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墨西哥超现实吸血鬼片，导演Juan López Moctezuma是JODOROWSKY大师的好友，曾经参与杨大师多部经典CULT片的拍摄工作。 　　A beautifull artist (Cristina Ferrare) moonlights as a vampire while in Mexico, killing lovers of both sex. It seems that the only person who has any chance of stopping her reign of terror is her father (John Carradine), who's also a vampire. Model and future TV host Christina Ferrare is a lesbian vampire whose victims are dying to quench her thirst for blood. Mexican authorities and her father (John Carradine) try to come between Ferrare and her next target's neck in this horrifying shockfest. 　　Juan Lopez Moctezuma's MARY, MARY, BLOODY MARY (1975) is one of those movies you watch and, after mentally cataloging all the things wrong with it, realize how cool it really is... mostly because of all the things you thought were wrong with it. Cristina Ferrare is such a Pamprin headache of an actress, as stiff as a celluloid collar, and yet she does create one of cinema's most interesting vampires. In many ways, Mary couldn't be worse at what she does - while the early murder of a man interested in more than her paintings goes off smoothly (Miss Thing slyly sliding a hairpin out of her chignon during female superior sex and using it to lay open his jugular), her next victim (a fisherman, whom she has attempted to drug) nearly fends her off until she takes him down in one of the most ungainly vampire attacks of all time. 　　Elsewhere, Mary proves herself a complete chicken shit in moments of tension, as when she breaks down in big boo-boo tears when confronted on a country road by a mysterious figure clad in black. She's lachrymose, emotionally withdrawn, sexually disengaged and her art sucks... what a perfect portrait of an Ugly Americana spreading the white man's poison south of the border. It's in this context that the cheapness of the production, the harsh 70s decor, the cold, perfunctory performances and the wall-to-wall Muzak score actually begin to seem like grounded artistic choices and have a lot to do with why I keep coming back to this one. 　　MARY, MARY, BLOODY MARY ends in a surprisingly cynical bloodbath of ultraviolence that leaves only the pathetic title character standing... or in reality on her knees sucking the life out of the one person whose love she had relied on to point her to some kind of normalcy. Not enough vampire movies use awkwardness and incompetence as character traits to define their bloodsuckers and that's too bad. George Romero had similar ideas for MARTIN (1976) a year later but portraying vampires as just folks is definitely the horror road not taken.

内德爱他美丽的妻子玛丽，但由于他的性功能障碍无法满足她，无论他怎么努力，都无济于事。有一天他发誓将自己的灵魂卖给魔鬼，以换取他缺乏的男子气概，并提出接受他的提议，魔鬼答应了。内德很快发现自己能够享受他梦寐以求的体验，但不知道魔鬼对内德和他所有的新玩伴有一些可怕的计划......

内德爱他美丽的妻子玛丽，但由于他的性功能障碍无法满足她，无论他怎么努力，都无济于事。有一天他发誓将自己的灵魂卖给魔鬼，以换取他缺乏的男子气概，并提出接受他的提议，魔鬼答应了。内德很快发现自己能够享受他梦寐以求的体验，但不知道魔鬼对内德和他所有的新玩伴有一些可怕的计划......

约翰（Jesse Rosen 饰）自认为风流倜傥一表人才，并且是个不折不扣的异性恋。在经历了一段失败的恋情之后，他从纽约搬到了洛杉矶，希望能够在这里散散心，重新开始新的生活。在洛杉矶，约翰遇见了好友安迪（Jared Thompson 饰），在安迪的带领下，约翰见识到了大都市男女之间混乱而复杂的关系，他陷入了深深的迷惑之中。 　　保罗（Johnny Ray 饰）是约翰的新上司，英俊潇洒的他似乎对约翰情有独钟，不仅在工作上对他多加照顾，还邀请约翰到自己家中共进午餐。让约翰没有想到的是，自己似乎也渐渐的被保罗所吸引，在挣扎和抗拒之间，约翰该如何正视自己的性取向？他和保罗之间的关系又会向怎样的方向发展呢？

特洛伊（李·鲁莫赫尔 Lee Rumohr 饰）和梅里克（马特·奥斯丁 Matt Austin 饰）从高中时代起就是好朋友了，如今，他们是住在同一屋檐下的室友。梅里克有一个名为史黛西（Sarah Kanter 饰）的女朋友，而特洛伊也和他的前女友仍旧保持着联系。 　　实际上，特洛伊和梅里克之间早已经发生过了亲密关系，只不过梅里克只把特洛伊当成发泄欲望的工具，而特洛伊却是真的爱上了自己的好友。在爱上梅里克之后，特洛伊彻底和身边的莺莺燕燕断绝了来往，梅里克虽然发现了深藏在自己内心中的感情，但却始终抗拒着同情恋的身份。梅里克的女朋友怀孕了，而梅里克的内心却产生了强烈的动摇。

特洛伊（李·鲁莫赫尔 Lee Rumohr 饰）和梅里克（马特·奥斯丁 Matt Austin 饰）从高中时代起就是好朋友了，如今，他们是住在同一屋檐下的室友。梅里克有一个名为史黛西（Sarah Kanter 饰）的女朋友，而特洛伊也和他的前女友仍旧保持着联系。 　　实际上，特洛伊和梅里克之间早已经发生过了亲密关系，只不过梅里克只把特洛伊当成发泄欲望的工具，而特洛伊却是真的爱上了自己的好友。在爱上梅里克之后，特洛伊彻底和身边的莺莺燕燕断绝了来往，梅里克虽然发现了深藏在自己内心中的感情，但却始终抗拒着同情恋的身份。梅里克的女朋友怀孕了，而梅里克的内心却产生了强烈的动摇。