Mary Berry's Secrets From Britain's Great Houses w/t (6 x 30′) – In this sumptuous new series Mary Berry explores some of the nation's most beloved stately homes through the prism of what she's best known for – food. 　　Her exclusive invitation to these great houses will take her away from the well-trodden tourist paths. Revealing life both upstairs and downstairs, Mary will meet the present day custodians and their knowledgeable, dedicated staff as she visits the gardens, kitchens and private rooms. 　　Inspired by the houses' rich culinary histories, Mary will be producing her own special recipes and celebrating the heritage and legacy of these extraordinary houses with all those she has met.

墨西哥超现实吸血鬼片，导演Juan López Moctezuma是JODOROWSKY大师的好友，曾经参与杨大师多部经典CULT片的拍摄工作。 　　A beautifull artist (Cristina Ferrare) moonlights as a vampire while in Mexico, killing lovers of both sex. It seems that the only person who has any chance of stopping her reign of terror is her father (John Carradine), who's also a vampire. Model and future TV host Christina Ferrare is a lesbian vampire whose victims are dying to quench her thirst for blood. Mexican authorities and her father (John Carradine) try to come between Ferrare and her next target's neck in this horrifying shockfest. 　　Juan Lopez Moctezuma's MARY, MARY, BLOODY MARY (1975) is one of those movies you watch and, after mentally cataloging all the things wrong with it, realize how cool it really is... mostly because of all the things you thought were wrong with it. Cristina Ferrare is such a Pamprin headache of an actress, as stiff as a celluloid collar, and yet she does create one of cinema's most interesting vampires. In many ways, Mary couldn't be worse at what she does - while the early murder of a man interested in more than her paintings goes off smoothly (Miss Thing slyly sliding a hairpin out of her chignon during female superior sex and using it to lay open his jugular), her next victim (a fisherman, whom she has attempted to drug) nearly fends her off until she takes him down in one of the most ungainly vampire attacks of all time. 　　Elsewhere, Mary proves herself a complete chicken shit in moments of tension, as when she breaks down in big boo-boo tears when confronted on a country road by a mysterious figure clad in black. She's lachrymose, emotionally withdrawn, sexually disengaged and her art sucks... what a perfect portrait of an Ugly Americana spreading the white man's poison south of the border. It's in this context that the cheapness of the production, the harsh 70s decor, the cold, perfunctory performances and the wall-to-wall Muzak score actually begin to seem like grounded artistic choices and have a lot to do with why I keep coming back to this one. 　　MARY, MARY, BLOODY MARY ends in a surprisingly cynical bloodbath of ultraviolence that leaves only the pathetic title character standing... or in reality on her knees sucking the life out of the one person whose love she had relied on to point her to some kind of normalcy. Not enough vampire movies use awkwardness and incompetence as character traits to define their bloodsuckers and that's too bad. George Romero had similar ideas for MARTIN (1976) a year later but portraying vampires as just folks is definitely the horror road not taken.

内德爱他美丽的妻子玛丽，但由于他的性功能障碍无法满足她，无论他怎么努力，都无济于事。有一天他发誓将自己的灵魂卖给魔鬼，以换取他缺乏的男子气概，并提出接受他的提议，魔鬼答应了。内德很快发现自己能够享受他梦寐以求的体验，但不知道魔鬼对内德和他所有的新玩伴有一些可怕的计划......

内德爱他美丽的妻子玛丽，但由于他的性功能障碍无法满足她，无论他怎么努力，都无济于事。有一天他发誓将自己的灵魂卖给魔鬼，以换取他缺乏的男子气概，并提出接受他的提议，魔鬼答应了。内德很快发现自己能够享受他梦寐以求的体验，但不知道魔鬼对内德和他所有的新玩伴有一些可怕的计划......

2007年，世界尤其是中国忙于迎接08年的奥运大事，而香港学生最重视的战役——中五会考在即，但九个少年男女却茫然站在成人与小孩的关卡，于网络、短讯、物欲横流的虚拟与残酷现实中迷惘；尽管他们躁动又脆弱的心灵惺惺相惜，并在烈日下坦然寻求青春专属的爱与自由。 　　因为一条手机短片，九个朋友由互相依赖演变成互有芥蒂，由互相维护发展至互相猜疑；于是，逐渐瓦解的友谊、一触即破的爱情、家庭的羁绊，死与生的冲击等，在那一瞬间磨蚀着青春的菱角，也将少年由放浪的自由国度拉回现实社会，而七人也各自找寻着属于自己的青春答案，寻找着青春的出口。

故事发生在2007年的香港。在迎接08年奥运的大环境下，影片讲述一群临近中五会考的中学生之间有关成长的青春故事。一部手机短片，一连串的荒谬事件，引发了九个少男少女之间的矛盾冲突。本来的信任依赖，渐渐发展成了彼此的猜忌与摩擦。站在懵懂与长大的十字路口，这些孩子们面对着友情与爱情的双重考验。而随之而来的家庭问题和现实世界的真实残酷，九位少年又当如何应对？青春的故事有很多，影片用幽默跳脱的手法细细讲来。 　　《烈日当空》是由曾志伟监制的两岸三地“九降风”系列同名电影的香港篇。

葡萄牙名導Tiago Guedes第五部劇情長片以一幕美麗懾人的場景作為開場，靜謐的鄉村小鎮卻發生一連串慘案，永遠改變了Joao Fernandez的一生。20年後，葡萄牙受右翼的第二共和國政權統治，這時的Joao已是名富有的地主，並成為家族裡最具主見的領導人。由Joao帶領的家族勢力在接下來的40餘年，都將在葡萄牙歷史中佔有重要地位，不僅與動盪不定的政治、社會變遷相抗衡，家族埋藏已久的秘密與謊言也將水落石出。導演Guedes以19世紀葡萄牙文學家Jose Maria Eca de Queiroz的現實主義故事為主軸，創造出獨一無二的藝術視角，聚焦傳統大家族的內部關係如何受外在世界所影響，結果如同另一名19世紀文學家所言：「一切堅固的事物都終將煙消雲散」。