魔神为逼出神女，屠杀了杨家村，神女却因为爱魔神，不忍杀他。杨容容抱着娘亲的尸体，终于明白，在神魔眼中，凡人如蝼蚁。但杨容容不认命，她以身为饵，甘当复活神女的容器，潜入魔神身边。她要证明，凡人亦可弑神！

魔神为逼出神女，屠杀了杨家村，神女却因为爱魔神，不忍杀他。杨容容抱着娘亲的尸体，终于明白，在神魔眼中，凡人如蝼蚁。但杨容容不认命，她以身为饵，甘当复活神女的容器，潜入魔神身边。她要证明，凡人亦可弑神！

将臣沉睡十万年后苏醒，前往寻找未来钥匙开启未来之门，路途中遇到假将臣，真假将臣难以区分，使得观众心中充满疑惑，经历反派各种阻挠后，真假将臣齐心合力，共同战胜敌人。 将臣凭借着顽强的意志与坚定的信念，成功击败了反派，掌握了更加强大的力量与技能，让我们懂得了我们在生活中也要突破自我，战胜困难！

C级铁匠凌启惨遭女友与天罚组织背叛杀害，重生回到末世降临前。他意外融合法则源核，觉醒了SSS级天赋【神眷武装】，能力竟是为特定女性打造专属配饰，从而获得恐怖增幅，并同步解锁自己的弑神机甲。凭借前世记忆，他抢先找到未来会惨死的SSS级神眷者们——牧师苏清雅、龙战士林梓彤、虫皇韩雪，将她们招致麾下，组建“破晓”小队。他一面以弱小的“凌启”身份伪装周旋，一面用强大的“星辰”马甲威震四方。凌启运筹帷幄，利用锻造技术武装团队，并巧妙离间天罚内部，最终揭露首领“先知”毁灭世界的阴谋，联合所有力量对抗终极兵器，为末日世界点燃了希望之火。

A figure in the grass with a gun, a name called out in the distance, a woodcutter and a man who has lost a dog are woven together by Lisandro Alonso in a meditation on the past we inherit and the future we construct. 　　As part of a project for the Centre de Cultura Contemporània de Barcelona, Albert Serra and Lisandro Alonso agree to exchange filmed letters where both engage with characters and conceits from their previous works. Serra revisits Honour of the Knights (Quixotic) (LFF 2006), moving the cast and crew of the original film to the arid landscape of La Mancha, the original setting for Don Quixote's adventures and misadventures. Between takes, Serra's cast and crew watch, bicker, argue, eat and wait for Albert. There are echoes of Truffaut's Day for Night in the appealing simplicity of Serra's approach. The Lord Worked Wonders in Me, however, is more than just a film about filmmaking. Lyrical absurdism, an uncompromising cinematic vision and the attention to composition evidenced in his earlier features all combine to provide a commentary on a 21st-century quest with earlier antecedents.

A figure in the grass with a gun, a name called out in the distance, a woodcutter and a man who has lost a dog are woven together by Lisandro Alonso in a meditation on the past we inherit and the future we construct. 　　As part of a project for the Centre de Cultura Contemporània de Barcelona, Albert Serra and Lisandro Alonso agree to exchange filmed letters where both engage with characters and conceits from their previous works. Serra revisits Honour of the Knights (Quixotic) (LFF 2006), moving the cast and crew of the original film to the arid landscape of La Mancha, the original setting for Don Quixote's adventures and misadventures. Between takes, Serra's cast and crew watch, bicker, argue, eat and wait for Albert. There are echoes of Truffaut's Day for Night in the appealing simplicity of Serra's approach. The Lord Worked Wonders in Me, however, is more than just a film about filmmaking. Lyrical absurdism, an uncompromising cinematic vision and the attention to composition evidenced in his earlier features all combine to provide a commentary on a 21st-century quest with earlier antecedents.

《弑流年》主要讲述了唐朝安史之乱时期一段快意恩仇、相爱相杀的故事。一个复仇心切不择手段的女子，一个为护天下隐藏真相的暗谍，恍然间成了敌人，复仇的火焰撕扯着困顿的爱情走向漩涡，开始谱写出真爱的终局。

在这部#MeToo版恐怖小品中，莉莉迎来一次试镜机会，全力以赴正准备展现自己的演技，然而这场面试却逐渐变调为猫捉老鼠的权力游戏。

在这部#MeToo版恐怖小品中，莉莉迎来一次试镜机会，全力以赴正准备展现自己的演技，然而这场面试却逐渐变调为猫捉老鼠的权力游戏。

小儒 (查雅妮 饰)在艺术家父亲过世后继承了两幅毁损的女子画像，她找来艺术品修复师提姆(尼坤 饰)修复这两幅作品，以便转售赚取医治女儿眼疾的费用。修复过程中，陆续发生一桩桩无法解释的恐惧事件，宛如解开了封印在画作中的骇人秘密…小儒开始恶梦连连产生幻觉、女儿出现一些令人不寒而栗的异常行为、威胁生命的意外更不断发生…究竟画中隐藏着甚么恐怖秘密？画中女子到底是谁？她有甚么样的冤情与怨？视而不见真的能全身而退？