云渺活了三千年容颜不老，送走最后的故人后，为恢复记忆，云渺踏上集齐5件神器之路。收集第一件缚魂绳时结识周浮年，他相伴在云渺左右。但在收集过程中云渺屡遭阻拦，身份也愈发复杂。最终集齐法器，她也终于知晓失忆与法器散落人间的缘由。该短剧作品改编自番茄巅峰榜小说《云渺》，作者【白菜】。

洞，一个隐藏着重大秘密的洞，一个内心无底欲望的洞……晓静是一个青春开朗的英语外教，一次偶然重逢了立刚和文茂。立刚和文茂是发小，由于家庭矛盾文茂很小就失去了父母，立刚就象兄长般照顾他兄弟情深。两人几乎同时爱上了晓静，内向的文茂知道自己没有立刚的优势，只能默默祝福他们的恋爱能成功。然而就在一切即成事实的时候，车祸意外夺走了立刚…… 一年以后，文茂与晓静结婚了，虽然共同生活但晓静无法真正进入了文茂的内心世界。文茂每周要单独登山并执意不让晓静跟随……文茂一次偶...

特伦斯·戴维斯典雅的艺术杰作是近年来少有的几部能体现出鲜明的英国风格的影片。剧情围绕在二战结束后不久，一个利物浦的工人阶级家庭的一桩婚事展开，并由一位有时而显得残酷的父亲穿插于各种情节中。这部电影的魅力由那些具有深刻艺术性的镜头构成，并结合了导演本身和演员对角色的把握，特别是精彩的演义了父亲这一角色的皮特·波斯尔思韦特。

特伦斯·戴维斯典雅的艺术杰作是近年来少有的几部能体现出鲜明的英国风格的影片。剧情围绕在二战结束后不久，一个利物浦的工人阶级家庭的一桩婚事展开，并由一位有时而显得残酷的父亲穿插于各种情节中。这部电影的魅力由那些具有深刻艺术性的镜头构成，并结合了导演本身和演员对角色的把握，特别是精彩的演义了父亲这一角色的皮特·波斯尔思韦特。

江城林家曾蒙受云渺指点，习得医术，成为赫赫有名的神医世家，林太奶生前写下遗愿，乞求云渺有朝一日来到林家做客，无奈林家后人对云渺没有半点恭敬之心反而屡次刁难，礼数怠慢，甚至搬出了林家当代老爷子，江城第一神医出面压制云渺，殊不知林老爷子的医术，正是传自云渺。

一百多年前，云渺将记忆封印在九霄云阙，交给了麾下奴才傅千雪和宠物大黄狗看守，时过境迁，傅家一跃成为江南首富，龙头家族，当代掌舵人傅云深被誉为江南太子爷，手眼通天。一百多年后，云渺故地重游，准备收回记忆，却得知傅千雪早已离世，大黄狗被傅家奉为神兽，如今也到了寿终正寝之日，近日不饮不食，愁得傅家上下集结各地名厨，奉上山珍海味，均被神兽拒绝。云渺听说后，登临傅家，而她所带的食材，只是一堆碎骨头。

一百多年前，云渺将记忆封印在九霄云阙，交给了麾下奴才傅千雪和宠物大黄狗看守，时过境迁，傅家一跃成为江南首富，龙头家族，当代掌舵人傅云深被誉为江南太子爷，手眼通天。一百多年后，云渺故地重游，准备收回记忆，却得知傅千雪早已离世，大黄狗被傅家奉为神兽，如今也到了寿终正寝之日，近日不饮不食，愁得傅家上下集结各地名厨，奉上山珍海味，均被神兽拒绝。云渺听说后，登临傅家，而她所带的食材，只是一堆碎骨头。

More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far. 　　源自：https://www.mardelplatafilmfest.com/38/en/pelicula/mimang

More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far. 　　源自：https://www.mardelplatafilmfest.com/38/en/pelicula/mimang