故事围绕着一群身份各异、处于边缘的家庭展开。时间设定在19世纪50年代的俄勒冈，一股贪婪的财富与权力的腐败势力觊觎着他们的土地，企图将他们驱逐。这些被社会遗弃的灵魂，如同生活在社会边缘的迷途之人，联合起来组成了一个大家庭，共同奋起反抗。在这场血腥的斗争中，“正义”的界限被彻底打破……

Filmed in Nepal and India this documentary presents the stories of young girls whose lives have been shattered by the child sex slave trade. The film provides actual footage from inside the brothels of Bombay, known even to the tourists as "The Cages," captured with "spy camera" technology. The documentary also introduces the heroes of the movement who are working to abolish child sex slavery and who remind us that, "these are our daughters."

A bunch of stories, portraits and images about people of amazing destinies, including Parajanov and Tarkovsky, merging into a non-traditional and polemic image of Armenia.

A bunch of stories, portraits and images about people of amazing destinies, including Parajanov and Tarkovsky, merging into a non-traditional and polemic image of Armenia.

女主人公Nikki Black（Nathalie Press 饰）自小被母亲遗弃，那些美丽的童话是她唯一的安慰，但Nikki没有办法像一般女孩子那样去爱，取而代之的是对母亲的恨。而这种恨，让她下定决心要去生母Phyllis Lovage（Janet McTeer 饰），她要见一见这个当自己还是个襁褓中的婴儿时就狠心抛弃了自己的女人，她要杀了她。因此Nikki踏上复仇之旅，来到了遥远的苏格兰小岛。在那里，她不仅见到了自己的母亲，还意外地发现自己有个弟弟Calum Mcleod（Colin Morgan 饰），和Nikki相反，Calum心地善良并非非常温柔。但他俩都很爱听那些童话故事，一段时间的相处的确让Nikki感受到了从未有过的温暖，但她仍然无法放下对母亲的恨……

女主人公Nikki Black（Nathalie Press 饰）自小被母亲遗弃，那些美丽的童话是她唯一的安慰，但Nikki没有办法像一般女孩子那样去爱，取而代之的是对母亲的恨。而这种恨，让她下定决心要去生母Phyllis Lovage（Janet McTeer 饰），她要见一见这个当自己还是个襁褓中的婴儿时就狠心抛弃了自己的女人，她要杀了她。因此Nikki踏上复仇之旅，来到了遥远的苏格兰小岛。在那里，她不仅见到了自己的母亲，还意外地发现自己有个弟弟Calum Mcleod（Colin Morgan 饰），和Nikki相反，Calum心地善良并非非常温柔。但他俩都很爱听那些童话故事，一段时间的相处的确让Nikki感受到了从未有过的温暖，但她仍然无法放下对母亲的恨……

女主人公Nikki Black（Nathalie Press 饰）自小被母亲遗弃，那些美丽的童话是她唯一的安慰，但Nikki没有办法像一般女孩子那样去爱，取而代之的是对母亲的恨。而这种恨，让她下定决心要去寻找生母Phyllis Lovage（Janet McTeer 饰），她要见一见这个当自己还是个襁褓中的婴儿时就狠心抛弃了自己的女人，她要杀了她。因此Nikki踏上复仇之旅，来到了遥远的苏格兰小岛。在那里，她不仅见到了自己的母亲，还意外地发现自己有个弟弟Calum Mcleod（Colin Morgan 饰），和Nikki相反，Calum心地善良并非非常温柔。但他俩都很爱听那些童话故事，一段时间的相处的确让Nikki感受到了从未有过的温暖，但她仍然无法放下对母亲的恨……

女主人公Nikki Black（Nathalie Press 饰）自小被母亲遗弃，那些美丽的童话是她唯一的安慰，但Nikki没有办法像一般女孩子那样去爱，取而代之的是对母亲的恨。而这种恨，让她下定决心要去寻找生母Phyllis Lovage（Janet McTeer 饰），她要见一见这个当自己还是个襁褓中的婴儿时就狠心抛弃了自己的女人，她要杀了她。因此Nikki踏上复仇之旅，来到了遥远的苏格兰小岛。在那里，她不仅见到了自己的母亲，还意外地发现自己有个弟弟Calum Mcleod（Colin Morgan 饰），和Nikki相反，Calum心地善良并非非常温柔。但他俩都很爱听那些童话故事，一段时间的相处的确让Nikki感受到了从未有过的温暖，但她仍然无法放下对母亲的恨……

The story of a young filmmaker who leaves his small hometown in Nebraska and finds himself exploring the dark realities of gay porn company Treasure Island Media.

A metaphor of a nightmare in Argentina. This exellent film regarding a seclusion place where mentally instable characters live, is undoubtely a special vision of a curious situation that is typical in Argentina. Furthermore if we notice the year it was filmed in, and we realize that there was a dictatorship at that moment, we begin to interchange more personally with those characters relating their story with that of a "Caligari" of a "Brazil" situation, in the sense that one can express oneself under such terrible situations only by showing characters that go mad. In other words, the normal people of reality are really the questioned ones in such a authoritarian context. Mr Doria had already filmed two features that had strong problems with a terrifying censorship and in this movie he still finds the strength to film interesting and good quality stories. It is outstanding that this artist always stood firm in his creative convictions, even through those black years. His following career proves his authenticity as a master of moviemaking. 　　Lita Stantic is one of the most important producers working in the "New Argentine Cinema", responsible for the debut films of some of the most critically well regarded new argentinian filmmakers such as Lucrecia Martel, Pablo Trapero, and Israel Adrián Caetano. She has been working in the Argentine cinema since she was hired as an assistant director for the film Diario de campamento (1965). Stantic then began making short films in the mid 1960s, but then changed her focus to advertising. She remained active in Argentine cinema via the "Cine Liberacion," an underground production and distribution collective that secretly showed films that would have otherwise been banned in Argentina by the military government. During the politically tumults 1970s in Argentina, Stantic worked on over a dozen films including Alejandro Doria's La isla (1979), which was the first Argentine film to be a box-office hit during the dictatorship. During the 1980s she established GEA Cinematografica, her own production company. Then, later, Lita Stantic Productions. When the "New Argentine Cinema" began in the late 1990s, she has produced films which have been critically widely acclaimed. Films such as A Red Bear, La Ciénaga, Bolivia, The Holy Girl and others.