A young woman is forced into a relationship with her superior. He turns out to be a psychopathic pervert and makes her life a living hell by means of molestation and rape!

A young woman is forced into a relationship with her superior. He turns out to be a psychopathic pervert and makes her life a living hell by means of molestation and rape!

The plot introduces us to a psychologist who suggests to three couples that they engage in a group session, where they will have to analyse each other without her being present. In order to do so, she has left them a number of envelopes containing instructions on the things they have to address. The method she has proposed encourages everyone to share their opinions, argue with each other and reveal their true selves. They are all public prosecutors and defence lawyers; they all interrogate one another, confess, lay themselves bare emotionally, regret the things they have said and toy with provoking the others. It’s a comedy with realistic characters and with a great sense of humour up until the final twist, which will wipe the smile off the audience’s faces because, in an instant, everything will take on a different meaning.

昭和33年、安藤組最大の襲撃事件における安藤昇の逃亡34日間の性生活を実録タッチで描く官能ドラマ。R18+指定作品。7人の愛人役には、萩野まゆみ、ひろみ麻耶、絵沢萠子等が扮し、見事な体当たりの艶技を披露。また、泉谷しげるが映画音楽に初挑戦。当時、日活ロマンポルノの鬼才といわれた田中登監督が、鮮烈な陶酔の世界を迫真のエロチシズムで描いた異色作。昭和33年6月11日、午後2時。安藤興業社長・安藤昇は、債券取り立ての依頼を受けて、銀座の極東船舶社長早川哲司を訪ねた。しかし早川は、「やくざの出る幕じゃない」と安藤を追い帰した。安藤は事務所に帰ると、幹部を召集して早川襲撃を命じた。同日、午後7時。早川の事務所に、安藤組組員・船橋一也が忍び込んだ。船橋は早川を確認して、肩をめがけて銃弾を発射。一方、安藤はアリバイ工作のため、その頃、東京駅発大阪行特急こだまに乗り込んでいた。同日、午後11時。熱海・菊井旅館の一室で、安藤は行きずりのバーのマダムと刹那的なセックスに陶酔する。その後、警察に追われながらも安藤は、7人の愛人宅を転々とし、官能的セックス、野獣的セックスへとのめり込んでいく・・・。

노총각 한수는 상가관리실 직원으로 경비업무와 세입자를 관리하는 일을 한다. 그는 가방속에 여자 누드사진첩을 가지고 다니는데, 그중에서도 에로영화의 여배우인 윤소희의 사진을 가장 아낀다. 그런 윤소희가 실제로 그의 앞에 나타난다. 윤소희가 건물지하의 나이트 클럽을 인수한 것이다. 그러나 어느날 예외없이 건물을 돌아보던 한수는 감미로운 음악과 함께 윤소희와 클럽 지배인 원도수가 나누는 은밀한 대화를 엿듣는다. 그날부터 한수는 두사람의 행동을 훔쳐보기 시작하고 모종의 살인사건을 계획하고 있다는 사실을 알게되자, 자신에게 살인누명이 다가오는 줄도 모른채 윤소희에게 접근을 시도한다.

一对 70 年代的自由情侣引诱另一对情侣尝试双性恋和群交。 　　拉德利·梅茨格执导的一部情色电影，是首先探讨两性关系的影片之一。影片基于一部非百老汇舞台剧剧本，该剧曾于1971年10月28日到11月15日之间在马提尼克剧院上演28次。舞台剧版的编剧是杰里·道格拉斯，后来他也成为电影版的主要编剧。影片场景设定在虚构、优雅的房屋中，影片的预算在当时的独立电影中是比较高的。

Liberated '70s couple seduce another couple into experimentation with bisexuality and group-sex.

In the well-to-do suburbs of a small town, a group of pretty average, well-adjusted sixteen and seventeen year olds are ordinary adolescents who take a singular path.

攝影棚鎂光燈打開，照在女人身上。她是安姬，一個性工作者，被磁性嗓音的男導演訪問著，一個接一個的尖銳提問，激盪出持續思辯千萬年也沒有正解的兩性攻防。最有趣的是，《末路小狂花》製片、首任導演的約翰溫特選擇了八名各自精彩的女演員，交錯扮演風情萬種的「安姬」一角，她們用精湛演技，共同塑造出一個無與倫比的「八」面夏娃。