One of the world's greatest authorities on the Middle Ages, Professor Robert Bartlett of St Andrew's University, investigates the intellectual landscape of the medieval world. 　　In the first programme, Knowledge, he explores the way medieval man understood the world - as a place of mystery, even enchantment. The world was a book written by God. But as the Middle Ages grew to a close, it became a place to be mastered, even exploited. 　　In Sex, he unearths remarkable evidence of the complex passions of medieval men and women. The Church preached hatred of the flesh, promoted the cult of virginity and condemned woman as the sinful heir to Eve. Yet this was the era that gave birth to the idea of romantic, or 'courtly' love. 　　In Belief, the supernatural comes under the spotlight. The medieval dead shared the world with the living: the cult of the saints, encounters with the dead, and visions of the next world were all seen as proof of a two-way traffic between this world and the next. 　　In the final programme, Power, Professor Bartlett lays bare the brutal framework of the medieval class system. Inequality was a part of the natural order: the life of serfs was little better than those of animals, while the knight's code of chivalry was based more on caste solidarity than morality. The class you were born into determined who you were.

One of the world's greatest authorities on the Middle Ages, Professor Robert Bartlett of St Andrew's University, investigates the intellectual landscape of the medieval world. 　　In the first programme, Knowledge, he explores the way medieval man understood the world - as a place of mystery, even enchantment. The world was a book written by God. But as the Middle Ages grew to a close, it became a place to be mastered, even exploited. 　　In Sex, he unearths remarkable evidence of the complex passions of medieval men and women. The Church preached hatred of the flesh, promoted the cult of virginity and condemned woman as the sinful heir to Eve. Yet this was the era that gave birth to the idea of romantic, or 'courtly' love. 　　In Belief, the supernatural comes under the spotlight. The medieval dead shared the world with the living: the cult of the saints, encounters with the dead, and visions of the next world were all seen as proof of a two-way traffic between this world and the next. 　　In the final programme, Power, Professor Bartlett lays bare the brutal framework of the medieval class system. Inequality was a part of the natural order: the life of serfs was little better than those of animals, while the knight's code of chivalry was based more on caste solidarity than morality. The class you were born into determined who you were.

讲述德国重要的哲学流派——法兰克福学派的思想内容和历史。由3sat推出。

“The cinematic spectacle has its rules, which enable one to produce satisfactory products. But dissatisfaction is the reality that must be taken as a point of departure. Whether dramatic or documentary, the cinema functions to present a false, isolated coherence as a substitute for communication and an activity that are absent. To demystify documentary cinema it is necessary to dissolve what is called its subject matter.” In this fascinating, seminal anti-film, Guy Debord articulates in full flesh his situationist manifesto, superimposing subtitles and a documentary-style commentary on a catalog of newsreel footage, book covers, rephotographed photographs, views of Paris’ neighborhoods, and seemingly candid footage of him and his friends in wandering between cafes and the street. Whereas the conventions of narrative fictional film would oblige us to separate the filmmaker Debord from both the voice of the film’s commentary and from the “character” played by Debord, a man in his late twenties pursuing a young girl who appears to be no more than seventeen. (源自: TIDF 2024)

BACKGROUND 　　Xu Tong is a documentary director. His work “Wheat Harvest”, was opposed by a small group of people for violating the privacy of sexual workers and copyright, ironically, these complaints help to let more people to know and watch this film. 　　WuHaoHao failed to film Xu Tong and used his materials about such incident as he couldn't get the copyright. Throughout the process of production, he criticized himself, the society, documentary format by deconstructing video, sound and text he got when he interview Xu Tong. Like using paper cutting, or his individual voice over to repeat the interview. 　　CONCEPT 　　The way the director criticizing documentary format by deconstructing the video, sound and text of his interview with Xu Tong inspired me to deconstruct all the Chinese characters for all the titles on the poster. 　　背景 　　徐童，紀錄片導演，他的作品《麥收》因涉及侵權與偷拍性工作者而引起小範圍反對，但諷刺地，這卻讓更多的人關注此片。 　　吳昊昊因未能得到徐童的允許，在製作該視頻作品中，所以他只能利用剪紙，或用個人旁白來重複訪問內容等方式製作。他解構視頻、聲音、文字的同時，發現原來也在批判自己、社會、和記錄片。 　　概念 　　海報的設計概念來自導演透過對紀錄片的視頻，聲音，文字，不斷解構而進行批判的這個行為，故海報中全部標題的漢字都被分拆，解構。

该片塑造了一位在逆境中大义至孝的当代大学生形象，着力展示他背母上学、为母治病、打工挣钱、完成学业等一系列感人的故事。《当代孝子》用写实手法讲述了家境贫寒的张尚昀从家乡河南许昌到吉林长春，背母打工求学的酸甜苦辣以及他面对困难自强不息的奋斗精神，同时也刻画了社会各界对他们的帮助和关爱的和谐景象，弘扬了当代社会健康的伦理道德风气。

家庭并不富裕的章少辉考上了长春税务学院，奶奶、章妈和都很高兴，章妈还亲自将儿子送到学校。但几个月后，章妈就因为一场意外车祸落下的脑震荡后遗症半…

历史学家贝特妮·休斯(Bettany Hughes)追述三位伟大的思想家，他们的思想改变了现代世界：卡尔·马克思、弗里德里希·威廉·尼采、西格蒙德·弗洛伊德。他们出生于19世纪，一个既关键又动荡的年代，一个旧体制被打破，政权被大规模的人民起义推翻，宗教权威受到科学挑战的年代。他们的挑战在于分析出在一个快速变化的世界中什么仍旧使我们人之为人。

历史学家贝特妮·休斯(Bettany Hughes)追述三位伟大的思想家，他们的思想改变了现代世界：卡尔·马克思、弗里德里希·威廉·尼采、西格蒙德·弗洛伊德。他们出生于19世纪，一个既关键又动荡的年代，一个旧体制被打破，政权被大规模的人民起义推翻，宗教权威受到科学挑战的年代。他们的挑战在于分析出在一个快速变化的世界中什么仍旧使我们人之为人。