a visit to Bethnal Green’s Libertine Alley which is graffiti-scrawled with song lyrics, and Brick Lane’s famous bagel shop. Profiling each band member individually and collectively – something which has never been done before – each of the boys have the chance to put their story in their way. Including access to rehearsals, warm-up gigs at The Forum, and the Reading/Leeds weekend, the film also makes use of Sargent’s unparalleled archive of photos, and altogether it’s as much about the band rediscovering The Libertines as everyone else. 　　Thanks to Roger’s long history with the band, The Libertines goes behind the tabloid headlines to give viewers unrivalled access to the love, laughter, passion and power of a band which united and inspired a generation.” 　　Following a brief sojourn at Melody Maker and ID Magazine, Roger Sargent went to NME, surviving trauma and trends for over a decade. Having worked for Rolling Stone, Mojo, Daily Telegraph, and The Guardian amongst others, he has most recently won critical and popular acclaim for two major exhibitions, The Libertines – Boys In The Band and Future Legends. An exhibition of his photography will run in Spitalfields Market for the duration of East End Film Festival. THE LIBERTINES – THERE ARE NO INNOCENT BYSTANDERS is his debut feature.

《时尚妈咪》区别于以往的育儿栏目，育儿不再枯燥，将呈现专业母婴知识、亲子内容，用独特的方式和别出心裁的方法，教您成为最时尚最自信最健康的辣妈、奶爸和潮奶潮爷。