Three Dorothy L. Sayers mysteries involving amateur sleuth extraordinaire Lord Peter Wimsey and the lovely Harriet Vane are realized to perfection in these 1987 BBC adaptations. In Strong Poison, Harriet (Harriet Walter) is on trial for murder. Lord Peter (Edward Petherbridge) becomes enchanted by her and decides she cannot possibly be guilty. What follows are the twin stories of Lord Peter's search to find the real killer and his romantic pursuit of Harriet. Both are charming. As always, Sayers has plotted her story brilliantly, with a satisfying mystery and a sly comic touch (a gentle poke at the spiritualist movement is particularly fun). The period atmosphere is pulled off naturally and with close attention to detail, and the adaptation has a careful reverence for Sayers's novel. The performances are all remarkably strong. Petherbridge is perfect as Wimsey, revealing his brilliance and allowing him to be hopelessly in love without ever damaging his dignity. Walter plays Harriet with rich nuance, saying as much with her silences as she does with her lines, and Richard Morant is quietly fantastic as the remarkable Bunting. 　　Harriet, fresh from the trial, tries to get away from it all and ends up stumbling over a recently killed body in Have His Carcass. Unable to resist a crime (or, for that matter, Harriet), Lord Peter is soon on the case. In Gaudy Night, Lord Peter is still proposing at frequent intervals, and Harriet, though unable to say yes, is also unable to send Lord Peter entirely away. But enough with the romance. As Wimsey heads off for some foreign service work, Harriet visits her Oxford alma mater and lands smack in the middle of a poison-pen scandal. Harriet's status as a mystery writer, naturally, means she's the one who should investigate. Sayers clearly had fun writing this one, using Harriet to gently tweak her own profession, at the same time both parodying and defending the cloistered life at a women's college. --Ali Davis

现代打工人唐缺意外穿越古代，一睁眼竟身陷净身房，危在旦夕之际恰逢北辽使者朝堂发难。他急中生智，以惊艳的背诗才华化解危机、智退使臣，就此被孤立无援的皇帝寄予厚望。彼时朝堂奸臣当道、内忧外患，唐缺被迫卷入权谋漩涡，而世家贵女宋清漪聪慧果敢、心怀正义，看穿他的不凡后选择暗中相助。唐缺凭借现代思维与过人胆识，一边与贪官佞臣斗智斗勇，用新奇理念改良农工商业、解决民生问题；一边在宋清漪的协助下稳固根基，从无名小卒逐步成长为能左右朝局的实权爵爷。二人从默契搭档渐生情愫，最终携手肃清奸佞、安定朝堂，书写了一段现代灵魂在古代的逆袭传奇。

现代打工人唐缺意外穿越古代，一睁眼竟身陷净身房，危在旦夕之际恰逢北辽使者朝堂发难。他急中生智，以惊艳的背诗才华化解危机、智退使臣，就此被孤立无援的皇帝寄予厚望。彼时朝堂奸臣当道、内忧外患，唐缺被迫卷入权谋漩涡，而世家贵女宋清漪聪慧果敢、心怀正义，看穿他的不凡后选择暗中相助。唐缺凭借现代思维与过人胆识，一边与贪官佞臣斗智斗勇，用新奇理念改良农工商业、解决民生问题；一边在宋清漪的协助下稳固根基，从无名小卒逐步成长为能左右朝局的实权爵爷。二人从默契搭档渐生情愫，最终携手肃清奸佞、安定朝堂，书写了一段现代灵魂在古代的逆袭传奇。

讲述了一品爵爷陈绳武与顺治皇帝落入了穆里玛的圈套当中流落民间，恰好来到了滇南王的地盘并在认识了滇南王的未婚妻夜莺，为了拯救夜莺和顺治陈绳武与滇南王吴大帅及其子吴少保往来周旋的故事。

讲述了一品爵爷陈绳武与顺治皇帝落入了穆里玛的圈套当中流落民间，恰好来到了滇南王的地盘并在认识了滇南王的未婚妻夜莺，为了拯救夜莺和顺治陈绳武与滇…

温迪，是个梦想能够飞翔并离开压抑自己的家的小姑娘，她的好朋友约翰和麦克也和她有相同的遭遇和愿望。 一个漆黑的夜晚，一个神秘的影子出现在孩子们的窗前。原来，这是小飞侠彼得·潘，他和小仙子一起生活在梦幻岛，孤单的生活使得小飞侠希望找到新朋友一起玩乐。小飞侠告诉孩子们，他将教会他们飞翔并到梦幻岛游玩。孩子们兴高采烈极了，很快学会了飞翔技术，一起来到了梦幻岛。 在梦幻岛，温迪马上喜欢上了这个美丽的地方。小飞侠帮着温迪他们安了家。孩子们跟着小飞侠探险、玩游戏，开心极了。但是，快乐的日子被无恶不作的海盗铁钩船长破坏了。海盗铁钩船长带着一群海盗上岛。小飞侠在好朋友们受到海盗袭击后，勇敢站出来和铁钩船长展开了激战。

米洛斯福曼一鸣惊人长片首作《黑彼得》(Black Peter)，不仅荣膺卢卡诺影展首奖，更被视为捷克新浪潮开山作之一，电影以父亲的质问叨念，同时呈现男孩成长的迷茫无奈，暗喻共产社会的监视控制，《黑彼得》采非职业演员和即兴对话，于街头手持摄影，呈现一则轻松幽默的讽刺寓言。故事讲述在超商担任暑期实习生的16岁少年彼德，首日上工就撞见偷窃却不敢指认，反而只想和池畔的女孩调情，唠叨老爸和老板让人生难以过关。米洛斯福曼在《黑彼得》添加舞会桥段、喜剧的趣味实验，更捕捉到人物间的微妙互动，从而奠基日后大师印记。

米洛斯福曼一鸣惊人长片首作《黑彼得》(Black Peter)，不仅荣膺卢卡诺影展首奖，更被视为捷克新浪潮开山作之一，电影以父亲的质问叨念，同时呈现男孩成长的迷茫无奈，暗喻共产社会的监视控制，《黑彼得》采非职业演员和即兴对话，于街头手持摄影，呈现一则轻松幽默的讽刺寓言。故事讲述在超商担任暑期实习生的16岁少年彼德，首日上工就撞见偷窃却不敢指认，反而只想和池畔的女孩调情，唠叨老爸和老板让人生难以过关。米洛斯福曼在《黑彼得》添加舞会桥段、喜剧的趣味实验，更捕捉到人物间的微妙互动，从而奠基日后大师印记。

Set one evening in present-day Moscow, 16 year-old Pyotr is baited by an ultra-nationalist group known for their violent abductions and attacks bolstered by Russia's LGBT propaganda law, but Pyotr has a dangerous secret.