Kwan Ka-Chun hat mal wieder seine Hausaufgaben vergessen und muss jetzt eine dicke Strafarbeit schreiben. Thema: „Wenn ich groß bin“. Was für eine Aufgabe! Kwan Ka-Chun weiß doch noch gar nicht, was er mal werden will. Arzt – so wie seine Mutter es gern sehen würde? Oder Ingenieur – ein Beruf, den seine Großmutter bewundert? Und dann trifft er noch auf diesen seltsamen alten Mann. Und der taucht sogar in Kwan Ka-Chuns Träumen auf.

自然主义电影大师兹沃金·帕夫诺维奇的代表作。 　　这部影片毫不留情地展示了生活的阴暗角落，城市阶层的藏污纳垢的场所。细节描写丰富而又很有表现力。主演细致入微地表现一个人在精神堕落、个性解体的过程。有评论者指责作者渲染阴暗面，给生活抹黑，甚至被称为黑片。也有人认为影片表达了作者对这种现象不安的态度，但对消除缺点是有信心的，这使影片能起到动员的作用。

意外穿越修仙世界，本以为会踏上常规修炼路，却意外觉醒美食系统。身为外卖依赖者，面对做饭任务虽万般抗拒，但系统食谱与新手礼包让他重拾信心。凭借脑海中烙印的精湛技艺，他做出的拉面品相绝佳、味道惊艳。以一碗拉面开张迎客，用极致美味打破质疑，在修仙世界开启独特的美食逆袭路。

2006年，25岁的杰森•达希尔瓦与家人在海边度假时突然摔倒，无法站起身来。从此，他的双腿失去了知觉。杰森再也无法忽视自己的疾病。就在几个月前，医生告知杰森他患有多发性硬化症，这种病症可能会引发失明，肌肉不受控制，以及多种并发症。杰森曾经尝试通过锻炼来防止病变，但情况却越来越糟。海边摔倒之后，他很沮丧地向母亲寻找慰借。母亲让他明白，虽然患有这种病症，但他仍然很幸运，他还可以追求自己喜欢的地东西——艺术和电影。杰森拿起相机，把镜头对准自己每况愈下的身体，开始了寻求治愈、自我发现与爱的世界之旅。 　　《当我行走时》（When I Walk）是一部动人的纪录片，其中满是幽默与喜悦的意外片段。影片以青年求生的决心为主线，肯定了生命的意义，也通过电影艺术展示了这种可怕的疾病。

苏乔乔（张雪迎 饰）是一个非常平凡的女大学生，过着一成不变的生活，扔到人堆里就没有人能够在认出她来。而林叶（许梦圆 饰）则和苏乔乔恰恰相反，她是校园里“女神”级别的存在，所到之处没有人不投来羡慕的眼光。就是这样两个大相径庭的人，某一天醒来之后，苏乔乔震惊的发现自己竟然和林叶互换了身份。 　　刚开始，苏乔乔并不能接受受人瞩目的生活，但随着时间的推移，她渐渐习惯了四处抛头露面赢取赞扬，更和校草陈晨碰撞出了一段罗曼蒂克的情缘。就在苏乔乔沉浸在幸福和虚荣之中时，她并不知道自己早已经落入了林叶一手设计的圈套之中。

苏乔乔（张雪迎 饰）是一个非常平凡的女大学生，过着一成不变的生活，扔到人堆里就没有人能够在认出她来。而林叶（许梦圆 饰）则和苏乔乔恰恰相反，她是校园里“女神”级别的存在，所到之处没有人不投来羡慕的眼光。就是这样两个大相径庭的人，某一天醒来之后，苏乔乔震惊的发现自己竟然和林叶互换了身份。 　　刚开始，苏乔乔并不能接受受人瞩目的生活，但随着时间的推移，她渐渐习惯了四处抛头露面赢取赞扬，更和校草陈晨碰撞出了一段罗曼蒂克的情缘。就在苏乔乔沉浸在幸福和虚荣之中时，她并不知道自己早已经落入了林叶一手设计的圈套之中。

在一次旅行中，马蒂亚斯无意间碰到一个小孩儿，让他很奇怪地想起在那个孩子年纪时的自己。深感不安的他，开始了一场奇怪的对这个小男孩生活轨迹的追寻，而这很有可能搅乱他的生活和和谐的家庭⋯⋯如果我们可以重新再经历一次自己的童年，我们是否能够改变一些事情的进程呢？

Serap, a young woman whose mother is no longer around, works in a textile factory in Istanbul. She longs for her father, a lorry driver, to finally make good on his promise and rent a flat for the two of them. In the meantime, she lives with her sister and her husband. She does everything she can to make sure her wish comes true, saving her wages for her father and allowing herself nothing. Her stubborn perseverance almost reverses the standard parent-child relationship. The daughter is the one who cares and provides, looking after her father and giving him money. She chooses to ignore the fact that he always comes up with new excuses and lies and rejects the more realistic picture that her sister paints of him. Although the camera is always with Serap, we only get to know her and her life gradually, as well as how far she is prepared to go for her wish. This piercing tale of a father and daughter is also about the mixed set of feelings that flow together in existential human relationships – longing, neediness, lies, disappointment, illusion and anger – a mix described frequently, yet almost deceptively as love. berlinale 2015

Serap, a young woman whose mother is no longer around, works in a textile factory in Istanbul. She longs for her father, a lorry driver, to finally make good on his promise and rent a flat for the two of them. In the meantime, she lives with her sister and her husband. She does everything she can to make sure her wish comes true, saving her wages for her father and allowing herself nothing. Her stubborn perseverance almost reverses the standard parent-child relationship. The daughter is the one who cares and provides, looking after her father and giving him money. She chooses to ignore the fact that he always comes up with new excuses and lies and rejects the more realistic picture that her sister paints of him. Although the camera is always with Serap, we only get to know her and her life gradually, as well as how far she is prepared to go for her wish. This piercing tale of a father and daughter is also about the mixed set of feelings that flow together in existential human relationships – longing, neediness, lies, disappointment, illusion and anger – a mix described frequently, yet almost deceptively as love. berlinale 2015