The Arc above all is a road movie, and a journey, a modern day odyssey, not dissimilar in mood and tone to Antonioni’s existential trips through the disembodied sensibilities of his characters.

从一只昆虫挣扎著竭尽全力地要破蛹而出开始，然而刚一挣脱蛹壳的束缚，就捲入了一场与另一只昆虫的生存战斗中。而两只小虫扭打在一起的时候，戏剧性的结尾產生了——在路旁的积水水面上映出了一个男人依稀的轮廓。所有的争斗与矛盾突然之间结束于这个男人坚硬的鞋底。於是，在留下鞋印的道路 上，同时也留下了两只小虫被碾碎的尸体，这时镜头嘎然而止。片尾字幕出现的同时，我想，出现在观众心里的应该还有一丝丝萧瑟与苍凉。Kucia将我们带进了这个特殊的微观世界中，再一次地让我们感受到了他的梦幻与诗意，当然还有充满无奈的残酷现实。

A filmmaker builds his own ark to protect his memories from the ravages of time in a rambunctious, thought-provoking and entertaining essay that tackles grand topics like memory and impermanence with great wit and care. 　　Humanity is obsessed with archiving its traces, but when the universe wipes out everything over time, what is really worth preserving? That very question is driving filmmaker Ian Cheney mad. Drawing inspiration from the Bible and the Gilgamesh myth, he sets out to build his own ark on his parents’ land in Maine. Here, all his memories – hard drives, photographs, diaries – must be protected from the ravages of time. In its quest to understand our need to remember, ‘The Arc of Oblivion’ takes us to everything from an underground archive in the Alps to an ancient, sandblasted library in the Sahara. Along the way we meet people who have dedicated their lives to preservation. A natural history museum curator has planned his own funeral so he can return as a fossil in millions of years, while an Austrian chemist stores information on porcelain plates for posterity. Filmmakers Werner Herzog and Kirsten Johnson visit the ark and philosophise about our memory, legacy and immortality. A philosophical adventure with a winning, witty heart. 　　源自：https://cphdox.dk/film/the-arc-of-oblivion/

讲述了新英格兰一个休闲联赛的最后一场比赛。在他们心爱的球场即将被拆除之前，我们跟随着这群成年人的幽默和隐晦的感伤，比赛持续到加时赛，白昼渐渐消逝为夜幕，标志着一个时代的终结。

讲述了新英格兰一个休闲联赛的最后一场比赛。在他们心爱的球场即将被拆除之前，我们跟随着这群成年人的幽默和隐晦的感伤，比赛持续到加时赛，白昼渐渐消逝为夜幕，标志着一个时代的终结。