Although Gilles Deleuze never wanted a film to be made about him, he agreed to Claire Parnet's proposal to film a series of conversations in which each letter of the alphabet would evoke a word: From A (as in Animal) to Z (as in Zigzag). These DVDs, elegantly transtlated and subtitled in English, make these conversations available for English-speaking audiences? for the first time.In dialogue with Parnet (a journalist and former student of Deleuze), the philosopher exhibited the modest and thrilling transparency that his seminal works (such as Anti-Oedipus and A Thousand Plateaus) reveal. The sessions were taped when Deleuze was already terminally ill; he and Parnet agreed that the film would not be shown publicly until after his death. The awareness of mortality floats through the dialogues, making them not just intellectually stimulating but also emotionally engaging. Because Parnet knew Deleuze so well, she was able to draw him out--as no one else had--to what might be the 1001st plateau: a place of brilliance, rigor, and charm.In "A as in Animal," for example, Deleuze vents his hatred of pets: "A bark," he declares, "really seems to me the stupidest cry." Instead, he praises the tick: "... in a nature teeming with life, [the tick] extracts three things": light, smell, and touch. This, he claims, in a sense is philosophy. "And that is your life's dream?" Parnet wryly asks. "That's what constitutes a world," he replies. For Deleuze, doing philosophy meant not just creating concepts but living a life in philosophy. Gilles Deleuze from A to Z presents the mind of a great philosopher at work. 　　A as in Animal 　　B as in "Boire" (Drink) 　　C as in Culture 　　D as in Desire 　　E as in "Enfance" Childhood 　　F as in Fidelity 　　G as in Gauche (Left) 　　H as in History of Philosophy 　　I as in Idea 　　J as in Joy 　　K as in Kant 　　L as in Literature 　　M as in Malady 　　N as in Neurology 　　O as in Opera 　　P as in Professor 　　Q as in Question 　　R as in Resistance 　　S as in Style 　　T as in Tennis 　　U as in 'Un' (One) 　　V as in Voyage 　　W as in Wittgenstein 　　X, Y as in Unknowns 　　Z as in Zigzag

“杀人狂丽兹·波顿”故事将再现银幕，克里斯汀·斯图尔特、科洛·塞维尼有望加盟。1892年，波顿涉嫌杀害父亲与继母，却因柔弱形象与缺乏证据获无罪释放，引发争议。

演员没有孔维一，我提供那版是按照片尾字幕来的。

演员没有孔维一，我提供那版是按照片尾字幕来的。

Lizzie, a young woman with amnesia, slowly comes to realise that she may have been responsible for the horrific murder of her parents. After returning to the family home, Lizzie has terrifying flashbacks to her childhood, and comes face to face with the true horrors of her past. 　　Lizzie Borden took an axe 　　And gave her mother forty whacks. 　　When she saw what she had done 　　She gave her father forty-one. On August 4th 1892, Andrew Jackson Borden and Abby Durfee Borden were brutally murdered with an old household hatchet. The blows of the murder weapon were so violent and numerous that their faces and skulls were unrecognizably disfigured. Although acquitted, it is common knowledge that the daughter, Lizzie Borden, is responsible for the savage evil act. 　　The present day Lizzie Allen suffers from an extreme case of childhood amnesia which not only lays dark her childhood memories but also her relationship or lack there of, of her parents themselves. When Lizzie discovers the news of her father's death she inherits the house she once lived in...and therefore a new place to live. But as she begins to settle in she starts to get a glimpse of her childhood memories along with clues as to what really happened in the Borden household in 1892. We follow Lizzie's journey as she attempts to distinguish between the two and strives to reach her own sanity and happiness while doing so

《兹心》里有科普，也有温情，有抑郁症患者或家属的坦诚和勇气，也有来自医学、心理、教育、社会各领域专家权威或热心人士的关切和努力，还有创作人的坚持和不忘初心。《兹心》关系的不仅有抑郁症患者，有青少年、中老年、孕产妇、高压职业人群，有家人、身边人，更有生活和生命、自己和心灵。《兹心》由梭码立方影画文化传播(北京)有限公司出品，北京神经科学学会和梭码立方影画文化传播(北京)有限公司共同发起，杨忠仁先生担任导演、王佳女士担任制片人、张嵘女士担任联合制片人、于常海先生担任荣誉顾问。

1892年，美国麻萨诸塞州一个名叫瀑布河的小镇里，原本平静的生活被一把斧头打破。镇里文弱的大家闺秀丽兹-波顿竟冷血地用斧子砍死了自己的亲生父亲和继母…

故事发生在1933年，格蕾丝（布莱丝·达拉斯·霍华德 Bryce Dallas Howard 饰）和父亲离开狗镇一路南下，希望寻找一个稳定安全的落脚点。一行人来到了阿拉巴马州，停在了曼德勒庄园的门前。 　　正当众人准备离开此地之时，格蕾丝忽然收到了一名年轻黑人女子的求助，女子告诉格蕾丝，在曼德勒庄园里，正在发生一些惨无人道的事情。枝蔓丛生的慢的了庄园之中，时间似乎停止了，尽管奴隶们早已经获得了自由，但在这里，依旧沿用着森严的奴隶制度。不顾父亲的阻止，格蕾丝执意要留在此处解放奴隶，父亲留给了格蕾丝一些保镖和一名律师，绝尘而去，形单影只的格蕾丝面对强大而又固执的奴隶主们，会做出怎样的反击呢？

故事发生在1933年，格蕾丝（布莱丝·达拉斯·霍华德 Bryce Dallas Howard 饰）和父亲离开狗镇一路南下，希望寻找一个稳定安全的落脚点。一行人来到了阿拉巴马州，停在了曼德勒庄园的门前。 　　正当众人准备离开此地之时，格蕾丝忽然收到了一名年轻黑人女子的求助，女 子告诉格蕾丝，在曼德勒庄园里，正在发生一些惨无人道的事情。枝蔓丛生的曼德勒庄园庄园之中，时间似乎停止了，尽管奴隶们早已经获得了自由，但在这里，依旧沿用着森严的奴隶制度。不顾父亲的阻止，格蕾丝执意要留在此处解放奴隶，父亲留给了格蕾丝一些保镖和一名律师，绝尘而去，形单影只的格蕾丝面对强大而又固执的奴隶主们，会做出怎样的反击呢？

秀兰在《曼德勒》中，与凯·弗朗西斯和里卡多·柯兹一起乘坐一列丛林蒸汽火车，走马灯似地露了一面。