A filmmaker builds his own ark to protect his memories from the ravages of time in a rambunctious, thought-provoking and entertaining essay that tackles grand topics like memory and impermanence with great wit and care. 　　Humanity is obsessed with archiving its traces, but when the universe wipes out everything over time, what is really worth preserving? That very question is driving filmmaker Ian Cheney mad. Drawing inspiration from the Bible and the Gilgamesh myth, he sets out to build his own ark on his parents’ land in Maine. Here, all his memories – hard drives, photographs, diaries – must be protected from the ravages of time. In its quest to understand our need to remember, ‘The Arc of Oblivion’ takes us to everything from an underground archive in the Alps to an ancient, sandblasted library in the Sahara. Along the way we meet people who have dedicated their lives to preservation. A natural history museum curator has planned his own funeral so he can return as a fossil in millions of years, while an Austrian chemist stores information on porcelain plates for posterity. Filmmakers Werner Herzog and Kirsten Johnson visit the ark and philosophise about our memory, legacy and immortality. A philosophical adventure with a winning, witty heart. 　　源自：https://cphdox.dk/film/the-arc-of-oblivion/

Film by a Peruvian director living in the Netherlands, which tells the story of the Peruvian changes of the political scene from an interesting point of view – the bar tenders and street entertainers. The story focuses mainly on the frequency with which the Peruvian presidents change and how it affects the country. 　　Corruption, assassinations, civil wars, poverty, and instability are the daily bread of Peruvians as well. Despite the film does not bring any major breakthroughs on views of the country and does not reveal anything of the country's political background it offers an interesting point of view from the country's "street folk".

Film by a Peruvian director living in the Netherlands, which tells the story of the Peruvian changes of the political scene from an interesting point of view – the bar tenders and street entertainers. The story focuses mainly on the frequency with which the Peruvian presidents change and how it affects the country. 　　Corruption, assassinations, civil wars, poverty, and instability are the daily bread of Peruvians as well. Despite the film does not bring any major breakthroughs on views of the country and does not reveal anything of the country's political background it offers an interesting point of view from the country's "street folk".

故事发生在90年代的西班牙，年轻的作曲家乔从故乡柏林独自一人前往伊维萨岛，在这里的一家非常有名的夜店中，乔找到了一份DJ的工作，他希望这份工作能够成为他进入当地电子音乐圈子的敲门砖。

临近开学，陶竹与王亦明跑到咖啡馆大蓝象找林南一抄作业，并透露班上要来一位转学生。另一边，童夕在童母的要求下不情愿地收拾行李准备从大诚市转学回西海，同时不忘给偶像漫画大神青禾发私信，要和暗恋的卫泽学长一起去参加签售会。签售会当天，童夕躲过童母到了车站，却偶遇青梅竹马许下“婚约”的林南一，林南一意外受伤，两人都错过了班车。开学日，童夕在路上碰到为救猫受伤的林南一，对他有了些许改观。

临近开学，陶竹与王亦明跑到咖啡馆大蓝象找林南一抄作业，并透露班上要来一位转学生。另一边，童夕在童母的要求下不情愿地收拾行李准备从大诚市转学回西海，同时不忘给偶像漫画大神青禾发私信，要和暗恋的卫泽学长一起去参加签售会。签售会当天，童夕躲过童母到了车站，却偶遇青梅竹马许下“婚约”的林南一，林南一意外受伤，两人都错过了班车。开学日，童夕在路上碰到为救猫受伤的林南一，对他有了些许改观。

临近开学，陶竹与王亦明跑到咖啡馆大蓝象找林南一抄作业，并透露班上要来一位转学生。另一边，童夕在童母的要求下不情愿地收拾行李准备从大诚市转学回西海，同时不忘给偶像漫画大神青禾发私信，要和暗恋的卫泽学长一起去参加签售会。签售会当天，童夕躲过童母到了车站，却偶遇青梅竹马许下“婚约”的林南一，林南一意外受伤，两人都错过了班车。开学日，童夕在路上碰到为救猫受伤的林南一，对他有了些许改观。

道格(大卫·田纳特)与阿比(罗莎曼德·派克)是一对夫妻，他们领着三个孩子到苏格兰高地为道格的父亲戈蒂(比尔康奈利饰演)庆祝生日。然而道格与阿比有一个秘密需要保守，不能让家里的其他人知道，而三个不懂事的孩子成为了他们保守秘密的最大障碍……

道格(大卫·田纳特)与阿比(罗莎曼德·派克)是一对夫妻，他们领着三个孩子到苏格兰高地为道格的父亲戈蒂(比尔康奈利饰演)庆祝生日。然而道格与阿比有一个秘密需要保守，不能让家里的其他人知道，而三个不懂事的孩子成为了他们保守秘密的最大障碍……

这是一场人生菜鸟与人生前辈的真实对话。节目在国务院所属中国老龄协会的指导下，邀请3位长居上海阅历丰富的人生前辈，与N位有独特人生态度的沪漂青年，开启一场为期21天的代际共居体验。通过隔代人的共居，走近并理解对方的世界，交到打破时间的朋友，探索一种未来新的生活方式，创造一个城市中无血缘、有亲情的“家” 。