대학교 캠퍼스를 배경으로 펼쳐지는 ‘필수연애교양’은 동명의 수업을 듣는 여섯 명의 남녀 새내기들의 이야기를 담는다. 이들은 수업을 들으며 세 명의 이성과 돌아가며 데이트를 해야 한다. 이 과정에서 썸은 좋은데 연애는 싫은 대학생, 연애센스가 없는 모쏠남, 대학생이 되자 권태기를 맞이한 커플까지 다채로운 캐릭터들의 향연이 펼쳐질 것으로 보인다.

以大学校园为背景展开的《必修恋爱教养》讲述了一起上课的6名男女新人故事。他们要上课和三位异性进行约会。在这个过程中，暧昧虽然很好，将展开多彩角色…

恋人泰汶突然去世，热情开朗、外向乐观的韩国女孩允智孝（朴孝敏 饰）深埋心中的悲痛，只身前往日本做为期三个月的短期留学。来校的第一天，她就结识了独来独往、内向保守的日本女孩山口枫（清水久留巳 饰）。不顾小枫的反感，自言星座和血型很搭的智孝死缠烂打黏住了对方。某天，两个女孩在校园里被男生搭讪，其中名叫野村雄介（山崎贤人 饰）的是小枫初中时候的同学，小枫一直喜欢对方，但因当年一起事件导致二人彼此疏远。知晓了小枫的心意，智孝拿出韩国女孩敢爱敢恨的劲头和追爱攻略，发誓要帮好友赢得王子的青睐。 　　阳光明媚的校园里，男孩和女孩的浪漫故事拉开帷幕……

尤拉在69岁时终于鼓起勇气逃离了噩梦般的婚姻，然而旁人并不能理解她的痛苦，还为家暴成性的丈夫辩护。人到暮年，她却仍有一颗少女心。在开启属于自己的新生活后，她在拉丁舞课上找到了新的爱情。《恋爱教程》是一部献给所有受亲密关系困扰的女性的作品，片中充满细致入微的记录和发自肺腑的情感表达鼓励着所有年龄段的女性，无论在人生的任何阶段，都应勇敢追寻自我。

尤拉在69岁时终于鼓起勇气逃离了噩梦般的婚姻，然而旁人并不能理解她的痛苦，还为家暴成性的丈夫辩护。人到暮年，她却仍有一颗少女心。在开启属于自己的新生活后，她在拉丁舞课上找到了新的爱情。《恋爱教程》是一部献给所有受亲密关系困扰的女性的作品，片中充满细致入微的记录和发自肺腑的情感表达鼓励着所有年龄段的女性，无论在人生的任何阶段，都应勇敢追寻自我。

影片讲述了三个好基友胡言（明道 饰）、藤泽（矢野浩二 饰）和牛蛙（钱枫 饰），分别因三个女人而砸了饭碗。落魄的三人决定结盟，替彼此报仇。可是复仇之路却变成了真爱之旅，他们分别爱上了自己的“对手”，并不断替“对手”解决麻烦，闹出不少笑话…… 　　一边是多年的老友，一边是暗恋的 “对手”，三人在追爱的道路上满心纠结、跌跌绊绊……

影片讲述了三个好基友胡言（明道 饰）、藤泽（矢野浩二 饰）和牛蛙（钱枫 饰），分别因三个女人而砸了饭碗。落魄的三人决定结盟，替彼此报仇。可是复仇之路却变成了真爱之旅，他们分别爱上了自己的“对手”，并不断替“对手”解决麻烦，闹出不少笑话…… 　　一边是多年的老友，一边是暗恋的 “对手”，三人在追爱的道路上满心纠结、跌跌绊绊……

Wie schon in den ersten beiden Staffeln von „Make Love – Liebe machen kann man lernen“ macht die Sexologin und Paartherapeutin Ann-Marlene Henning Sexualität besprechbar und salonfähig. In zwei neuen Folgen der Fernsehdokumentation begleitet sie Paare auf entspannte, humorvolle und feinfühlige Art und Weise durch deren Beziehungsalltag, beleuchtet sexuelle Fragen und regt an zu ehrlicher Kommunikation. Wie wirkt sich Leistungsdruck auf das Sexualleben aus, und wie kann man diesen Druck abbauen? Und wie wirkt sich eine Behinderung auf das partnerschaftliche sexuelle Miteinander aus? Und was ist eigentlich 'idealer Sex'? „Make Love – Liebe machen kann man lernen“ widmet sich diesen Themen auf gewohnt informative und relaxte Weise.

Filled with expectations, Etienne moves to Paris from Lyon to study film directing at the Sorbonne. He leaves behind his girlfriend Lucie, promising to call her regularly via Skype. On his course he meets Jean-Noël and Mathias, they too have come to the metropolis from smaller cities and share his passion for cinema. Together they discuss the cinematic canon, read texts by Flaubert and Pasolini, and listen to Bach and Mahler. Jean-Noël proves to be an agreeable friend who tries to strengthen Etienne’s fragile self-confidence; Mathias, on the other hand, often comes across as stern, aloof and mysterious. Fond of arguing, he has a habit of disappearing for weeks on end without the others knowing where he is. Nobody gets to see his student film, either. Etienne is particularly crestfallen when he discovers by chance that Mathias shares a secret with Annabelle, an idealistic young woman who lives in Etienne’s shared flat and with whom he is secretly in love. Jean Paul Civeyrac’s tenderly melancholic black-and-white study of these young people’s encounter with art and life is at the same time a declaration of love for classic cinema and the city of Paris.

Filled with expectations, Etienne moves to Paris from Lyon to study film directing at the Sorbonne. He leaves behind his girlfriend Lucie, promising to call her regularly via Skype. On his course he meets Jean-Noël and Mathias, they too have come to the metropolis from smaller cities and share his passion for cinema. Together they discuss the cinematic canon, read texts by Flaubert and Pasolini, and listen to Bach and Mahler. Jean-Noël proves to be an agreeable friend who tries to strengthen Etienne’s fragile self-confidence; Mathias, on the other hand, often comes across as stern, aloof and mysterious. Fond of arguing, he has a habit of disappearing for weeks on end without the others knowing where he is. Nobody gets to see his student film, either. Etienne is particularly crestfallen when he discovers by chance that Mathias shares a secret with Annabelle, an idealistic young woman who lives in Etienne’s shared flat and with whom he is secretly in love. Jean Paul Civeyrac’s tenderly melancholic black-and-white study of these young people’s encounter with art and life is at the same time a declaration of love for classic cinema and the city of Paris.