小幻与冲冲是一部美国的CGI Frederator工作室制作的动画电视连续剧，讲述小幻和冲冲的生活故事，他们二人喜欢把内衣穿在外面，都是超级科幻迷，拥有超级想象力和超级英雄服装，他们的世界充满漫画般的冒险故事。

《搏忆》设定在一个独特的架空背景中，以缉毒警察被杀害的案件作为贯穿全剧的主线，剧情高能反转，深度聚焦人性的善恶。在抽丝剥茧般还原真相的过程中，还将探索人性的复杂，细腻刻画人物之间的情感纠葛。

在电视台上班的承皓（吴慷仁饰）爱情事业两得意，除了即将和同居许久的未婚妻（谢欣颖饰）结婚外，制作的灵异节目也获得高收视率，即将被电视台提拔为固…

略带焦虑的音乐响起，一个光头男人从画面左边走了进来。俄而他端坐在画板前，稍作思考，便奋笔直书。过了一会儿，毛主席的画像跃然纸上，随后激昂的摇滚版革命歌曲响起。但随着歌声和画像淡去，作者脑中的思维进入了意识流，博士帽、蜗牛、磁带、牢笼、钻头……此时此刻，他仿佛坐在湖的中央，湖面上漂浮着各种各样物品，物品对应着每一个记忆碎片，无法归拢，独立成章。根部如钻头般的大树悬浮半空，巍然耸立，充满着神秘而庄重之感。 　　头脑深处的湖泊，心如小船，惘觅归途……

《搏忆》设定为架空背景，以缉毒警察被杀害为主案件贯穿全剧。整部剧集全程高能，聚焦于人性善恶，除了抽丝剥茧般的爽感，还有真相浮出水面过程中对人性的探索。

新加坡海岸线上的填海工地，工人王必成失踪了。两名警探闻风而至，在工地周围四处探询王必成的踪影。躁郁的氛围、失眠的夜晚，警探在梦里见到王必成身影，而令人不安的真相，也将在虚实难辨的湿热幻境中揭开。 在虚实难辨的故事结构中，揭开新加坡沿海无证移工的生存困境。黑色电影的基底下，萨克斯风音乐、霓虹光线交错，切换视角的叙事方法，打造如梦似幻的空间感。故事背景极度写实，影像风格却忧郁抽离，带领观众远离对新加坡的刻板想象，在破碎消散的时间感中，探向当代新加坡的真实焦虑。

《幻土》属惊悚题材，剧情讲述两位警察追踪一名在本地填海工地工作的外藉劳工时，忽然失联。宏荣扮演前CID探员，在查案及寻找失踪客工的过程中，由于太投…

Hilarion Zabala, a former master sergeant, is tormented by a strange smell. The diagnosis is phantosmia, i.e. olfactory hallucinations, where he perceives smells that do not actually exist. His doctor attributes this to past trauma and recommends that he confront and recall his dark military service period as a solution. Zabala, willing to take on any task, voluntarily visits a military base and is eventually assigned to a remote island penal colony. However, another horrific reality awaits him there. 　　From religious bloodshed to human rights abuses against women, the various forms of violence created by humans are still structurally and routinely pervasive. How can justice and salvation be achieved in an age of violence? Can violence used to prevent violence ever be justified? Deep anguish is reflected through the contemplative black-and-white imagery. (BOO Kyunghwan)

Hilarion Zabala, a former master sergeant, is tormented by a strange smell. The diagnosis is phantosmia, i.e. olfactory hallucinations, where he perceives smells that do not actually exist. His doctor attributes this to past trauma and recommends that he confront and recall his dark military service period as a solution. Zabala, willing to take on any task, voluntarily visits a military base and is eventually assigned to a remote island penal colony. However, another horrific reality awaits him there. 　　From religious bloodshed to human rights abuses against women, the various forms of violence created by humans are still structurally and routinely pervasive. How can justice and salvation be achieved in an age of violence? Can violence used to prevent violence ever be justified? Deep anguish is reflected through the contemplative black-and-white imagery. (BOO Kyunghwan)