上海市第八人民医院是徐汇区定点收治弃儿的医院，最多时一年就收治了上百名弃儿。由于种种原因，这些明明有父母家人的孩子们失去了父母家人。他们孤独、无助，或许还受到病痛的折磨。本片聚焦的，就是这样一群特殊的孩子，以及陪伴他们的人们

In a future medieval world, after the collapse of our civilization, man has repeated all the same mistakes again, and installed a new system of law based on false science and superstitious beliefs. Worst of all their deviances now, is anyone who dares to consume or even touch the sweet-tasting 'Chisa' flower. Once caught, they are permanently banished from the village, and made to live a life of solitude and poverty. Most prone to this deviance are children - known by elders as 'vessels for evil' - since their natural curiosity makes them prey to temptation. Yet these rejected children, left to their own devices, free and as wild as the wind, are discovering the true power of this plant and its teachings. Its sap contain what most adult fear: a vision of the truth. They have learned so much that some villagers even accuse these children of witchcraft.

青年农民卜奇与邢珍新婚未久，感情甚笃。某日，富家公子金子昌来到乡下，在讨水喝时见到邢珍，惊为天人，花言巧语引诱她与自己一起离家而去。卜奇四处寻妻不得，来到城里，把盘缠花光也没找到妻子，生活无着，沦落为贼党。邢珍与金子昌同居数月后生了一个男孩，金子昌由于这个孩子非己所出，要扔掉，邢珍不同意，金子昌半夜把孩子偷带出去扔到路边，匪人吴惠劫取金子昌所戴钻戒后将其杀害。卜奇行窃被警探追踪，慌不择路跑到这里，见到弃儿和金子昌的尸体，十分害怕，他将弃儿抱走托给一个陆姓老妇，这时警探追踪而至，以莫须有罪名将他捉走判了六年监禁。卜奇出狱后找到陆姓老妇家，见她正在打骂一个小男孩，他没认出这就是自己当年寄养的孩子，上前劝解，不想老妇竟认出了他，向他索要六年的抚养费，卜奇没钱，抱起孩子就跑，仍然回到贼窟。这时吴惠为了谋图金家的财产，进金家当了汽车夫。为了让弃儿将来做内应，他把弃儿带去见女主人慧珠，哄骗她收容了弃儿。而邢珍自金子昌死后生活无依，也辗转到金家做了佣人，待得知慧珠就是金子昌之妹后，更不敢让人知道自己的来历。弃儿感念慧珠厚待，不愿为贼人做内应。吴惠命卜奇去金府行窃，被慧珠的表兄陈生发现，卜奇逃到楼上遇到弃儿，他逼问弃儿财物藏在何处，弃儿不说，卜奇自己翻箱倒柜，邢珍听见动静赶来，夫妻相见十分惊骇。慧珠亦赶来，得知二人是夫妻后，放卜奇跳窗逃走。陈生素爱慧珠，但调笑时遭慧珠拒绝，今见她忽然放一外来男子逃走，醋火中烧，到慧珠叔父处进谗言，叔父怀疑慧珠不贞而怒斥她，慧珠蒙冤愤而出走，到山中尼庵去找出家为尼的姑母，深夜迷路跌落到山下昏了过去。恰巧卜奇路过将她救到吴惠藏匿赃物的小屋。吴惠见到慧珠，要将她作为人质勒索金家，卜奇不允，二人斗殴，不料引起大火，幸得弃儿赶来，用木棍击倒吴惠，救出卜奇，当他再次冲进屋救慧珠时，被烟熏倒，卜奇冲进屋将弃儿和慧珠救出，吴惠葬身火窟。慧珠归家，辩白冤屈。卜奇和邢珍各道自己的遭遇，得知邢珍失子与卜奇得儿为同时，弃儿就是他们夫妻的儿子。全家喜相聚的时刻，他们感念是慧珠的善良使他们得以团圆。

小娜塔莎出了家门，失去了在大城市。出席了它的命运，她会见了她迷人的，充满乐趣的冒险旅行。当然，一切都结束了...

In a future medieval world, after the collapse of our civilization, man has repeated all the same mistakes again, and installed a new system of law based on false science and superstitious beliefs. Worst of all their deviances now, is anyone who dares to consume or even touch the sweet-tasting 'Chisa' flower. Once caught, they are permanently banished from the village, and made to live a life of solitude and poverty. Most prone to this deviance are children - known by elders as 'vessels for evil' - since their natural curiosity makes them prey to temptation. Yet these rejected children, left to their own devices, free and as wild as the wind, are discovering the true power of this plant and its teachings. Its sap contain what most adult fear: a vision of the truth. They have learned so much that some villagers even accuse these children of witchcraft.

安娜是一个雄心勃勃想要做出一番事业的年轻考古学家。她正在研究一个重大课题，可惜的是由于她的研究地点——一所古老的医院关门，她的课题不得不被迫停止下来。但是她并不甘心就此停止，于是便自己进入了这所医院。同时，4个年轻人正在开完party回家的路上，由于事故，他们也不得不停车下来进到这所医院去寻求帮助。恐怖就此开始……

科尔斯滕（安博-赫德饰），一个外表漂亮性格开朗的年轻女孩儿，却不幸因某种原因被送入了远离喧嚣都市的精神病院。并且，在一路昏迷中醒来的她，发现自己…

As a baby, Millie was washed up onto the beach of a fishing village and taken in by Hy Jessop. Jessop has abused her all her life, forcing her to work as a drudge and beating her often. Her only protector is Sem, a half-witted hunchback. After being beaten one too many times, Millie runs away and hides in a mansion that's supposed to be haunted. The next day, author Ronald Roberts arrives in search of some peace and quiet so he can complete his novel. He moves into the mansion and Millie plays ghost until he discovers her. The two of them fall in love, but Roberts is already engaged to Beatrice, who shows up in the village with a group of his friends. Dejected, Millie returns to what passed for a home, and she finds it even worse than before.

故事以一线医护人员ICU医生龚臣与护士长杨珊夫妇为主角，2020年疫情突然爆发，身为武汉医院一线医护工作者的夫妻俩，选择居住在车里随时待命，各自坚守在工作岗位，真实再现武汉疫情爆发时，医护人员在众多病患前，面临的困境与压力。疫情期间，ICU不断接收着重症患者，医生们超负荷工作，龚臣在ICU中不停参与救治，在面临病人以及同为战友的医生离世后直面疫情的风险，在医生职责与家庭责任间，精神压力不断增大乃至爆发，最终夫妻俩互相倾诉、扶持、共同奋战、坚守一线，直到抗疫成功。

故事以一线医护人员ICU医生龚臣与护士长杨珊夫妇为主角，2020年疫情突然爆发，身为武汉医院一线医护工作者的夫妻俩，选择居住在车里随时待命，各自坚守在工作岗位，真实再现武汉疫情爆发时，医护人员在众多病患前，面临的困境与压力。疫情期间，ICU不断接收着重症患者，医生们超负荷工作，龚臣在ICU中不停参与救治，在面临病人以及同为战友的医生离世后直面疫情的风险，在医生职责与家庭责任间，精神压力不断增大乃至爆发，最终夫妻俩互相倾诉、扶持、共同奋战、坚守一线，直到抗疫成功。