萨比格尼·瑞比克金斯基导演1988年制作的《Fouth Dimension》是一部极具视觉观赏性的影片，静物和人体都可以在思维空间中扭曲，特别是一对男女相拥时周围出现DNA的双螺旋结构，极富艺术感。浮动的精子、贝壳等性的象征物表现出阴阳结合的自然美好，歌颂了造物的神奇。

“Created under a ‘manifesto’ whose directives would make Lars von Trier shudder, this three-part film might look on paper like an exercise in forced hipness. Working under orders tall, whimsical (according to the manifesto, a stuffed animal must make an appearance no matter what) and surreal, Korine’s Lotus Community Workshop drops Val Kilmer in an alternate-universe existence as a BMX-riding motivational speaker with a fanny pack. Fedorchenko’s Russia-set Chronoeye spins the tale of a grumpy inventor whose noisy neighbor interrupts his time-travel experiments. And Kwiecinski’s eerily beautiful Fawns follows a quartet of friends as they prance through an empty Polish town seemingly unconcerned about the deadly flood about to overtake them.”

“Created under a ‘manifesto’ whose directives would make Lars von Trier shudder, this three-part film might look on paper like an exercise in forced hipness. Working under orders tall, whimsical (according to the manifesto, a stuffed animal must make an appearance no matter what) and surreal, Korine’s Lotus Community Workshop drops Val Kilmer in an alternate-universe existence as a BMX-riding motivational speaker with a fanny pack. Fedorchenko’s Russia-set Chronoeye spins the tale of a grumpy inventor whose noisy neighbor interrupts his time-travel experiments. And Kwiecinski’s eerily beautiful Fawns follows a quartet of friends as they prance through an empty Polish town seemingly unconcerned about the deadly flood about to overtake them.”

Acclaimed filmmaker Trinh T. Minh-ha ventures into the digital realm with her stunning feature, THE FOURTH DIMENSION, an incisive and insightful examination of Japan through its art, culture, and social rituals. As is the case with Trinh's previous films, her film is a multi-layered work addressing issues around its central theme: the experience of time, the impossibility of truly "seeing," and the impact of video on image-making. 　　THE FOURTH DIMENSION is an elegant meditation on time, travel, and ceremony in the form of a journey. In her first foray into digital video, Minh-ha deconstructs the role of ritual in mediating between the past and the present. She explains, "Shown in their widespread functions and manifestations, including more evident loci such as festivals, religious rite and theatrical performance, 'rituals' involve not only the regularity in the structure of everyday life, but also the dynamic agents in the world of meaning." With its lush imagery, Minh-ha's Japan is viewed through mobile frames, with doors and windows sliding shut, revealing new vistas as it blocks out the old light. 　　“Trinh T. Minh-ha’s newest essayistic work and her first videotape, cuts an intricate key for unlocking this elusive culture. Her tack finds great visual pleasure in the everyday, composing and decomposing the social landscape, while constructing a poetic grid of temporalities, symbolic meaning, and ritual. In THE FOURTH DIMENSION, Trinh’s lyrical narration guides us through ‘Japan’s likeness,’ the perfected framing of the sacramental familiar.” - Steve Seid

本片讲述利用能检测出人们杀意的装置以及利用思想粒子做出的“井”，来探知事件真相的科幻故事

本片讲述利用能检测出人们杀意的装置以及利用思想粒子做出的“井”，来探知事件真相的科幻故事

曾有一部电影，被称作世上最恐怖的影片。它只公开放映过一次，却引起了极大的血腥事件，因此被当局永久禁止，拷贝也销毁殆尽。从此它成为资深影迷间口耳相传却无缘一见的传奇电影，它的名字叫做——《最后的世界末日》。 　　影院经理科比（Norman Reedus 诺曼•里德斯 饰）濒临破产，丈人亦指责其害死了其女儿安妮（Zara Taylor 饰），走投无路的科比只得受雇于私人收藏家贝林格（Udo Kier 尤度•奇尔 饰），去寻找那部传说中的恐怖电影，却从此踏上一条通往地狱的不归路……

《异度山谷》是一部典型的北欧哥特风格影片。在挪威的山海之间有一个小村庄，六岁的阿斯拉克和他的妈妈阿斯特丽德一同生活。但是一个惨剧让他们的生活发生了巨变。年幼的阿斯拉克还无法理解发生的一切，他的妈妈阿斯特丽德艰难地维系着生活。这时，阿斯拉克的朋友给他展示了一个令人毛骨悚然的景象——在满月之夜，有三只羊被撕咬掉一半身体，惨死在森林里。阿斯拉克为了寻找这一切的答案，他走入了房子后面漆黑的森林中冒险。男孩在森林中遇到了种种异象，这到底是他的脑中幻象还是真实的存在……