这是多年后的凌晨4点的森林。一名野蛮、衣衫褴褛、蓬头垢面的流浪汉正在森林中设置陷阱。他是福斯特。他曾是一名成功的企业家，因为厌倦了都市生活的乏味和冷漠，毅然辞职离开了都市走进了森林。 　　他住在树林里一个自己建造的小屋里，和一只三条腿的狗一起生活。他会捕猎动物，还会吃娜塔的剩菜——娜塔是一个在附近的高速公路边“工作”的妓女。他们常常一起谈论文学和生活。 一天晚上，纳塔因当地皮条客的一场争端而不幸遇害。福斯特陷入了绝望。他意识到，她是唯一能让他感受到生命的人。悲痛的福斯特在住所的地板上挖了一个洞，自己躺了进去，用土和树叶盖住身体。几天后，13岁的小女孩杰蒂佳来到了福斯特的住所外面。杰蒂佳不告诉福斯特她是谁，也闭口不谈她为什么离开城市。福斯特不需要任何人的陪伴，但杰蒂佳固执地不愿离开。于是，他们约法三章。福斯特让她留下开始一段试用期。 日子一天天地过去了，杰蒂佳学会了如何在森林里与福斯特一起生活。他们两人相处得出奇地好，福斯特身上也发生了一些改变。在教授杰蒂佳的过程中，他变得不那么苛刻了。宅宅网：www.23zzw.com

本剧改编自同名网络漫画书，讲述主人公天才心理学家Dr. Frost秘密加入搜查队，通过正式和非正式的调查，侦破罪案的故事，是一部健康的心理调查剧。

what motivated me up to the new director's festival to catch 'martin frost' tonight was the brutal review that it got yesterday from the lead critic of the new york times, brutal dismissal, to be more accurate, 'the less said about (it) the better', she said, and i figured that any movie able to teach Ms Dargis the virtue of silence for even a few column inches would be worth the trip. and worth the trip it was. we are brought into a paradise of limpidly beautiful visual textures. the oaken rhythms of a country house ensconced in a springtime parkland of luxuriant trees and luminous skies bestow the soothing natural blessing needed by the main character, martin frost (David Thewlis), a writer rubbed raw by the mechanics of finishing a novel in new york city. (Thewlis makes palpable the casualty of intrapsychic machinery sawed into daemonic reverb against the banausic hive). then paradise morphs into purgatory, leavened comedically, in Dante's sense, by the postmodern angelic visitations of Claire (Irene Jacobs) and Anna (Sophie Auster). unfortunately, to my taste, the verbal dimensions of the film are flaccid, the logic more fanciful than imaginative, the narrative arc crippled by some irredeemably creaky plotting, especially at the crucial initiation of the relationship between martin and Claire where the seeds of common sense are thrown to the magpies of theatricality. but so beguiling is the willful vulnerability of auster's fantasy, and the edgy interplay that it potentiates between Thewlis and Jacobs, and the camera, and later Sophie Auster, and the broad comedy of a rural everyman (Michael Imperioli), that it is very pleasant to be carried along on the visual foam of uncertain sensual delight, eddying into a feeling that this film's oddly louche light touch is uniquely adept at tracing some grave lineaments of the human heart. go innocently.

本剧改编自同名网络漫画书，讲述主人公天才心理学家Dr. Frost秘密加入搜查队，通过正式和非正式的调查，侦破罪案的故事，是一部健康的心理调查剧。

故事描述四个二十多岁的朋友（两对情侣）如何在凌晨四点处理不可预知的、情绪化的、使人销魂的生活事件。生与死、爱情与伤心、友谊与背叛……这是一部描述自我发现、梦想与现实的剧集。Daniel Maslany扮演吹鼓手Bondurant，心地善良；Lola Tash扮演Mitzi，一个聪明性感的年轻女人，但总是犯「过早对别人下结论」的错误；Mazin Elsadig扮演William，一个内向的作家，宁愿观察世界也不愿参与其中；Michelle Mylett扮演Jamie，一个年轻的乐观主义者，始终未找到自尊和勇气。 该剧提出了一个很有趣的概念：如果你在凌晨四点醒来（或者在此之前一直醒着），你会感觉周围仍然处于「夜晚」。但如果接下来的一天你要出去上班而不是待在家里，在凌晨四点之后你会感觉这已经是「早上」。对于上班族和上学族来说，每天早上都很难熬——过了四点，你仍然很想多睡一会，但生物钟时刻在提醒你绝不能睡过头。在这种似睡非睡的状态下，你将感到困顿甚至「怪异」，但这就是生活。制片人开玩笑地说：「你绝不会在该剧中看到日出，除非到了最后一集。」 作为一部肥皂喜剧，该剧一开始就充满「肥皂元素」：Bondurant宣布自己爱Jamie，但有个问题……Bondurant并没有在和Jamie约会，他的约会对象是Mitzi，Jamie是William的女友，而William是Bondurant最好的朋友。《凌晨四点》是一部非比寻常的，并融合了魔幻现实主义元素的喜剧。这部剧主要讲述的是4个20多岁的年轻人在难以预料、情绪多变却又充满人生启示的凌晨四点找到了未来的人生方向。剧中充满着对生死、热恋、心碎、友情与背叛等主题的探讨，是一部有关自我发现，对现实失望，再继续追寻那看似遥不可及的人生理想的剧集。

France, November 2015. After the Paris terror attacks, the state of emergency is proclaimed to facilitate the work of police forces. 4 AM. A policewoman helps colleagues to conduct a search, but soon finds out that things aren’t going the way they’re supposed to. DIRECTOR’S STATEMENT I believe it is important that films make people look at what we don’t want to face as a society. I wanted to make a movie whose political impact stems directly from the staging, in order to denounce the violence of the permanent state of emergency we live in. A single long take to trap the audience in the sensory and ethical turmoil of a police search.

一头长发的异性恋女生沙沙，偶然被短发女生柚子带入了女孩之间的感官世界，这一切颠覆了她以往对自己的认知，并且开始怀疑自己，随之而来的是一连串无法解答的问题。正在两人无言之际，她们的朋友蒋鸿宇因意外闯入，打破了沉默。3个人在冬季的凌晨4点，围坐在一起聆听窗外的声音……

By the time Clarke made a biopic on Robert Frost for public television, he was a long-celebrated American institution. Though featuring him accepting the Congressional Gold Medal from President Kennedy at the White House, Clarke lingers on the 88-year-old poet busily ambling about his house and property in Vermont and intersperses this with relaxed talks to students at Sarah Lawrence and Amherst Colleges. Jokingly acknowledging his film crew at times, Frost appears comfortable and amused with his place in the sun. Relatively conventional with a verité cognizance, Clarke’s stroll “above ground” earned her the Academy Award for Best Feature Documentary in 1963.

该片浓缩诠释了凌晨四点的上海夜幕下的温情。

重庆凌晨4点讲述的是一个跨度为十年的爱情故事。故事发生在2008年地震发生后的重庆清北中学，摄影师陈林为重庆清北中学的优秀毕业生拍下了一张毕业照片，这张照片为此后的爱情故事埋下伏笔，照片上的一位当时只有17岁的女主人公吴昕因为男主相信“命中注定”而开始了她长达十年的爱情追求计划。从重庆到报考北京大学再到择业上海，吴昕成功让男主认定“她就是自己生命中命中注定的那个人”。 订婚前夜，在“命中注定”和“努力争取”的价值观困扰中，女主决定回到重庆，男主也赶往重庆寻找女主。在重庆，两个人不断地错过。最后，两个人在凌晨4点的解放碑相遇，完成对爱情是否相信命中注定的追问。 故事最终落在探讨【小时候，很多人都觉得爱情是命中注定，长大了才知道世界上没有什么命中注定，有的只是另外一个人暗自努力】的爱情母题上。