卡蒂娅是一位年轻的电焊女工。幼年被遗弃的她，踏上了一段寻找失散家人的旅程，并试图像焊接金属那样，把破碎的家庭重新焊接起来。身处寻亲旅途，身处男性主导的焊工行业，卡蒂娅用劳作与探寻的双重视角，重新直面儿时创伤。

卡蒂娅是一位年轻的电焊女工。幼年被遗弃的她，踏上了一段寻找失散家人的旅程，并试图像焊接金属那样，把破碎的家庭重新焊接起来。身处寻亲旅途，身处男性主导的焊工行业，卡蒂娅用劳作与探寻的双重视角，重新直面儿时创伤。

日本电视台的夜间综艺节目，「女とは、女が許せない生き物である－。」をコンセプトにした番組。 　　女性に対して物申したいことがある女性芸能人がスタジオに集まり、嫌いな女性を一刀両断する 　　每集1位特邀男嘉宾。有9位吐槽的女明星艺人，每期会有2,3位新成员轮换。对身边日常女人的种种诸如矫揉做作，令人恼火的行为话题吐槽，分享自己的感受。节目开始会有路人采访调查环节，节目中还有和男嘉宾互动的搞笑场景剧。最过瘾的是槽点很有同感，“坏话大吐槽”居然可以做成节目。

本剧是一部职场惊悚剧，故事发生在希望将工作与生活的平衡提升至新水平的Lumen公司，一名有着黑暗过往的员工马克(斯科特饰)试图让自己重新振作起来。沃肯…

小男孩猜不透，為什麼親愛的爸爸忽然會變成另一種怪物，老是生氣。貼心的狗狗也送他紙筆，讓他把秘密寫出來，他其實好想要再跟爸爸一起放風箏。 　　Angry Man is a film about secrets that shouldn’t be secret. When the mommy-fish dies, Boj has had enough, and gets power from his own fantasy to go further.

More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far. 　　源自：https://www.mardelplatafilmfest.com/38/en/pelicula/mimang

More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far. 　　源自：https://www.mardelplatafilmfest.com/38/en/pelicula/mimang

生活中你会有哪些习惯，你会成为这些习惯的奴隶吗？三位挑战者，将在6个星期内尝试改变自己的坏习惯。改变习惯，哪些方法可行，哪些方法不可行，人们到底能不能抵制这种诱惑。习惯的形成源于诱惑，惯常行为，奖励。真正改变习惯绝不是一蹴而就的，方法一是结伴同行，二是在错误发生后继续坚持长远目标。