By the time Clarke made a biopic on Robert Frost for public television, he was a long-celebrated American institution. Though featuring him accepting the Congressional Gold Medal from President Kennedy at the White House, Clarke lingers on the 88-year-old poet busily ambling about his house and property in Vermont and intersperses this with relaxed talks to students at Sarah Lawrence and Amherst Colleges. Jokingly acknowledging his film crew at times, Frost appears comfortable and amused with his place in the sun. Relatively conventional with a verité cognizance, Clarke’s stroll “above ground” earned her the Academy Award for Best Feature Documentary in 1963.

本剧改编自同名网络漫画书，讲述主人公天才心理学家Dr. Frost秘密加入搜查队，通过正式和非正式的调查，侦破罪案的故事，是一部健康的心理调查剧。

这是多年后的凌晨4点的森林。一名野蛮、衣衫褴褛、蓬头垢面的流浪汉正在森林中设置陷阱。他是福斯特。他曾是一名成功的企业家，因为厌倦了都市生活的乏味和冷漠，毅然辞职离开了都市走进了森林。 　　他住在树林里一个自己建造的小屋里，和一只三条腿的狗一起生活。他会捕猎动物，还会吃娜塔的剩菜——娜塔是一个在附近的高速公路边“工作”的妓女。他们常常一起谈论文学和生活。 一天晚上，纳塔因当地皮条客的一场争端而不幸遇害。福斯特陷入了绝望。他意识到，她是唯一能让他感受到生命的人。悲痛的福斯特在住所的地板上挖了一个洞，自己躺了进去，用土和树叶盖住身体。几天后，13岁的小女孩杰蒂佳来到了福斯特的住所外面。杰蒂佳不告诉福斯特她是谁，也闭口不谈她为什么离开城市。福斯特不需要任何人的陪伴，但杰蒂佳固执地不愿离开。于是，他们约法三章。福斯特让她留下开始一段试用期。 日子一天天地过去了，杰蒂佳学会了如何在森林里与福斯特一起生活。他们两人相处得出奇地好，福斯特身上也发生了一些改变。在教授杰蒂佳的过程中，他变得不那么苛刻了。宅宅网：www.23zzw.com

what motivated me up to the new director's festival to catch 'martin frost' tonight was the brutal review that it got yesterday from the lead critic of the new york times, brutal dismissal, to be more accurate, 'the less said about (it) the better', she said, and i figured that any movie able to teach Ms Dargis the virtue of silence for even a few column inches would be worth the trip. and worth the trip it was. we are brought into a paradise of limpidly beautiful visual textures. the oaken rhythms of a country house ensconced in a springtime parkland of luxuriant trees and luminous skies bestow the soothing natural blessing needed by the main character, martin frost (David Thewlis), a writer rubbed raw by the mechanics of finishing a novel in new york city. (Thewlis makes palpable the casualty of intrapsychic machinery sawed into daemonic reverb against the banausic hive). then paradise morphs into purgatory, leavened comedically, in Dante's sense, by the postmodern angelic visitations of Claire (Irene Jacobs) and Anna (Sophie Auster). unfortunately, to my taste, the verbal dimensions of the film are flaccid, the logic more fanciful than imaginative, the narrative arc crippled by some irredeemably creaky plotting, especially at the crucial initiation of the relationship between martin and Claire where the seeds of common sense are thrown to the magpies of theatricality. but so beguiling is the willful vulnerability of auster's fantasy, and the edgy interplay that it potentiates between Thewlis and Jacobs, and the camera, and later Sophie Auster, and the broad comedy of a rural everyman (Michael Imperioli), that it is very pleasant to be carried along on the visual foam of uncertain sensual delight, eddying into a feeling that this film's oddly louche light touch is uniquely adept at tracing some grave lineaments of the human heart. go innocently.

本剧改编自同名网络漫画书，讲述主人公天才心理学家Dr. Frost秘密加入搜查队，通过正式和非正式的调查，侦破罪案的故事，是一部健康的心理调查剧。

一位女教师因母亲去世而悲痛不已，课后她将一名心不在焉的学生单独留下，但事情却由此急转直下，让她的教学能力受到质疑。

A family is terrorized by an evil doll named Robert, which seems to come to life after an elderly housekeeper is dismissed. As the attacks grow more intense, the parents struggle with their disbelief and fear while trying to break the curse before it's too late.

拉哈瓦和他的儿子阿琼住在勒克瑙，是婆罗门一家餐饮单位的厨师长。他过着平静的生活，希望儿子得到最好的。一切似乎都很顺利，直到一些骷髅从他的衣柜里滚了出来，他被迫接受他原来的化身。

After Paul and Jenny part company with their sinister housekeeper Agatha, the disgruntled former employee gives a vintage doll called Robert to their son Gene. Soon after Agatha's departure, strange events begin plaguing the household. Furniture is vandalized, objects are thrown around and maniacal giggles echo through the house in the middle of the night. But nobody believes Gene when he claims Robert is to blame for the disturbances. Paul and Jenny consider the possibility that a supernatural force has taken over their home. But as the occurrences escalate they discover that it's not the house that's haunted... it's the doll.

一個英國海濱小鎮，三位放浪形骸的少年。他們無法接受這個村鎮裡各種自以為是的道德標準，於是，他們決定將不滿化為行動，以身衝撞道德界線！本片在戛纳放映時，觸怒許多觀眾與影評人離座抗議。更有一位影評人形容，這部片的犯罪場景讓《發條橘子》看起來就像小甜甜音樂錄影帶般的可口，是2005戛纳影展在性與暴力尺度上最具爭議的一部影片。