在中国封建社会中并不乏有自平民而荣登宝座的皇帝，刘邦、朱元璋都以开国的一代君主享名青史，但却少有出身寒微而力挽狂澜的宰相，张居正就是罕见的一位。张居正，明万历年间曾因厉行改革而彪炳史册的一位传奇人物。他从秀才、举人、进士，官至内阁大学士，从平民中崛起，荣登首辅之位后，理政十年，协助十岁的小皇帝，推行改革：整饬吏治，刷新颓风；整肃教育，延揽济世之才；革新税赋，梳理财政。拯救朱明王朝将倾之厦，把衰败、混乱的明王朝，治理得国富民安，使万历时期成为明王朝最为富庶的时代。

在中国封建社会中并不乏有自平民而荣登宝座的皇帝，刘邦、朱元璋都以开国的一代君主享名青史，但却少有出身寒微而力挽狂澜的宰相，张居正就是罕见的一位。张居正，明万历年间曾因厉行改革而彪炳史册的一位传奇人物。他从秀才、举人、进士，官至内阁大学士，从平民中崛起，荣登首辅之位后，理政十年，协助十岁的小皇帝，推行改革：整饬吏治，刷新颓风；整肃教育，延揽济世之才；革新税赋，梳理财政。拯救朱明王朝将倾之厦，把衰败、混乱的明王朝，治理得国富民安，使万历时期成为明王朝最为富庶的时代。

持霆十年，振作纪纲。赤心一寸，安民厚生。 　　后世览之，当见白圭昭彰，太岳峥嵘。 　　该剧根据曾荣获中宣部“五个一工程奖”、第六届“茅盾文学奖”等多项殊荣的熊召政长篇小说《张居正》改编。

张居正是明代万历年间因厉行改革而彪炳史册的一位传奇人物。张居正为内阁首辅，位居高拱之下，在隆庆重病时，二人矛盾爆发，展开首辅争夺战。隆庆驾崩，年仅十岁的太子登基，是为万历皇帝，张居正正式成为首辅，之后便大刀阔斧展开万历改革。张居正用“考成法”整顿官僚制度，大大提高官员的实干精神和国家组织力，用清丈政策缓解人民的赋税重压。当改革的一切铺垫做好时，父亲忽然去世，但张居正决定不按制度守父孝，继续留在首辅位置上推进改革，其苦心无人理解。万历对张居正逐渐生出叛逆和怀恨，当张居正溘然长逝之后，万历对张家展开了清算，彻底否认了他的贡献。公道自在人心，张居正以一己之力，力除国家积弊，被后人誉为“救时宰相”。

An extension of The Perfect Human, Good and Evil is a longer, more expansive pseudo-documentary portrayal of life, no less. Using capacious titles or chapter headings that Leth's narrator's voice dwells upon and impresses upon us as he toys with the cliché "Faces", "Bodies", "Things", "Necessary actions", "Unnecessary actions", Good thoughts", "Bad thoughts", "Pleasant feelings", "Unpleasant feelings", and "Words" - the film consist of aesthetically titillating and contentually almost schematic scenes shot in the void of the film studio: faces, bodies and things. A man with a shoe. Another man with a hardboiled egg which he talks about and eats. A woman gives her husband a shirt. A couple who argue. A desperate woman. And so forth. There is no psychological shading of the characters, merely a series of sketches or examples that are as if plucked out of different everyday contexts. The thread leading back to Life in Denmark is thus also clear. The dialogue is sparse and phrases or fragments of phrases recur, spoken by different actors and in different roles, which may be viewed as an accentuation of the ordinariness of these little utterances and as an awareness of language as such. Besides the professional cast work the film uses several photographic models, the circus artiste Diana Benneweis, and the cyclist ole Ritter, who all pose in front of the camera in small tableaux. In addition to the craziness of the project the film also contains a series of zany comic acts with Claus Nissen to carry them. He bursts into song while washing his hands, dances in an empty room, plays rhythmic games with the statement "Bossa nova rhythms I have nothing against" and repeats his mysterious closing line from The Perfect Human: "Today, too, I had an experience ..." The framework for the scenes is made up of a couple of visual leitmotifs by way of house fronts and landscapes. In addition a beautiful travelling shot from an avenue at dramatically appropriate moments is accompanied by one of the two tunes by Gunner Møller Pedersen from the film, sung in a girlish voice by Sanne Salomonsen. In 1999 Lars von Trier chose the film to represent Danish cinema at a number of European film festivals over a period of three years .

康熙晚年，众太子觊觎帝位，其中四太子胤祯与十四太子胤禵相争最激烈。康熙预立密诏传位于十四子，胤祯乃命年羹尧设法篡位于十四子，胤祯后以大将军职位。年助雍正得帝位后，受命西征，战无不胜，声名远播，雍正引以为忧，乃借机于一日之内连年羹尧十八级，由大将军降为城门的“外委把总”。年与志士密谋起义，却因事泄络被雍正所杀。

Action epic about a young girl who seeks revenge on the holy roman Emperor Charles V for the death of her father. It happens in a world of wealth, debauchery, violent retaliations, sex, manipulation and treason... it's the 16th century revisited.

Action epic about a young girl who seeks revenge on the holy roman Emperor Charles V for the death of her father. It happens in a world of wealth, debauchery, violent retaliations, sex, manipulation and treason... it's the 16th century revisited.

秦逸与朋友酒后在街上蹒跚，未注意到高压警示牌，被电流击中失去意识。醒来时，他发现自己穿越到古代，成了皇帝。一位宫装女子焦急地看着他，秦逸最初以为是角色扮演或恶作剧，但很快意识到自己真的穿越了。他既惊讶又兴奋，意识到自己将享受帝王的尊贵和权力。

秦逸与朋友酒后在街上蹒跚，未注意到高压警示牌，被电流击中失去意识。醒来时，他发现自己穿越到古代，成了皇帝。一位宫装女子焦急地看着他，秦逸最初以为是角色扮演或恶作剧，但很快意识到自己真的穿越了。他既惊讶又兴奋，意识到自己将享受帝王的尊贵和权力。