We pick up the story on our main character's bus ride home. He sits alone, looking content, trying to pass the time. Then, something seems to get in his eye, because he rubs it and then closes the buses window. Something changes about him. He looks around and feels a strange disgust in the bus filled with quiet strangers also trying to get home and minding their own business. Pavel-Ivanovich is so disgusted that he gets off the bus several stops before his home and walks, arriving at dark. From here his story begins, and we go along for his sad ride. From that evening on he sees only sadness and wrong in everything. He can't respond to kindness, and scolds those closest to him. He offends everyone. At his work he tries to go against as many people as possible, and hurt ordinary citizens too. He also feels that everyone is against him. His condition seems to worsen. How will all this end. Sure this can't be the end for Pavel-Ivanovich, a good man somewhere deep inside. 　　The brilliance of this film lies in the main character's deep state of mind. His suffering. The fact that he hurts everyone around him, feels horrible about it but still does it until he almost loses everything. If you like film's where you feel that you can relate or feel the character's emotions, you might like this film. An incredible pressure is built up throughout the film, and the last scene, for me at least, magically lifts it, if only for a couple of seconds. 　　This is a strange film, and I don't say that a lot. It is very hard to describe, but the main elements that drive the feel of this film are the main character's state of mind and the music (more than half of the film has incredible original music playing in the background). Daneliya's films have incredible music like in Autumn Marathon, Kin-Dza-Dza, and Thirty-Three. Daneliyaa was into jazz and played drums in a band way back before he started making film so his films are very rich in music. Also this film is sad, but is also a comedy. All these elements mix to make an incredible movie

阿德拉1910年出生于西班牙，常年饱受洗衣劳作和卵巢剧痛的煎熬，她决定追随姐姐移民古巴。痛经可能是沉重的负担，但也可能成为人生转折的推动力。

阿德拉1910年出生于西班牙，常年饱受洗衣劳作和卵巢剧痛的煎熬，她决定追随姐姐移民古巴。痛经可能是沉重的负担，但也可能成为人生转折的推动力。

《觅食迹》：一张行走的美食地图！网络红人带你寻找全国各地犄角旮旯的美食，每周二、周四更新！

《觅食迹》：一张行走的美食地图！网络红人带你寻找全国各地犄角旮旯的美食，每周二、周四更新！

一段发生在一家国营建筑公司里头的三角恋爱：愤世嫉俗而又魅力十足的工头Hannes Balla，唯唯诺诺的支部书记Werner Horrath（已婚）以及事业和爱情两不误的女建筑师Kati Klee。该片因其反英雄性质的主人公和对社会现状的批评与揭露在拍摄时就引起党内高层领导的不满，勉强公映后五天即遭禁演，直到1990年才得以重见天日，并被评为东德影史最佳之作。

When a young woman's murder shows similarities to a decade-old cold case, (a cruel and gruesome murder of a young student, which remains unsolved) a new Police Commander (Commissioner Michal Trela) must break the silence permeating an Owl Mountain town. Years later another crime is committed similar to the decades old cold case. Commissioner Michal Trela faces a wall of silence from the Owl Mountain community, where everyone seems guilty - Will he be able to solve the crime or will it become another cold case?

中国美妆艺术大师毛戈平发起的一档纪实类节目，邀请好友胡兵作为常驻嘉宾，在中法建交60周年之际，两个人在法国围绕 　　“奥运、美学、香水”展开了文化探索交流之旅，开启香迹三重 　　奏悦人、悦己、悦心，旨在传达中西美学文化美美与共。

中国美妆艺术大师毛戈平发起的一档纪实类节目，邀请好友胡兵作为常驻嘉宾，在中法建交60周年之际，两个人在法国围绕 　　“奥运、美学、香水”展开了文化探索交流之旅，开启香迹三重 　　奏悦人、悦己、悦心，旨在传达中西美学文化美美与共。