改编自阿久井真所著漫画作品，《蓝色管弦乐》宣布将TV动画化，

曾在小提琴竞赛中获得多项出色成就的前天才少年青野一，因为家庭变故的因素，最后选择放弃了小提琴。不过就在国中三年级时与秋音律子相遇后，青野再次拉起了小提琴，并于升学后加入了高中的管弦乐社打算要在之后的竞赛中夺冠。而他与佐伯直的邂逅更燃起了两人对小提琴的技艺的竞争心。

Ken Russell's penultimate film for Monitor (subtitled 'Impressions of the French Composer') was originally planned as a feature film about Claude Debussy (1862-1918), though after the failure of his theatrical debut French Dressing (1963) he ended up making it for television. Little else was sacrificed, as the 82-minute result (co-written by the young Melvyn Bragg) was easily his most ambitious film up to then, and still represents a career high point. This opinion was not shared by Debussy's estate, which initially prevented repeat screenings, though the composer's copyright has since expired. 　　The film operates on, and constantly switches between, three levels. First, there's the dramatised life story of Debussy and his stormy relationships with lovers, friends, colleagues and patrons. Then, there are visualisations of his music, along similar lines to those in Elgar (BBC, tx. 11/11/1962) and Béla Bartók (BBC, tx. 24/5/1964), beginning with a startling sequence in which a young woman, representing Saint Sebastian, is shot at point-blank range with arrows. And finally, there's the film within The Debussy Film, as an ambitious director attempts to capture the complexities of his subject while negotiating his actors' own turbulent relationships.

Ken Russell's penultimate film for Monitor (subtitled 'Impressions of the French Composer') was originally planned as a feature film about Claude Debussy (1862-1918), though after the failure of his theatrical debut French Dressing (1963) he ended up making it for television. Little else was sacrificed, as the 82-minute result (co-written by the young Melvyn Bragg) was easily his most ambitious film up to then, and still represents a career high point. This opinion was not shared by Debussy's estate, which initially prevented repeat screenings, though the composer's copyright has since expired. 　　The film operates on, and constantly switches between, three levels. First, there's the dramatised life story of Debussy and his stormy relationships with lovers, friends, colleagues and patrons. Then, there are visualisations of his music, along similar lines to those in Elgar (BBC, tx. 11/11/1962) and Béla Bartók (BBC, tx. 24/5/1964), beginning with a startling sequence in which a young woman, representing Saint Sebastian, is shot at point-blank range with arrows. And finally, there's the film within The Debussy Film, as an ambitious director attempts to capture the complexities of his subject while negotiating his actors' own turbulent relationships.

该剧讲述原天才小提琴少女谷冈初音（门胁麦 饰）与怪人指挥家常叶朝阳（田中圭 饰）重整当地废柴管弦乐队的故事。

1990年，Zbigniew Rybczynski以肖邦、拉威尔等人的音乐为素材，为日本市场制作了一部HDTV的节目叫做《管弦乐队》(Orchestra)，这个节目曾经获得很多奖项。这个节目是由美国的PBS在他们大型的系列表演中用标准的分辨率播出的，因为当时HDTV还没有普遍被使用。这个有十年历史的HDTV电影至今仍然在美国经典艺术频道Showcase长盛不衰地播出。

1990年，Zbigniew Rybczynski以肖邦、拉威尔等人的音乐为素材，为日本市场制作了一部HDTV的节目叫做《管弦乐队》(Orchestra)，这个节目曾经获得很多奖项。这个节目是由美国的PBS在他们大型的系列表演中用标准的分辨率播出的，因为当时HDTV还没有普遍被使用。这个有十年历史的HDTV电影至今仍然在美国经典艺术频道Showcase长盛不衰地播出。

本剧讲述两名年龄与性格完全不同的男性，通过一段意外开始的钢琴课程而彼此救赎的故事。70岁的渡会喜一郎（国村隼 饰）在失去挚爱的妻子后意志消沉，人生停滞不前；28岁的佐佐木匠（尾崎匠海 饰）虽有天赋，却因现实而放弃了梦想。两人因为机缘巧合开始了钢琴课程，在《月光》优美旋律的陪伴下，他们逐渐敞开心扉。伴着一起小酌威士忌的时光，两人各自面对过去的伤痛，重新拾起被搁置的情感与希望，最终迈向新的未来。这是一部关于失去与重生的温暖人性剧。

アリスピア――そう呼ばれる不思議の国は、今よりもずっと昔から世界のどこかに存在していた。 　　そこには楽しいことが大好きな住民アリスピアンたちが暮らしていたが、いつしか謎の怪物ジャマオックが現れるようになり、穏やかだったアリスピアの平和は、少しずつ脅かされるようになっていった。このままではアリスピアからキラキラとした輝きが失われてしまう――。 　　そんなピンチにあっても、胸に歌を忘れない『プリンセス』たちの冒険を描いた物語。 　　勇気と元気がたくさん詰まった、ポップソング・ファンタジア――プリンセッション・オーケストラ！

演奏会结束，三年级前辈正式引退，社团开始了换届。 　　连霸八年全国大赛的海幕高中，今年的目标是九连冠。然而换届第一天，社团很多人不来参加晨练。 　　打击乐部长质疑阿一的实力、乐器组不满新组长的人选、新乐团首席不得人心……全国大赛在即，人心涣散的管弦乐部该如何应对换届的风波？