"My name is Gianmaria, today I turned ten and everybody is partying. We live all together. All of us, cousins, uncles, aunts, Grandpa and Granma. All in the same building. And we do everything together. We even do the grocery shopping at the same store. On the first floor lives my uncle Mario, the youngest and the most dumb among the uncles. We live on the second floor. On the third floor lives my aunt Anna with uncle Franco, on the fourth is the other uncle, Gavino, the rich and stingy one. On the last floor live Grandpa and Granma. My father has spent almost one year at the hospital and since then everything has changed. He doesn't even remember what’s my name, he doesn't even remember his own name. "Your name is Antonio!" I told him. He nods his head and smiles at me, but then he forgets everything again. Mom says it would have been better if he have died. But then, after she says it, she feels guilty and starts to cry. I never cry, maybe once... or twice. I mean, I never cry. Mom says that nobody cares about Dad now and that he has became nothing to them. That everyone has abandoned him and us. And that if he had died, they all would have cried. Instead, now that he is still alive, no one cries. Because a dead man makes you cry, a living man doesn’t."

一部全面梳理中国教育现状，关注方兴未艾的教育改革的电视纪录片。 　　中国的教育向何处去，一直是从政府到民间都非常关注的焦点，随着《国家中长期教育改革和发展规划纲要》的颁布与试点工作的展开，教育这个话题再次被激活。电视纪录片《教育能改变吗》主要围绕我国当前教育改革中的热点问题进行完整的梳理，并从历史和文化的高度对中国教育的改革与创新作出思考，将中国教育问题置于国际背景下考量，关注世界范围内的教育改革，借鉴他山之石，通过芬兰、日本、德国、美国的教育实践，让观众了解到好的教育应该是什么样子的。并通过对来自中国民间的鲜活的教育现象的展示，呼吁树立“育人为本”的教育价值观，主创人员希望能对中国教育改革起到一定的推动作用。全片拍摄历时一年，采访了130位中外教育界人士、政府官员、学生、家长。 　　全片6集，分别为《起跑线上》、《学习革命》、《公平之惑》、《高考变局》、《大学危机》、《再度出发》，每集45分钟。SMG真实传媒出品。

讲述墨西哥一个富裕家庭，小女儿突然被绑架。在一家人为此焦急之际，绑匪要求的赎回方式是要求一家人坐在一起忏悔坦白曾经做过的最可怕的事情。探讨这家人的亲情关系与每个人内心深处黑暗幽微的秘密，充满对人性与良知的拷问的故事。

讲述墨西哥一个富裕家庭，小女儿突然被绑架。在一家人为此焦急之际，绑匪要求的赎回方式是要求一家人坐在一起忏悔坦白曾经做过的最可怕的事情。探讨这家人的亲情关系与每个人内心深处黑暗幽微的秘密，充满对人性与良知的拷问的故事。

影片根据打海文三撰写的同名小说改编，讲述私家侦探在调查期间被杀，引起侦探社全员追查，揭露严重残疾儿童与父母欲断难断的亲子关系。 　　中岛哲也抛开华丽视觉和暴力美学，以冷冽镜头反复诘问“如果孩子没出生，会更幸福吧”，逐步剖开人性和生命的本质。残缺的小生命能救赎千疮百孔的心，能证明他值得来到世上。谁也会，成为谁的光。

在瓦尔拉姆·阿拉维泽下葬的第二天，他的尸体被人掘起来放在他家的窗前。挖墓的是一个女人，她在法庭上的供词和回忆使人们重新回到独裁者阿拉维泽残暴肆虐的年代。他将不计其数的无辜者冠以“人民公敌”的罪名投入监狱。阿拉维泽的儿子最后幡然省悟，亲自将父亲的尸体从山崖丢下了大河……本片中他使用令人惊叹的造型手段，以诗意的语言讲述了一个关于罪恶与惩罚、忏悔与醒悟的故事。本片是阿布拉泽三部曲的第三部，前两部风别为《愿望树》和《祈求》， 《悔悟》被认为是苏联电影改革的“第一只春燕”。 　　40届戛纳电影节评委会大奖（1987年）

私家侦探在调查期间被杀，引起侦探社全员追查，揭露严重残疾儿童与父母欲断难断的亲子关系。改编自打海文三同名小说，中岛哲也酝酿二十年的社会现实大作，号召顶级演员阵容：西岛秀俊、满岛光、黑木华、宫藤官九郎、柴笑幸和役所广司，演绎因伤痛自我封闭的成人们。中岛哲也抛开华丽视觉和暴力美学，以冷冽镜头反复诘问「如果孩子没出生，会更幸福吧」，逐步剖开人性和生命的本质。残缺的小生命能救赎千疮百孔的心，能证明他值得来到世上。谁也会，成为谁的光。

在一所小型的天主教寄宿学校中，发生了一起难以启齿的罪行。当高中生卢瑟·斯科特向迈克尔·凯利神父忏悔时，凯利被约束不得透露一起可怕的谋杀案的细节。现在，被绝望的青少年陷害成有罪的凯利必须决定是保持沉默还是放弃神职所珍视的一切。

Film was unfinished, footage only survives in Parajanov: The Last Spring (1992). 　　Confession, The (1990)_ survives in Parajanov: The Last Spring (1992) in its original camera negative. It remained unfinished due to the death of Sergei Parajanov. _Confession, The (1990)_ was his favorite screenplay, which was written in the 1960s and was his film-memory of the childhood, student years, marriage, imprisonment and more as the fantasist Parajanov perceived it. Parajanov gifted the screenplay to Mikhail Vartanov, made a drawing on the cover and wrote: "The Confession will only be made by a director born in 1924 in Tiflis, Georgia." He predicted that he would not finish it.