某地城中村拆迁改造进行中，村民屠本谦面对开发商的拆迁，选择暴力抵抗，持刀伤人逃跑之后，不依不饶继续寻仇，直至癫狂想要炸毁学校……屠本谦的命运会如何？以及他为何会做这样的选择？他为何暴力反抗拆迁？他为何要去炸毁学校？他为何要不断地给陌生人汇款？他为何拒绝两情相悦的恋人？一切看似寻常的背后，隐藏着一个更加巨大的秘密……

该剧以抗战时期太谷县形意拳门人坚守民族气节、抵抗外来侵略为主线，再现了那段激情燃烧的光辉岁月，以此致敬曾经在战场挥洒热血的英雄志士。 　　清光绪年间，太谷形意拳师车毅斋在天津擂台击败日本武士，灭日本人威风，长中国人志气。车毅斋去世后，弟子为其修建了车毅斋纪念碑，碑文记录了其在天津擂台击败日本武士一事。1937年11月，日军侵入太谷，日军指挥官板山野遵其父板山太郎遗嘱寻找车毅斋纪念碑，企图毁碑消辱。形意英雄刘胜、车玉贞等藏碑护碑、保家卫国，与敌人展开殊死搏斗。

该剧以抗战时期太谷县形意拳门人坚守民族气节、抵抗外来侵略为主线，再现了那段激情燃烧的光辉岁月，以此致敬曾经在战场挥洒热血的英雄志士。 　　清光绪年间，太谷形意拳师车毅斋在天津擂台击败日本武士，灭日本人威风，长中国人志气。车毅斋去世后，弟子为其修建了车毅斋纪念碑，碑文记录了其在天津擂台击败日本武士一事。1937年11月，日军侵入太谷，日军指挥官板山野遵其父板山太郎遗嘱寻找车毅斋纪念碑，企图毁碑消辱。形意英雄刘胜、车玉贞等藏碑护碑、保家卫国，与敌人展开殊死搏斗。

清光绪年间，太谷形意拳师车毅斋在天津擂台击败日本武士，灭日本人威风，长中国人志气。车毅斋去世后，弟子为其修建了车毅斋纪念碑，碑文记录了其在天津擂台击败日本武士一事。1937年11月，日军侵入太谷，日军指挥官板山野遵其父板山太郎遗嘱寻找车毅斋纪念碑，企图毁碑消辱。形意英雄刘胜、车玉贞等藏碑护碑、保家卫国，与敌人展开殊死搏斗。

猜拳，是一个猜心的游戏。犹如爱情，没有必胜秘籍，也没有方程式去捉摸对手，要赢，就只有全情投入地猜。 一个晚上， Vivian(应采儿饰)在酒吧里遗失了男朋友Jason (安志杰饰)，还有被枚后Mango(吴天瑜饰)伤害而遗失了尊严…… 她决定靠双手赢回一切，因为她深信：Nothing is Impossible！她接触到猜拳的奇妙世界及其千变万化，顿时火速迷恋，更重要是她爱上了一个男人，一个开怀乐观，令人忘忧的“拳王之王”亚龟(黄子华饰)……

猜拳，是一个猜心的游戏。犹如爱情，没有必胜秘籍，也没有方程式去捉摸对手，要赢，就只有全情投入地猜。 一个晚上， Vivian(应采儿饰)在酒吧里遗失了男朋友Jason (安志杰饰)，还有被枚后Mango(吴天瑜饰)伤害而遗失了尊严…… 她决定靠双手赢回一切，因为她深信：Nothing is Impossible！她接触到猜拳的奇妙世界及其千变万化，顿时火速迷恋，更重要是她爱上了一个男人，一个开怀乐观，令人忘忧的“拳王之王”亚龟(黄子华饰)……

More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far. 　　源自：https://www.mardelplatafilmfest.com/38/en/pelicula/mimang

More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far. 　　源自：https://www.mardelplatafilmfest.com/38/en/pelicula/mimang

在1939年日军入侵山西的历史背景下，一位爱国且具狭义之气的村民和一名爱国女学生，联手挫败日本人窥探山西矿藏的阴谋，用形意拳的精髓和其蕴含的兵法精神来保护家乡的故事。

本剧讲述了在1939年日军入侵山西的历史背景下，一位爱国且具狭义之气的村民和一名爱国女学生，联手挫败日本人窥探山西矿藏的阴谋，用形意拳的精髓和其蕴含的兵法精神来保护家乡的故事。