随着手机功能的不断强大，人们对手机的依赖也越来越大。挤公交、工作、谈恋爱、吃饭、睡觉......生活里的每个缝隙几乎都被手机填满了，不知不觉，它成了人们生命中“最重要的人”。然而许多人在社交网络里广结朋友，和陌生人侃侃而谈，在现实生活中却沉默少语，对社交产生恐惧。这不禁让人感慨手机到底是拉近了人与人之间的距离，还是使人们渐行渐远了呢？我们的动画作品就是针对当今的这个社会现象创作的二维动画短片。

随着手机功能的不断强大，人们对手机的依赖也越来越大。挤公交、工作、谈恋爱、吃饭、睡觉......生活里的每个缝隙几乎都被手机填满了，不知不觉，它成了人们生命中“最重要的人”。然而许多人在社交网络里广结朋友，和陌生人侃侃而谈，在现实生活中却沉默少语，对社交产生恐惧。这不禁让人感慨手机到底是拉近了人与人之间的距离，还是使人们渐行渐远了呢？我们的动画作品就是针对当今的这个社会现象创作的二维动画短片。

一个人被困在电梯里。

一天，志胡和父母去旅行，途中卻遭陌生人攻擊，只有志胡倖存下來。從那天開始，志胡的雙腿變得麻痹，加上精神上的挫折，讓她對人產生了恐懼感。為了讓志胡可以好好休養，志胡的未婚夫景秀找了一個靜謐的地方。兩人前往目的地的途中，眼見天色已黑，便想找個地方休息，卻誤闖來到了魔鬼休息站…

阿威罗伊斯和罗莎帕克斯是埃斯基罗尔医院的两个分支机构，与“坚毅号”一样，均隶属于巴黎的精神卫生中心。从个别访谈到 "医护人员-患者 "会议，电影人试图展示一种仍然努力欢迎和尝试恢复病人交流能力的精神病治疗法。渐渐地，他们每个人都打开了通往自己世界的大门。在日益拮据的医疗系统中，如何让孤独的人们重新融入社会？

阿威罗伊斯和罗莎帕克斯是埃斯基罗尔医院的两个分支机构，与“坚毅号”一样，均隶属于巴黎的精神卫生中心。从个别访谈到 "医护人员-患者 "会议，电影人试图展示一种仍然努力欢迎和尝试恢复病人交流能力的精神病治疗法。渐渐地，他们每个人都打开了通往自己世界的大门。在日益拮据的医疗系统中，如何让孤独的人们重新融入社会？

阿威罗伊斯和罗莎帕克斯是埃斯基罗尔医院的两个分支机构，与“坚毅号”一样，均隶属于巴黎的精神卫生中心。从个别访谈到 "医护人员-患者 "会议，电影人试图展示一种仍然努力欢迎和尝试恢复病人交流能力的精神病治疗法。渐渐地，他们每个人都打开了通往自己世界的大门。在日益拮据的医疗系统中，如何让孤独的人们重新融入社会？

Ben Rivers' films study the otherworldly, looking for places and stories outside the daily conventions of reality. Look Then Below was filmed in a Somerset transformed into a coloured, mist-enveloped island in an oily ocean with a cave basking in a subterranean glow. Time seems to stand still there. After Slow Action and Urth, this is the final part of a trilogy developed with American SF author Mark von Schlegell.

Ben Rivers' films study the otherworldly, looking for places and stories outside the daily conventions of reality. Look Then Below was filmed in a Somerset transformed into a coloured, mist-enveloped island in an oily ocean with a cave basking in a subterranean glow. Time seems to stand still there. After Slow Action and Urth, this is the final part of a trilogy developed with American SF author Mark von Schlegell.

A rare work of art, a deeply personal, highly intimate account of a life affected by domestic violence. “When I left the island where I was born, it wasn’t a departure, it was an escape. Years later, I arrive on another island, a barren place that feels strangely familiar. I have come here for an encounter with a man. He says he is willing to expose the violence that he carries within. But when I venture to get closer to the harmful, desperate man, I realize that he also holds the key to my deepest fears, echoing in the violence of my own past. Now his story will never be separated from mine.” An aspiring young woman filmmaker combines the story of a perpetrator and her own experiences with violence in a poetic film that offers insight into the causes and consequences of abuse, triggering our subconscious in a register that only cinema can approach. 　　源自：https://www.filmfestival.gr/en/section-tiff/movie/1267/14817