苏乔乔（张雪迎 饰）是一个非常平凡的女大学生，过着一成不变的生活，扔到人堆里就没有人能够在认出她来。而林叶（许梦圆 饰）则和苏乔乔恰恰相反，她是校园里“女神”级别的存在，所到之处没有人不投来羡慕的眼光。就是这样两个大相径庭的人，某一天醒来之后，苏乔乔震惊的发现自己竟然和林叶互换了身份。 　　刚开始，苏乔乔并不能接受受人瞩目的生活，但随着时间的推移，她渐渐习惯了四处抛头露面赢取赞扬，更和校草陈晨碰撞出了一段罗曼蒂克的情缘。就在苏乔乔沉浸在幸福和虚荣之中时，她并不知道自己早已经落入了林叶一手设计的圈套之中。

苏乔乔（张雪迎 饰）是一个非常平凡的女大学生，过着一成不变的生活，扔到人堆里就没有人能够在认出她来。而林叶（许梦圆 饰）则和苏乔乔恰恰相反，她是校园里“女神”级别的存在，所到之处没有人不投来羡慕的眼光。就是这样两个大相径庭的人，某一天醒来之后，苏乔乔震惊的发现自己竟然和林叶互换了身份。 　　刚开始，苏乔乔并不能接受受人瞩目的生活，但随着时间的推移，她渐渐习惯了四处抛头露面赢取赞扬，更和校草陈晨碰撞出了一段罗曼蒂克的情缘。就在苏乔乔沉浸在幸福和虚荣之中时，她并不知道自己早已经落入了林叶一手设计的圈套之中。

杨静怡原本是城中首富卢岳阳的独孙女，某次出游遭绑匪绑架，被韩志伟舍命相救，后来两人陷入爱河，杨静怡隐藏首富千金的身份下嫁韩志伟。结婚四年，韩志伟生意做得风生水起。但杨静怡一直没怀上孩子，想要孙子想得发疯的婆婆洪燕对此非常不满，日常总是对杨静怡各种刁难，杨静怡都是有苦自己吞，不想让忙于工作的韩志伟烦心。杨静怡没想到，韩志伟出差回来时身边却多了位护士秦筱。原来韩志伟出差期间受伤住院，得到护士秦筱细心照顾。秦筱看上韩志伟，想要小三上位。听说杨静怡和韩志伟一直为...

The eponymous Celtic warrior who rules the Iceni people alongside her husband Prasutagus. The King dies at the hands of Roman soldiers, leaving Boudica's kingdom without a male heir and the Romans seize her land and property.

The eponymous Celtic warrior who rules the Iceni people alongside her husband Prasutagus. The King dies at the hands of Roman soldiers, leaving Boudica's kingdom without a male heir and the Romans seize her land and property.

当极具创造力的当代编舞大师阿库·汉姆（Akram Khan）把目光投向玛丽·雪莱的科幻杰作《弗兰肯斯坦》时，就足以引起舞迷们的尖叫与期待。这部《造物》将故事背景放置当代，在一个破旧废弃的极地研究站中，人类为了满足自己在地球上最后的无主之地进行殖民的愿望，拿“人形生物”进行身体的实验。善良的清洁工玛丽的出现为“生物”带来了爱与希望，两人脱离掌控的行为遭到长官的打压，迫使“生物”走向沃伊采克式的悲剧结局。 　　孟加拉裔编舞家阿库·汉姆是当今最具世界影响力的编舞家之一，他自幼接受南亚古典舞体系训练，在与英国国家芭蕾舞团、芭蕾男孩舞团，云门舞集等知名舞团的广泛合作中，又吸取西方现代舞与芭蕾舞的精华，风格杂糅，却又呈现得十分纯粹。其代表作《吉赛尔》《陌生人》等曾荣获奥利弗奖、南岸天空艺术奖等多项大奖。在新作《造物》中，他选择用充满张力的舞蹈动作，塑造被禁锢的身体与渴望自由的灵魂，人性与兽性的拉扯交锋。

当极具创造力的当代编舞大师阿库·汉姆（Akram Khan）把目光投向玛丽·雪莱的科幻杰作《弗兰肯斯坦》时，就足以引起舞迷们的尖叫与期待。这部《造物》将故事背景放置当代，在一个破旧废弃的极地研究站中，人类为了满足自己在地球上最后的无主之地进行殖民的愿望，拿“人形生物”进行身体的实验。善良的清洁工玛丽的出现为“生物”带来了爱与希望，两人脱离掌控的行为遭到长官的打压，迫使“生物”走向沃伊采克式的悲剧结局。 　　孟加拉裔编舞家阿库·汉姆是当今最具世界影响力的编舞家之一，他自幼接受南亚古典舞体系训练，在与英国国家芭蕾舞团、芭蕾男孩舞团，云门舞集等知名舞团的广泛合作中，又吸取西方现代舞与芭蕾舞的精华，风格杂糅，却又呈现得十分纯粹。其代表作《吉赛尔》《陌生人》等曾荣获奥利弗奖、南岸天空艺术奖等多项大奖。在新作《造物》中，他选择用充满张力的舞蹈动作，塑造被禁锢的身体与渴望自由的灵魂，人性与兽性的拉扯交锋。

Kreatur is about the human body. Isolated or attached to a community, it becomes distorted under pressure. The show's based on the ideas of taking or losing power, of thinking about otherness or looking at oneself, of loving or hating oneself. And in visiting a former Stasi prison in Berlin, Sasha Waltz and her dancers found memorial and sensitive points of reference to work on the inhuman confinement that forced people to stay forever upright and awake. The choreographer alludes to a world in which physical and physiological constrictions force us to stay in movement. The body becomes the symbol of a struggle, caught as in a vice between concrete sensations of imprisonment and feelings of a freedom still to experience. To find our respective parts of light and darkness, she wanted to work with great artists to design the costumes, the space and its reflections, the metallic and concrete sounds of the show... All of it comes together to create a minimalist world in black and white, in which only the skin, the living, create colour, and where the creatures we see are images from a potential future, at once familiar and unknown.

Kreatur is about the human body. Isolated or attached to a community, it becomes distorted under pressure. The show's based on the ideas of taking or losing power, of thinking about otherness or looking at oneself, of loving or hating oneself. And in visiting a former Stasi prison in Berlin, Sasha Waltz and her dancers found memorial and sensitive points of reference to work on the inhuman confinement that forced people to stay forever upright and awake. The choreographer alludes to a world in which physical and physiological constrictions force us to stay in movement. The body becomes the symbol of a struggle, caught as in a vice between concrete sensations of imprisonment and feelings of a freedom still to experience. To find our respective parts of light and darkness, she wanted to work with great artists to design the costumes, the space and its reflections, the metallic and concrete sounds of the show... All of it comes together to create a minimalist world in black and white, in which only the skin, the living, create colour, and where the creatures we see are images from a potential future, at once familiar and unknown.

故事发生在1798年的法国凡尔赛宫，革命的热潮席卷了整个国家，居住在宫中的王公贵族们成为了革命者们攻击的对象。为了保命，很多人决定逃跑，可是皇后玛丽（黛安·克鲁格 Diane Kruger 饰）却无法放下她高贵的尊严。长久以来，波利内公爵夫人（维吉妮·拉朵嫣 Virginie Ledoyen 饰）和玛丽皇后保持了暧昧而又亲密的关系，而这一次，保全波利内公爵夫人的性命则成为了玛丽皇后首当其冲需要解决的问题。 西朵妮（蕾雅·赛杜 Léa Seydoux 饰）只是一介小小侍女，但她对玛丽皇后的忠臣和爱慕是任何人都无法相比的，即使到了这个紧要关头，她依然希望能够守在玛丽皇后的身边，为她卖命。于是，西朵妮顺理成章的成为了玛丽皇后手中的棋子，而她并不知道，自己将要面临的是怎样的命运。