More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far. 　　源自：https://www.mardelplatafilmfest.com/38/en/pelicula/mimang

More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far. 　　源自：https://www.mardelplatafilmfest.com/38/en/pelicula/mimang

影片讲述了在农村的爷爷思念太空中的孙子，想尽一切办法希望能传递思念的故事。

二十世纪初叶，经历了留学日本、浙师风潮和上海渔阳里马克思主义研究会洗礼的陈望道首译《共产党宣言》，为中国共产党的创立提供了理论基础和思想武器。从此，中国革命走上了正确的方向，走向了新中国的诞生。

从日本留学归来的陈望道接下了翻译《共产党宣言》的任务，从此改变了人生轨迹；陈独秀、俞秀松、施存统、经亨颐、戴季陶、蔡慕晖等历史人物一一出场。历经时代动荡变革，友朋或牺牲或离去，陈望道面临生死抉择的考验。

该片彩了主持人串联的形式，长镜头始终跟随着主持人，考察长城修建、变迁，全面介绍了长城在中国历史上的作用，长城对人民物质和精神生活的影响，长城与…

Behind the scenes on fashion photographer Peter Lindbergh's shoot for the February 2016 W Magazine's annual "Best Performances" portfolio, featuring appearances from some of the leading actors and actresses presented in the portfolio.

Behind the scenes on fashion photographer Peter Lindbergh's shoot for the February 2016 W Magazine's annual "Best Performances" portfolio, featuring appearances from some of the leading actors and actresses presented in the portfolio.

献礼中国共产党成立100周年，讲述中国成功自主研发北斗卫星导航系统的重大现实题材作品。

望喜 　　拍摄地点：甘肃 　　作者：孟小为 　　中国陇南地区有一磨坝峡，峡谷河水清澈倏有小鱼。年近七旬的老汉望喜可谓是世界上最执着的人，为了寻找隐藏在地下的金子，几个月来，他竟在岩石质地的河堤上挖了一个足足有五六米深的岩洞。 　　他将一背篼一背篼的沙石从坚实的岩砂石上凿下来，以缓慢的步伐支撑着从洞里出来，再将砂石倒入升斗里，一遍一遍的洗。每洗一遍，老人都要眯着眼睛仔仔细细的看，生怕遗漏了一丁点儿金子。运气好的一天，或许背上两三背篼的沙石就可以从中淘出针尖大的金子，伸出手将这小金子粘在食指肚上，小心翼翼的放到他自制的小竹管里。而运气不好的时候，或许忙活上一两天，也捡不到半点金子。但老人深信，这条清澈的河水底下一定有金子。每天清早他便穿着雨鞋，拿着斗升，拿着放大镜去为他的梦想而奋斗。 　　夏收小麦不好，老人看着三十年来种植的刚有收益的核桃树却满眼惆怅，不久这里将要修建一座水库，这或许意味着老人将要失去家园。 　　作者阐述 　　望喜生活在山里面，可谓是中国最底层的那种农民，一辈子面朝黄土背朝天。可是他的谈吐并不像出自一位粗糙的老农民之口：古代的秦皇汉武、现代的毛泽东蒋介石，国外诸如比尔•盖茨等等，当然，他也吼秦腔、算命…… 　　孟小为： 　　1962年生，1982年天水师范学院美术专业毕业，1988年赴中央工艺美院深造，一直从事油画与纪录片创作。参加过2002年在上海外滩艺术馆举行的“外滩艺术开放展”，2007年北京环铁创造空间举办的“沉沦与超越——孟小为油画作品展”，2009年他的两幅油画作品入选“兰州三十年当代艺术展”。2006年他的纪录片《麻纸》获甘肃电视“金鹰奖”纪录片二等奖和最佳摄影奖，由他担任摄像的六集纪录片《甘肃古事》于2009年在中央电视台十套“探索•发现”栏目播出。2010年完成纪录片《有忠字碑的村庄》剪辑。 　　作品年表 　　麻纸（2006） 拉沟（2006） 飞地上的草屋（2008） 望喜（2010） 　　有忠字碑的村庄（2010）