“[吉卜力特别珍藏全集]系列之[宫崎骏监制！一张唱片诞生记]。吉卜力影迷，及年资较高的动画迷不妨一看”。 　　QN[宫崎骏监制！一张唱片的诞生]，主要素材来自于日2区初回限量收藏版，由QNTEAM诚心翻译了正片与花絮字幕，注意到日2原版是没有提供任何字幕供参考的，QNTEAM完全靠听译完成了这项出色的工作，其中涉及N首歌词的翻译，歌词的中文翻译也颇有诗意与韵味。 　　所谓“一张唱片诞生记”，是指宫崎骏2001年后突然对电影之外的事物产生了兴趣，想亲自创作“大人”（想必是指真正意义上的成年人）能唱的歌曲。于是找来了合作伙伴：著名动画制片人，现任德间书店行政总监及吉卜力工作室总裁铃木敏夫等一众音乐方面的朋友策划，并由宫崎骏的好友，演员监歌手上条恒彦（曾在[千与千寻]中为一只蛤蟆人配音，并演唱片中插曲[油屋]）来演唱。最终灌录成了一张由16首歌的CD，宫崎骏填写了专集中的半数以上歌词。 　　节目主要内容分两部分，第一部分为长约1小时37分的“唱片诞生记”，第二部分为40分钟的完整记录的“上条恒彦演唱会in三鹰之森吉卜力美术馆”。花絮部分则为宫崎骏为HOUSE食品拍摄的动画广告，及吉卜力出品的两张类记录片类型的节目的预告片，分别为“大冢康生——动作之喜悦”、“世界我的心之旅”的预告片。 　　花絮中也有各个版本的HOUSE家里吃食品的广告，该广告由宫崎骏执导，制作精良，观看起来非常愉快。广告歌即是[母亲的照片]。

About a young boy's passion for horses, his paralysis from polio, and subsequent triumph over his handicap by learning to ride. Village life of the period (just before World War I) is well evoked, and the boy's relationship to his wastrel father, anxious mother, and the somewhat scornful village kids is treated with some feeling. It's a whimsical, rather drowsy film, overlaid with an unfortunate technical tricksiness and an insistent music score. Unexpectedly, it improves enormously with the boy's illness and his feverish hallucinations in hospital. Later, treated with a nicely quirky sense of humour, neither his crippled state nor his determination to overcome it are trivialised. Altogether a bit of an oddity, pleasant and irritating in equal proportions as it avoids the obvious pitfalls and then falls flat where least expected.

本片讲述了中国共产党革命先驱马骏烈士自1920年入党以后，组织五四运动，在东北组建地下党组织，赴前苏联学习，接受党的指示回国就任中共北京市委书记兼组织部长后被出卖壮烈牺牲的故事。

本片讲述了中国共产党革命先驱马骏烈士自1920年入党以后，组织五四运动，在东北组建地下党组织，赴前苏联学习，接受党的指示回国就任中共北京市委书记兼组织部长后被出卖壮烈牺牲的故事。

身为导演和奥斯卡得主的比利-鲍伯-桑顿，以及曾获学院奖的著名制片人迈克-尼科尔斯联手把康迈克-麦卡锡的一部流行畅销小说《百骏图》搬上了银幕。…

日本动画传奇宫崎骏忽然在3年前宣布退休，并关闭了吉卜力工作室。他说，再也不想做动画电影。在鼎盛时期，吉卜力工作室制作了许多杰作，构建了扣人心弦的幻想世界。这一次，所有人都觉得，一切都结束了。而事实上，始终坚持手绘的宫崎骏借助计算机技术，制作了一部12分钟的电影短片，还正筹备制作一部新的动画电影。已经七十多岁的宫崎骏除了面临接班人难寻的困境，还不得不接受昔日老友和同事接连离世的悲伤……

让宫崎骏因《男孩与苍鹭》参加国际电影节被证明是困难的，但这位吉卜力创始人今年可以通过一部不为人知的纪录片在巡回演出中亮相。 去年年底，日本广播公司 NHK 首次播出了这部纪录片的国际版，讲述了吉卜力最新热门作品的制作过程，以及这位标志性但不愿接受媒体采访的公司创始人今年可能会去参加一个电影节或电影市场。

牧场主渡海千造与儿子博正有一个美好的梦，就是要造就一匹马，并在大马赛中夺魁。不久，牧场里平安地产下一匹带有名马哥德鲁菲血统的幼马。起名为“奥拉希翁”，意为祝福。工业社社长平八郎正为两件事烦恼：一是公司的危机，另一个是女儿久美子还不知道自己有个同父异母的弟弟阿诚。阿诚这时因肾脏发育不全，正需要移植父亲的肾脏。和具公司用三千万日元购买了“奥拉希翁”，并托梦于这匹马。久美子成了这匹马的马主之后，去看望了已相认的弟弟。不久，“奥拉希翁”，被送到大牧场去接受正规训练。马在训练中脚部受伤，正要被取消种子马选手的紧要关头，它竟奇迹般地恢复了健康。这匹马决赛中表现出色，取得了胜利。阿诚未见到“奥拉希翁”的雄姿就死去了。和具公司被别人收买，渡海因胃癌在决赛前已经咽气。唯有“奥拉希翁”意外地获得了决赛的胜利。

牧场主渡海千造与儿子博正有一个美好的梦，就是要造就一匹马，并在大马赛中夺魁。不久，牧场里平安地产下一匹带有名马哥德鲁菲血统的幼马。起名为“奥拉希翁”，意为祝福。工业社社长平八郎正为两件事烦恼：一是公司的危机，另一个是女儿久美子还不知道自己有个同父异母的弟弟阿诚。阿诚这时因肾脏发育不全，正需要移植父亲的肾脏。和具公司用三千万日元购买了“奥拉希翁”，并托梦于这匹马。久美子成了这匹马的马主之后，去看望了已相认的弟弟。不久，“奥拉希翁”，被送到大牧场去接受正规训练。马在训练中脚部受伤，正要被取消种子马选手的紧要关头，它竟奇迹般地恢复了健康。这匹马决赛中表现出色，取得了胜利。阿诚未见到“奥拉希翁”的雄姿就死去了。和具公司被别人收买，渡海因胃癌在决赛前已经咽气。唯有“奥拉希翁”意外地获得了决赛的胜利。

For over 50 years, Hayao Miyazaki has been enchanting the world with his films. Tonari no Totoro (My Neighbor Totoro), Mononoke-hime (Princess Mononoke), Sen to Chihiro no kamikakushi (Spirited Away), or his latest film Kimitachi wa dō ikiru ka (The Boy and the Heron), to name only a few of eleven feature films, ten short films, several manga, and also through Studio Ghibli, a museum and a theme park. They form a luminous body of work and characters that have become cult classics. Miyazaki’s films, often autobiographical, also reflect the state of the world and the turmoil of the twentieth and twenty-first centuries, made of wars and ecological disasters. He was born in Japan in 1941, during World War II. As a child, he immersed himself in drawing manga until he had a revelation upon discovering Hakuja den (The White Snake Enchantress), the first Japanese colour animated film by Taiji Yabushita. From then on, he decided to devote his life to animation, this magical art capable of overcoming the darkness that had always deeply inhabited him... Thanks to exceptional access granted by Studio Ghibli to numerous film excerpts and rare Japanese television archives, we discover the life of Miyazaki as well as a profoundly ecological body of work that questions our relationship with the natural world and living beings. Thinkers like anthropologist Philippe Descola or philosopher Timothy Morton, as well as close associates, his son and film director Gorō Miyazaki, and Toshio Suzuki, his longtime producer and friend, bring us closer to this tireless, obsessive, and mysterious artist.