冷宫弃妃意外获得“众生共情”系统，捕捉到强烈情绪就会被放大强制反弹给正主，且女主十倍共情。从此皇宫随时随地有人发癫自爆，频繁打脸，女主成为人人躲避的后宫瘟神，就连番邦敌国的阴谋也根本藏不住。女主为替父洗冤甘愿成为皇帝的人型测谎仪。同时与奉命监视调查她的镇国公一个扮猪吃老虎，一个日常恶趣味试探，成为奇怪盟友互生情愫。

冷宫弃妃意外获得“众生共情”系统，捕捉到强烈情绪就会被放大强制反弹给正主，且女主十倍共情。从此皇宫随时随地有人发癫自爆，频繁打脸，女主成为人人躲避的后宫瘟神，就连番邦敌国的阴谋也根本藏不住。女主为替父洗冤甘愿成为皇帝的人型测谎仪。同时与奉命监视调查她的镇国公一个扮猪吃老虎，一个日常恶趣味试探，成为奇怪盟友互生情愫。

《垃圾桶小孩的故事》由德国新电影主将之一爱德嘉·莱兹（《故乡》1984）及其学生乌拉·施特克尔（《猫有九条命》1968，被誉为西德第一部女性主义电影）于1969-1971年间拍摄制作的实验电影。影片采用分集短片形式，共25集，每集长短不一。讲述一个从医院垃圾桶的子宫污汙中诞生的红衣小孩，进入社会后的故事。影片由莱兹本人的制片公司制作，完成后起初并未按正常渠道发行，而是制作了一份25集的“菜单”，于慕尼黑的一家酒吧“点单”放映（除周一外每日放映，入场3.5马克）。在第17集中，赫尔佐格饰演了一个角色，是他作为演员的荧幕首秀。 　　菜单如下： 　　Dumpster Kid Menu 　　1) Old Men 　　If Dumpster Kid wants to, she can make some men end up standing around in their underwear. 1’06’’ 　　2) Dumpster Kid's Childhood 　　You should definitely see this story! An afterbirth leads an independent life – but then child welfare comes along. 6’13’’ 　　3) Dumpster Syndrome 　　Something about the ability of our society to understand everything, forgive everything and pay for everything. 10’15’’ 　　4) Cleanliness is a House’s Decoration 　　Dumpster Kid in the shower, in the rain and under the eaves. 4’30’’ 　　5) Cats Have Fleas 　　Dumpster Kid pretends to sleep, because she wants to find out what might happen. But her stepmother interferes. 8’34’’ 　　6) Dumpster Kid Becomes Smooth and Round 　　A spiritual man who knows what is good for people attempts to raise Dumpster Kid. 4’52’’ 　　7) A Tiny Bit of Happiness 　　Dumpster Kid fools around with the fruits of the field. 2’03’’ 　　8) Dumpster Kid Gets to Know a Lord and is Hanged 　　That’s true, but the revenge is particularly sweet. 17’10’’ 　　9) Dumpster Kid Tells a Fairy Tale to a Queen 　　A story to listen to and watch. 6’08’’ 　　10) Dumpster Kid Learns a Dubious Game 　　Dumpster Kid learns first-hand how a pleasurable connection develops between stroking and hitting. 3’31’’ 　　11) Dumpster Kid Learns How to Say No 　　Dumpster Kid is getting married, but at the crucial moment she suddenly gets nervous. All hell breaks loose. 16’40’’ 　　12) A Marmot Learns How to Dance 　　Dumpster Kid is supposed to learn what to do at the country fair. She sings songs, swears at people and steals the cash box. 18’51’’ 　　13) All Power to the Vampire 　　It is hard to believe how many vampires there might be. Dumpster Kid calls upon them all for a major demonstration. 2’19’’ 　　14) Freedom Through Al Capone 　　Dumpster Kid is constantly talking about revolution, but Al Capone, the pig, is talking about something quite different. 18’36’’ 　　15) A Shoplifter 　　After a nice shopping spree, Dumpster Kid ends up sitting on the lap of the shop assistant and goes along with it only a little bit. 3’38’’ 　　16) Particularly Kind Parents 　　Dumpster Kid has to learn that sexual intercourse can also be quite nasty when it takes place in the toilet. 9’ 　　17) The Value of Money is Low on Earth 　　Dumpster Kid goes on the game and is murdered. 15’13’’ 　　18) To the audience: Please leave any stories and moneymaking tips at the box-office. 　　19) Burn the Witch 　　Is Dumpster Kid destined to be burnt at the stake? Will she be saved from above? 4’15’’ 　　20) To the audience: Please leave any stories and moneymaking tips at the box-office. 　　21) Dumpster Kid Likes to Have a Good Friend for Dinner 　　The way to a person's heart is through his stomach. But sometimes you ruin him that way. 9’35’’ 　　22) Dumpster Kid Drowns Dumpster Kids 　　There is lovely music to this one, and it is all very poetic. 4’13’’ 　　23) To the audience: Please inquire about stories and moneymaking tips at the box-office. 　　24) Dumpster Kid Rides for the King 　　The greatest film of all time. Intrigue, old walls, squeaking floors, the queen sleeps with the wrong man, Dumpster Kid marries d‘Artagnan and rides off on a white horse, more intrigue, and this time Dumpster Kid plays along. By the end of it, all the blame is put on her. 25’30’’ 　　25) The Bank Account in the Woods 　　Dumpster Kid believes in our credit system. She therefore has to jump out of the fourth floor of a house and sing a sad song. 11’46’’ 　　26) to 64) Please leave any stories and money-making tips at the box-office. 　　(Edgar Reitz Stiftung)

For over half a century, the filmmaker Edgar Reitz, one of the signatories of the Oberhausen Manifesto and a pioneer of epic film narration, has explored, as a practitioner and theoretician, the rules and limits of cinema, which he always seeks to break and extend in new ways. One example of his tireless search and research are the Geschichten vom Kübelkind, which he co-directed with Ula Stöckl in 1969/70, 22 absurdly funny, subversive and anarchistic short films of different lengths, which consciously oppose all conventions, with incredible success. The films remain unrivalled in their Dadaistic inventiveness. 　　The documentary Der Film verlässt das Kino: Vom Kübelkind-Experiment und anderen Utopien centres on how the Geschichten vom Kübelkind, now rediscovered and restored, actually came about. Edgar Reitz, Ula Stöckl, Werner Herzog, Alexander Kluge and other filmmakers and contemporaries look back on the conditions that made this and other such visionary projects possible 50 years ago. They are all concerned with the question: What will the future of moving pictures look like?

龙国贵妃乔音被皇后下药设计与陆统领私通，陆统领以身挡剑，剑穿两人而死。乔音恰巧穿越到现代公司总裁陆川的太太身上，而陆川竟然酷似陆统领，乔音以为可以和陆统领在现代再续前缘，却发现她和陆川的婚姻却是有名无实，与生俱来的要强让她在现代社会努力适应，面对绿茶乔珊珊和大姑姐陆雪的种种刁难都能迎刃而解，她因为机缘巧合成为一名炙手可热网红，用自己的实力赢得自己的事业，也用自己的魅力赢得陆川的爱。

时染做慈善被车撞死，死后才知道这里是小说世界，在这里她是大反派秦妄早死的妻子！而她死对头，假干金时珞珞才是真女主。最绝的秦妄十年后居然会爱上时珞珞，甚至对时珞珞强取豪夺最终惨死！不仅如此，她的四个孩子居然是时珞珞孩子的对照组，死的死伤的伤！ 时染气得重生到了10年后，而本该惨死的炮灰一家，因为能听见时染的心声全部逆天改命！

加拿大热门节目《Brain Bucket》的最新一集中，三位受欢迎的滑雪板运动员在滑雪场上驰骋。然而，在拍摄期间，他们却遭到一名残忍而神秘的狙击手的追捕。

咸鱼女主意外穿越成电视剧中早死的恶毒女配后，本想手持恶毒女配剧本，在宫里佛系躺平，期望能早日下线，但莫名其妙的，剧本走着走着，皇帝对他动了心。而且皇帝有个秘密，就是每次入睡后，都会变成贵妃身边的一只小狗。

A young, seemingly mute woman has been fixed to the wall of an apartment with a long metal chain. She is being kept as a slave in the home of taxi driver Phanishwar, where she sleeps on a table and cooks for him. Phanishwar is a fervent supporter of the right-wing extremist guru ‘Baba’ and spreads his hatred in the commentary sections of social networks. One day he meets a young woman, Rami, who has had to go underground in Goa after a secretly filmed sex video in which she appeared went viral on the internet. He becomes her driver, whilst secretly stalking her online. Indian director Q does not shy away from controversy, having already succeeded in inflaming passions with the dark tales in his feature film debut, Gandu. His stylishly shot revenge story Garbage revolves around two women who are exposed to different forms of oppression. Q initially takes time to develop the events, making some (queer) detours until eventually, things radically change. And when female martyrdom turns into retaliation, the director finds drastic images for the filmic deconstruction of (Indian) masculinity.

A young, seemingly mute woman has been fixed to the wall of an apartment with a long metal chain. She is being kept as a slave in the home of taxi driver Phanishwar, where she sleeps on a table and cooks for him. Phanishwar is a fervent supporter of the right-wing extremist guru ‘Baba’ and spreads his hatred in the commentary sections of social networks. One day he meets a young woman, Rami, who has had to go underground in Goa after a secretly filmed sex video in which she appeared went viral on the internet. He becomes her driver, whilst secretly stalking her online. Indian director Q does not shy away from controversy, having already succeeded in inflaming passions with the dark tales in his feature film debut, Gandu. His stylishly shot revenge story Garbage revolves around two women who are exposed to different forms of oppression. Q initially takes time to develop the events, making some (queer) detours until eventually, things radically change. And when female martyrdom turns into retaliation, the director finds drastic images for the filmic deconstruction of (Indian) masculinity.