Burn-out and depression are not individual phenomena but collective ones. The film is an invitation to rest through images and listening, so as to transform individual exhaustion into shared power to act.

Burn-out and depression are not individual phenomena but collective ones. The film is an invitation to rest through images and listening, so as to transform individual exhaustion into shared power to act.

Six eager students strike out to explore and record live footage of supernatural activity at an abandoned plantation, but one unsettled spirit gives them more than they asked for.

三个落魄的电影人打算拍一个样片拉投资，却在拍摄过程中卷入一起绑架案，然而他们发现事情另有真相，面对突如其来的危险和诱惑，三人必须做出选择，最终他们靠着自己的专业和智慧，跌跌撞撞的破获了一起珠宝劫案……

三个落魄的电影人打算拍一个样片拉投资，却在拍摄过程中卷入一起绑架案，然而他们发现事情另有真相，面对突如其来的危险和诱惑，三人必须做出选择，最终他们靠着自己的专业和智慧，跌跌撞撞的破获了一起珠宝劫案……

At the 1982 Cannes Film Festival, Wim Wenders invited several of his esteemed colleagues to a hotel room, where he filmed their reflections on the future of film. This exclusive documentary survey, Room 666, inspired two Czech producers to engage in a similar undertaking in collaboration with the Karlovy Vary International Film Festival. During last year’s festival, they thus invited around thirty Czech or Czech-based filmmakers from all generations and asked them “what makes Czech film Czech?” The result is an exciting mosaic not just of views and opinions, but also of mannerisms and personalities.

一个出口被扎紧的麻袋里装着一群小狗，它们在麻袋里疲命挣扎，无果，发出悲鸣，似在抗议或被运走或被卖掉的命运的不公。 　　一条小狗从一个小小的破洞中奋力地挣扎出毛茸茸的头，它的模样吸引了很多人的目光，人们停下来聚集在它周围，开始饶有趣味地盯着它看。小狗终于将头钻出来的瞬间，没来得及看清麻袋外的景象，却先听到了一阵哄笑声。或许是感觉到了自己正在被人们当成展品参观，费力将头伸出的它停止了悲鸣和挣扎，只用一双深不见底的眼睛木然地注视前方。