朱哲宇（唐禹哲 饰）在一家IT公司里担任部门主管的职务，他有一个交往许久的女友黄小逸（刘璇 饰），黄小逸是一个喜欢看漫画的二次元女孩，脑袋里整天塞满了古灵精怪的奇思妙想，他们两人之间的感情十分要好。 　　周一心（王雯雯 饰）是朱哲宇的上司，一心一意的喜欢着这名踏实能干的下属，也并不刻意的隐瞒这份喜欢。一次偶然中，黄小逸误以为朱哲宇和周一心之间有着暧昧关系，愤怒之中和朱哲宇发生了争吵。周一心趁机设计让这对小情侣之间的误会更深了一步，导致朱哲宇和黄小逸之间的感情产生了裂缝。樊坤（杜海涛 饰）是朱哲宇的同事，因为事业平平而屡屡遭到女友的轻视。

東北を舞台に、友情を軸にして揺れ動く18歳の若者の青春を描く。脚本は西村宣之、監督はこれが第一回作品となる金秀吉、撮影は金徳哲がそれぞれ担当。

東北を舞台に、友情を軸にして揺れ動く18歳の若者の青春を描く。脚本は西村宣之、監督はこれが第一回作品となる金秀吉、撮影は金徳哲がそれぞれ担当。

Mikhail Edisherovich Chiaureli (Micheil Chiaureli) was born on February 6, 1894, in Tiflis, Russian Empire (now Tbilisi, Georgia). In 1916 he graduated from the School of Painting and Sculpture in Tbilisi. Young Chiaureli made his acting debut on stage as an amateur in 1910. In 1914 he married actress Veriko Andjaparidze, they had two sons and a daughter, named Sofiko Chiaureli. In 1920-1921 he took part in organizing the Revolutionary Theatre of Satire in Tbilisi. From 1922-1924 he lived in Germany and worked as a sculptor and continued his career as a sculptor and artist after his return to Tbilisi in 1924. From 1926-1928 he was an actor and director of Krasny Proletkult Theatre in Tbilisi. From 1928-1941 Chiaureli was Artistic Director of Georgian Theatre of Musical Comedy. 　　His film career began in 1921 with a leading role in the silent film 'Arsena Jorjiashvili' (1921). He continued playing leading and supporting roles in silent films during the 1920's. 1928 Chiaureli became a film director at Goskinprom studio (Sakhkinmretsvi, then renamed Tbilisi Kinostudia). His silent film 'Khabarda' (1931) became a popular comedy and won critical acclaim. Chiaureli made the first sound film in Georgia, 'Ukanaskneli Maskaradi' (The Last Masquerade 1934). He turned to historic films during the 1930's and 1940's under the dictatorship of Joseph Stalin. His political film 'Velikoe Zarevo' (They Wanted Peace 1938) was a typical Soviet propaganda film, for which Chiaureli received his first Stalin's Prize. Chiaureli made a two-part biopic about Georgian national hero Didi Mouravi (Great Mouravi) Giorgi Saakadze covering the history of the 16th and 17th century Georgia, and was awarded two Stalin's Prizes. 　　Joseph Stalin made Chiaureli his personal friend and a regular guest at private parties in Kremlin and at Stalin's Dacha near Moscow. Stalin used Chiaureli's talent to make films in the line of Soviet propaganda. Chiaureli had to serve the leader. He embellished the image of Stalin by using a tall and handsome actor Mikheil Gelovani in the role of Stalin. Stalin liked the embellishments and personally approved actor Mikheil Gelovani, who depicted Stalin in all Chiaureli's films. He depicted Stalin as an Almighty leader of great wisdom and limitless power in several propaganda films. However, he made a diligent effort as director of 'The Fall of Berlin' and 'The Battle of Berlin' (1949) and was awarded the Crystal Globe at Karlovy Vary, and was again awarded the Stalin's Prize in 1950. 　　After the death of Stalin, Chiaureli lost much of his clout in Moscow and fell out of favor with Nikita Khrushchev. Chiaureli was removed to Sverdlovsk and was placed at the Sverdlovsk Film Studio. There he was limited to low-budget films and had little or no success. He moved back to his hometown Tbilisi in 1957 and made several films starring his wife Veriko Andjaparidze and his daughter Sofiko Chiaureli. His last feature film was nostalgic and pholosophical 'Rats ginakhavs, vegar nakhav' (aka.. Inye nynche vremena or You Cannot See What I Had Seen. 1965). Chiaureli turned to animation during the last decade of his life. His sarcastic cartoon 'Rogor damarkhes tagvebna kata' (aka.. Kak myshi kota khoronili or "How mice buried the cat" 1969) was based on a satirical painting about the funeral of Tsar Peter the Great, alluding to politics around the death of Stalin. Micheil Chiaureli died on October 31, 1974, in Tbilisi, Georgia.

青山见我应如是

卧房内脸上凌乱的残梦，想象中列车窗外逶迤的森林，现实的扫描仪冰冷的结构，内心深处的沙漠，一棵孤树，攀向天空的绳梯……一部微电影，用独白诉说一个偶像成长的境遇。

Remember when everyone wanted to be in The Strokes or look like Karen O? Then this is the film of the year for you! We’re in New York in the early ’00s. Rock n’ roll had long since been declared dead and buried when a tsunami of young bands suddenly swept across the city and up the charts everywhere, setting a new standard for urban cool. In a kaleidoscopic journey with an eye for more than just the myths, we are there 20-year olds The Strokes become world stars with a debut album in just half an hour. And we’re there when James Murphy discovers The Rapture and ecstasy, and creates dance music for rock fans like LCD Soundsystem. TV On The Radio, Interpol, Yeah Yeah Yeahs and all the other coolest kids in class join in as well in an absolute (indie)rock n’ rollercoaster ride of a film.

2010年12月6日起，中央电视台一套综合频道推出全新专题栏目《看见》。作为一档记录现实题材的专题节目，《看见》观察变化中的时代生活，用影像记录事件中的人，努力刻画这个飞速转型的时代中，人的冷暖、感知、思想与渴望，期待和观众一起，了解陌生，认识彼此；端详相似，审视自我。首播频道：CCTV-1日播版：每周二到周六00：15，周末版：每周日22：36。由柴静主持。

2010年12月6日起，中央电视台一套综合频道全新推出专题栏目《看见》。这是一档聚焦现实题材的专题节目，《看见》着眼于时代生活的变迁，通过影像展现事件中的人物，全力描绘这个急速转型时代里，人的冷暖、感知、思想与渴望。它希望能和观众一同了解陌生事物、认识他人，审视相似之处、反思自我。该节目首播频道为CCTV - 1，日播版于每周二到周六00：15播出，周末版在每周日22：36播出，由柴静主持。

2016釜山国际短片节入围短片 　　《撒网》 　　高银（韩国） 　　近来我没有悲剧 　　悲剧一直支撑我而非幸福之类 　　无所适从 　　每到清晨 我向整个东海抛渔网 　　最初几次网到的唯有虚无 　　黎明的水滴在网眼间发电 　　咻咻！系黑的口哨声 　　我的手在燃 我的四大色身在烧 　　即使烧成焦木炭 　　每个清晨我依旧去撒网 　　不信一尾悲剧比巨龙凶猛 　　整个东海旋即被我捞上来 　　晾在延绵的沙滩上晒成乌贼干 　　朝鲜半岛啊 你多穷也不得出售这尾悲剧 　　正被晒成耀眼乌贼干的悲剧 　　译者 金丹实 　　via柯首映