2010年11月，由台北市文化局和台北电影委员会举办的首届两岸三地纪录片导演交流展在台北举行，作为影展的一个重要环节，每位参展导演在影展期间需独立完成10分钟有关台北这座城市的纪录短片，最后形成“台北印象”纪录系列。 　　大陆独立纪录片导演张赞波完成的《得和路243巷28弄3號》，通过对刚刚辞世的外祖父在台北的旧址的一次寻访，完成了对被阻隔的亲情的一次深情凝视和缅怀。短短的十分钟，导演冷静地从个人的记忆和经验出发，最后以小见大、抽丝剥茧般牵扯出了整个时代的疼痛和历史的悲剧，看了让人动容。 　　Stared by Taipei Cultural Bureau and Taipei Film Commission, the first Cross-Strait Documentary Festival was held in Taipei November, 2010. As an important part of the festival, each director is commissioned to make a ten-minute documentary about Taipei for the project ‘Taipei Impressions’. 　　In My Grandfather’s Address in Taipei, mainland director Zhang Zanbo visited his deceased grandpa’s former residence in Taipei, recalling and memorizing a family affection that has been shattered by history. Based on his personal memory and experience, the director reflected the suffering and historical tragedy in a touching way within ten minutes.

泰式搞笑家庭情景剧9巷1弄 主要讲述这一家人的故事 男主角在青春期心动了她和他 到底会选择谁呢？

泰式搞笑家庭情景剧9巷1弄 主要讲述这一家人的故事 男主角在青春期心动了她和他 到底会选择谁呢？

In January, as part of a heated bidding war, Sony landed the rights to the ‘28 Years’ trilogy and gave each film a $60 million budget. The sequel is set to be shot later this year. All three films are being written by Garland. 　　The goal is to actually have all three films shot back-to-back-to-back that way, according to Deadline, “the directors can get on the same page on where they see the story while also bringing their own unique visions for each film.”

In January, as part of a heated bidding war, Sony landed the rights to the ‘28 Years’ trilogy and gave each film a $60 million budget. The sequel is set to be shot later this year. All three films are being written by Garland. 　　The goal is to actually have all three films shot back-to-back-to-back that way, according to Deadline, “the directors can get on the same page on where they see the story while also bringing their own unique visions for each film.”

鹅和艾终于不再是主演，而被归为特邀演员。新房客是谁似乎也有了答案？新主演“甘·纯郝哇”是儿子的朋友，将作为年轻组的常驻演员，而隔壁房间将由叔叔租住。

鹅和艾终于不再是主演，而被归为特邀演员。新房客是谁似乎也有了答案？新主演“甘·纯郝哇”是儿子的朋友，将作为年轻组的常驻演员，而隔壁房间将由叔叔租住。

自由及包容多元次文化的柏林是許多顛沛流離者的避風港，但此城未必是他們生活的最佳棲所。理想主義旅行者阿夢在柏林因住宿問題得到同是港人、憂心生活不穩的安娜幫忙，並一同暫住有 15 人共居的 Hausprojekt “K28”，可是這群在原鄉經歷社會動盪壓迫或希望體驗異國生活的流徙共同體面臨逼遷。性格迥異的雙姝互通有無，直面人生苦旅。旅居柏林的導演以亞裔女性的觸覺展開人文精神與士紳化都市的對峙，找來入圍金馬女配角的鄧濤及藝術家麥穎森演出，去浪漫化地刻劃出異鄉港人的況味。

《海味61號》台灣電視史上第一個台語樂團節目

Silom Soi 2, named after Bangkok's gay club district, is a sweet, if formulaic, cautionary tale about Thai love in the age of AIDS. Boy meets boy. Boy gets boy, i.e., gets him away from getting a lot of other boys. Boy settles down with boy. And then wild seeds, sewn and long forgotten, germinate into cruel thorns. 　　The story unfolds through a series of brief scenes, each introduced with a single English word title, presented in alphabetic order (A-Art, B-Background, C-Click...). Why English chapter titles sequenced in Roman alphabetic order were used to organize a Thai language film is unclear! Perhaps the film was written with a foreign market in mind. Or these vignette titles may have been retrofitted for the English subtitled version. 　　The leads are beautiful young men. Their pas de deux of attraction, flirtation, passion, hurt, distancing, re-engagement is endearing and believable. Direction occasionally errs in its use of over-lingering facial reaction shots that skew momentarily melodramatic. The original musical score is lovely and initially quite effective, though extensive repetition of key themes taxes them past their initial effectiveness. Possibly the greatest strength of the film is the melding of its cinematography and art direction, creating vivid images throughout the film, striking in their use of color, line and human form. Visual artfulness elevates this simple, sincerely conveyed story,