一个整天爱做白日梦的男孩，坚信他的父亲不是那个叫做"爸爸”的可恶的大胖子，而是一只浸染了某个西西里男人精液的番茄。这只番茄远渡重洋到达北美洲，在菜市场上与男孩的母亲遭遇并使她受孕。在这个离奇故事的高潮部份，男孩与他暗恋的邻家女孩（一个西西里移民）结伴梦回6889公里外的"故乡”西西里。他们漫步于西西里岛上的古希腊剧场和神庙，面朝大海，春暖花开

一个整天爱做白日梦的男孩，坚信他的父亲不是那个叫做"爸爸”的可恶的大胖子，而是一只浸染了某个西西里男人精液的番茄。这只番茄远渡重洋到达北美洲，在菜市场上与男孩的母亲遭遇并使她受孕。在这个离奇故事的高潮部份，男孩与他暗恋的邻家女孩（一个西西里移民）结伴梦回6889公里外的"故乡”西西里。他们漫步于西西里岛上的古希腊剧场和神庙，面朝大海，春暖花开

As no other filmmaker, Lav Diaz is involved with the suffering of the people of the Philippines, with its history of colonialism, corruption and poverty. A philosophical drama about the psychological effects of injustice and arbitrariness. Two poor labourers leave the city looking for a treasure. 　　Few filmmakers make films as long as those of Lav Diaz. Six hours is not even particularly long within his oeuvre. He has films to his name that are twice that long. And even fewer filmmakers would want to reshoot a film they’ve already made. Yet that’s what happened here. Lav Diaz shot a first version of Florentina Hubaldo, CTE in 2009. Once he had a HD camera, he decided to shoot the film again. Another long film. Back to distant and inhospitable locations. It says a lot about this filmmaker's commitment that he does not make life easy for himself when telling his epic social dramas. 　　Florentina Hubaldo, CTE has several protagonists. There are the two construction workers, Manoling and Juan, who have become unemployed and left the city to go digging for treasure. There’s the shopkeeper Manang Nena who makes her daughter become a prostitute. And the Harvard-business student Briggs who takes over his family's feudal company. Stories that show the extreme aspects of the Philippines. 　　Programmer Note by Gertjan Zuilhof: 　　Lav Diaz in Rotterdam: Florentina Hubaldo, CTE: 300' x 2 = 600' + Century, 355' x 2 = 710' + Butterflies: 58' x 3 = 174' + Melancholia: 480' x 3 = 1440' + Purgatorio: 16' x 2 = 32' + Encantos: 540' x 2 = 1080' + Heremias book 1': 540' x 1 = 540' + When the Rain Ended: 7' x 2 = 14' + Evolution: 630' x 2 =1260'. Total: 5850 / 60 = 97.5 hours. 　　Yes, I decided to count it all up. After the screening of Florentina Hubaldo, CTE, the festival has screened almost 100 hours of Lav Diaz. Lav Diaz is the master of the long film, which is called more elegantly in French film fleuve, and since his masterpiece Evolution of a Philippine Family (2005) we have followed his work closely. Or, to pursue the French metaphor, we have drifted down the river with him. 　　There’s plenty to be said about the work of Lav Diaz. These are opulent stories that are embedded in a complex social-political and geographical history, but they are also just long or very long films that demand a certain physical perseverance from the Spectator. 　　I love to allow myself to be swept away by the full length and duration of the films, but that doesn’t mean that I don’t occasionally drift off. For instance - I think it was in 2006 - I saw the rough version of Heremias on the Philippine vacation island Boracay. The Cinemanila festival was accustomed to organising workshops on the island and Lav Diaz was to screen his latest majestic work at night in the open air on the famous white beach. I didn’t want to miss that.. For technical reasons, the screening was moved inside and at the end of the film, Lav Diaz's producer, himself and I were the only spectators left. 'Last-man standing,' Lav said about me next day to the director of the Cinemanila Festival, which wasn’t quite true. During the final titles, I was shaken awake by the master so I was just in time to see the HBF logo.

As no other filmmaker, Lav Diaz is involved with the suffering of the people of the Philippines, with its history of colonialism, corruption and poverty. A philosophical drama about the psychological effects of injustice and arbitrariness. Two poor labourers leave the city looking for a treasure. 　　Few filmmakers make films as long as those of Lav Diaz. Six hours is not even particularly long within his oeuvre. He has films to his name that are twice that long. And even fewer filmmakers would want to reshoot a film they’ve already made. Yet that’s what happened here. Lav Diaz shot a first version of Florentina Hubaldo, CTE in 2009. Once he had a HD camera, he decided to shoot the film again. Another long film. Back to distant and inhospitable locations. It says a lot about this filmmaker's commitment that he does not make life easy for himself when telling his epic social dramas. 　　Florentina Hubaldo, CTE has several protagonists. There are the two construction workers, Manoling and Juan, who have become unemployed and left the city to go digging for treasure. There’s the shopkeeper Manang Nena who makes her daughter become a prostitute. And the Harvard-business student Briggs who takes over his family's feudal company. Stories that show the extreme aspects of the Philippines. 　　Programmer Note by Gertjan Zuilhof: 　　Lav Diaz in Rotterdam: Florentina Hubaldo, CTE: 300' x 2 = 600' + Century, 355' x 2 = 710' + Butterflies: 58' x 3 = 174' + Melancholia: 480' x 3 = 1440' + Purgatorio: 16' x 2 = 32' + Encantos: 540' x 2 = 1080' + Heremias book 1': 540' x 1 = 540' + When the Rain Ended: 7' x 2 = 14' + Evolution: 630' x 2 =1260'. Total: 5850 / 60 = 97.5 hours. 　　Yes, I decided to count it all up. After the screening of Florentina Hubaldo, CTE, the festival has screened almost 100 hours of Lav Diaz. Lav Diaz is the master of the long film, which is called more elegantly in French film fleuve, and since his masterpiece Evolution of a Philippine Family (2005) we have followed his work closely. Or, to pursue the French metaphor, we have drifted down the river with him. 　　There’s plenty to be said about the work of Lav Diaz. These are opulent stories that are embedded in a complex social-political and geographical history, but they are also just long or very long films that demand a certain physical perseverance from the Spectator. 　　I love to allow myself to be swept away by the full length and duration of the films, but that doesn’t mean that I don’t occasionally drift off. For instance - I think it was in 2006 - I saw the rough version of Heremias on the Philippine vacation island Boracay. The Cinemanila festival was accustomed to organising workshops on the island and Lav Diaz was to screen his latest majestic work at night in the open air on the famous white beach. I didn’t want to miss that.. For technical reasons, the screening was moved inside and at the end of the film, Lav Diaz's producer, himself and I were the only spectators left. 'Last-man standing,' Lav said about me next day to the director of the Cinemanila Festival, which wasn’t quite true. During the final titles, I was shaken awake by the master so I was just in time to see the HBF logo.

圣洛伦索之夜乃流星划破天空、许愿者愿望成真之夜。一个女人回想起很久以前，一群农民为了逃脱纳粹，奔走在托斯卡尼的乡间，而天空划过的不是繁星，而是闪烁的炮火。影片展现在观众面前的是一个6岁孩子亲眼所见的一系列情景和人物：1944年8月10日夜晚，一个村镇必须在服从纳粹法西斯分子的暴力和逃到美军战区之间做出选择。由于所持道德观点、文化程度以及阶级的不同，村民中发生了分歧。一部分人决定和戛尔瓦诺一起逃走，另一部分则随主教去村中唯一的教堂避难。第二天，德军突然来到村庄，大肆进行搜捕，没有逃脱的人被枪杀，教堂也被炸毁，而和戛尔瓦诺一起逃走的人们，最终被美军解救。

圣洛伦索之夜乃流星划破天空、许愿者愿望成真之夜。一个女人回想起很久以前，一群农民为了逃脱纳粹，奔走在托斯卡尼的乡间，而天空划过的不是繁星，而是闪烁的炮火。影片展现在观众面前的是一个6岁孩子亲眼所见的一系列情景和人物：1944年8月10日夜晚，一个村镇必须在服从纳粹法西斯分子的暴力和逃到美军战区之间做出选择。由于所持道德观点、文化程度以及阶级的不同，村民中发生了分歧。一部分人决定和戛尔瓦诺一起逃走，另一部分则随主教去村中唯一的教堂避难。第二天，德军突然来到村庄，大肆进行搜捕，没有逃脱的人被枪杀，教堂也被炸毁，而和戛尔瓦诺一起逃走的人们，最终被美军解救。

许知薇在封后大典上遭贴身宫女梁婉仪暗算惨死，再度睁眼竟穿越成现代豪门弃妇，与冷漠的总裁时郁舟维持着协议婚姻。初入陌生世界，她便遭遇婆婆的轻视刁难与小三潘雨桐的频频挑衅，潘雨桐不仅在寿宴抢占主宾位，更设下假翡翠陷阱想让她出丑，许知薇凭借皇后的从容气度与智谋识破，还化身 “观众嘴替” 吐槽乱象，意外收获好感。为掌握主动权，她不再困于宅斗，选择外出工作成为独立事业女性。相处中，时郁舟逐渐被她的聪慧坚韧吸引

宋念初穿成七零年代的孤女，年轻漂亮，奈何天生神力，无人敢娶。恰好来了一家下放的人家，儿子面容俊俏，正适合做老公，立马抗回家入洞房。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。

宋念初穿成七零年代的孤女，年轻漂亮，奈何天生神力，无人敢娶。恰好来了一家下放的人家，儿子面容俊俏，正适合做老公，立马抗回家入洞房。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。

宋念初穿成七零年代的孤女，年轻漂亮，奈何天生神力，无人敢娶。恰好来了一家下放的人家，儿子面容俊俏，正适合做老公，立马抗回家入洞房。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。