Although Gilles Deleuze never wanted a film to be made about him, he agreed to Claire Parnet's proposal to film a series of conversations in which each letter of the alphabet would evoke a word: From A (as in Animal) to Z (as in Zigzag). These DVDs, elegantly transtlated and subtitled in English, make these conversations available for English-speaking audiences? for the first time.In dialogue with Parnet (a journalist and former student of Deleuze), the philosopher exhibited the modest and thrilling transparency that his seminal works (such as Anti-Oedipus and A Thousand Plateaus) reveal. The sessions were taped when Deleuze was already terminally ill; he and Parnet agreed that the film would not be shown publicly until after his death. The awareness of mortality floats through the dialogues, making them not just intellectually stimulating but also emotionally engaging. Because Parnet knew Deleuze so well, she was able to draw him out--as no one else had--to what might be the 1001st plateau: a place of brilliance, rigor, and charm.In "A as in Animal," for example, Deleuze vents his hatred of pets: "A bark," he declares, "really seems to me the stupidest cry." Instead, he praises the tick: "... in a nature teeming with life, [the tick] extracts three things": light, smell, and touch. This, he claims, in a sense is philosophy. "And that is your life's dream?" Parnet wryly asks. "That's what constitutes a world," he replies. For Deleuze, doing philosophy meant not just creating concepts but living a life in philosophy. Gilles Deleuze from A to Z presents the mind of a great philosopher at work. 　　A as in Animal 　　B as in "Boire" (Drink) 　　C as in Culture 　　D as in Desire 　　E as in "Enfance" Childhood 　　F as in Fidelity 　　G as in Gauche (Left) 　　H as in History of Philosophy 　　I as in Idea 　　J as in Joy 　　K as in Kant 　　L as in Literature 　　M as in Malady 　　N as in Neurology 　　O as in Opera 　　P as in Professor 　　Q as in Question 　　R as in Resistance 　　S as in Style 　　T as in Tennis 　　U as in 'Un' (One) 　　V as in Voyage 　　W as in Wittgenstein 　　X, Y as in Unknowns 　　Z as in Zigzag

Although Gilles Deleuze never wanted a film to be made about him, he agreed to Claire Parnet's proposal to film a series of conversations in which each letter of the alphabet would evoke a word: From A (as in Animal) to Z (as in Zigzag). These DVDs, elegantly transtlated and subtitled in English, make these conversations available for English-speaking audiences? for the first time.In dialogue with Parnet (a journalist and former student of Deleuze), the philosopher exhibited the modest and thrilling transparency that his seminal works (such as Anti-Oedipus and A Thousand Plateaus) reveal. The sessions were taped when Deleuze was already terminally ill; he and Parnet agreed that the film would not be shown publicly until after his death. The awareness of mortality floats through the dialogues, making them not just intellectually stimulating but also emotionally engaging. Because Parnet knew Deleuze so well, she was able to draw him out--as no one else had--to what might be the 1001st plateau: a place of brilliance, rigor, and charm.In "A as in Animal," for example, Deleuze vents his hatred of pets: "A bark," he declares, "really seems to me the stupidest cry." Instead, he praises the tick: "... in a nature teeming with life, [the tick] extracts three things": light, smell, and touch. This, he claims, in a sense is philosophy. "And that is your life's dream?" Parnet wryly asks. "That's what constitutes a world," he replies. For Deleuze, doing philosophy meant not just creating concepts but living a life in philosophy. Gilles Deleuze from A to Z presents the mind of a great philosopher at work. 　　A as in Animal 　　B as in "Boire" (Drink) 　　C as in Culture 　　D as in Desire 　　E as in "Enfance" Childhood 　　F as in Fidelity 　　G as in Gauche (Left) 　　H as in History of Philosophy 　　I as in Idea 　　J as in Joy 　　K as in Kant 　　L as in Literature 　　M as in Malady 　　N as in Neurology 　　O as in Opera 　　P as in Professor 　　Q as in Question 　　R as in Resistance 　　S as in Style 　　T as in Tennis 　　U as in 'Un' (One) 　　V as in Voyage 　　W as in Wittgenstein 　　X, Y as in Unknowns 　　Z as in Zigzag

一部关于葡萄牙北部一个小镇的纪录片。特意选择的外观、沉默、人们的流通和时间。一种在沉思和理解中的 "未决定 "的等待。

一部关于葡萄牙北部一个小镇的纪录片。特意选择的外观、沉默、人们的流通和时间。一种在沉思和理解中的 "未决定 "的等待。

15世纪的欧洲某国。在跳级中被允许进入大学的神童拉法尔。他回应了周围的期待，宣布将专攻当时最重要的神学。但是，从以前开始就热心投入的对天文的热情一直没有被抛弃。 　　有一天，他遇到了一位名叫休伯特的神秘学者。因为触犯了基于异端思想的禁忌而受到拷问，被关进监狱的休伯特。 　　他研究的是关于宇宙的冲击性的“某个假说”——。

15世纪欧洲的某个国家，有一位跳级被大学录取的神童拉法尔。 因为周围的期待，他宣布要进修当时被认为最为重要的学问“神学”。 但是，对于一直都热心投入的天文学，他也难以舍弃。 某一天，他遇到了一个叫休伯特的神秘学者。 据说休伯特因为接触到了基于异端思想的禁忌研究，被关进过监狱。 而他研究的，是和宇宙有关的，冲击力十足的“某个假说”——

入选07年柏林电影节。少年Alfred在学校常受到男孩欺负，Benny是其中之一。Benny想要一个刺青，Alfred在Benny的胳膊上偷偷刺上了，没想到却开启了一段感情。反复，迟疑，不坚定，却如砖隙中长出的嫩芽，最终在少年们的心里扎下了根。

入选07年柏林电影节。少年Alfred在学校常受到男孩欺负，Benny是其中之一。Benny想要一个刺青，Alfred在Benny的胳膊上偷偷刺上了，没想到却开启了一段感情。反复，迟疑，不坚定，却如砖隙中长出的嫩芽，最终在少年们的心里扎下了根。

An immersive insight into the last hours of 13-year-old Sasha’s life in a boarding school for children deprived of parental care. He is one of the lucky ones: an American family has finally adopted him. Today he will move to another country forever, although something is holding him back.