A filmmaker builds his own ark to protect his memories from the ravages of time in a rambunctious, thought-provoking and entertaining essay that tackles grand topics like memory and impermanence with great wit and care. 　　Humanity is obsessed with archiving its traces, but when the universe wipes out everything over time, what is really worth preserving? That very question is driving filmmaker Ian Cheney mad. Drawing inspiration from the Bible and the Gilgamesh myth, he sets out to build his own ark on his parents’ land in Maine. Here, all his memories – hard drives, photographs, diaries – must be protected from the ravages of time. In its quest to understand our need to remember, ‘The Arc of Oblivion’ takes us to everything from an underground archive in the Alps to an ancient, sandblasted library in the Sahara. Along the way we meet people who have dedicated their lives to preservation. A natural history museum curator has planned his own funeral so he can return as a fossil in millions of years, while an Austrian chemist stores information on porcelain plates for posterity. Filmmakers Werner Herzog and Kirsten Johnson visit the ark and philosophise about our memory, legacy and immortality. A philosophical adventure with a winning, witty heart. 　　源自：https://cphdox.dk/film/the-arc-of-oblivion/

The Arc above all is a road movie, and a journey, a modern day odyssey, not dissimilar in mood and tone to Antonioni’s existential trips through the disembodied sensibilities of his characters.

Film by a Peruvian director living in the Netherlands, which tells the story of the Peruvian changes of the political scene from an interesting point of view – the bar tenders and street entertainers. The story focuses mainly on the frequency with which the Peruvian presidents change and how it affects the country. 　　Corruption, assassinations, civil wars, poverty, and instability are the daily bread of Peruvians as well. Despite the film does not bring any major breakthroughs on views of the country and does not reveal anything of the country's political background it offers an interesting point of view from the country's "street folk".

从一只昆虫挣扎著竭尽全力地要破蛹而出开始，然而刚一挣脱蛹壳的束缚，就捲入了一场与另一只昆虫的生存战斗中。而两只小虫扭打在一起的时候，戏剧性的结尾產生了——在路旁的积水水面上映出了一个男人依稀的轮廓。所有的争斗与矛盾突然之间结束于这个男人坚硬的鞋底。於是，在留下鞋印的道路 上，同时也留下了两只小虫被碾碎的尸体，这时镜头嘎然而止。片尾字幕出现的同时，我想，出现在观众心里的应该还有一丝丝萧瑟与苍凉。Kucia将我们带进了这个特殊的微观世界中，再一次地让我们感受到了他的梦幻与诗意，当然还有充满无奈的残酷现实。

故事发生在90年代的西班牙，年轻的作曲家乔从故乡柏林独自一人前往伊维萨岛，在这里的一家非常有名的夜店中，乔找到了一份DJ的工作，他希望这份工作能够成为他进入当地电子音乐圈子的敲门砖。

讲述了新英格兰一个休闲联赛的最后一场比赛。在他们心爱的球场即将被拆除之前，我们跟随着这群成年人的幽默和隐晦的感伤，比赛持续到加时赛，白昼渐渐消逝为夜幕，标志着一个时代的终结。

讲述了新英格兰一个休闲联赛的最后一场比赛。在他们心爱的球场即将被拆除之前，我们跟随着这群成年人的幽默和隐晦的感伤，比赛持续到加时赛，白昼渐渐消逝为夜幕，标志着一个时代的终结。

佐佐木幸子（高畑充希 饰）是一名编辑，在整个行业里浸淫了许久，幸子练就了一身的好本领，是同事和老板眼中完美的工作搭档，他们热情的称呼幸子为无坚不摧的“铁之女”。 　　在一场旅行中，幸子邂逅了名为俊吾的男子，就如同大部分恋爱小说那样，在幸子和俊吾之间，产生了一段甜蜜的爱情，并且两人最终决定携手步入婚姻的殿堂。可是，就在仪式即将举行的这个节骨眼上，俊吾竟然临阵脱逃了，留下幸子一人不知所措。虽然第二天，幸子就像什么都没发生一样的再度出现在了工作岗位上，但她内心的世界其实早已经崩塌了，只有在品尝美食的时候，她才能够短暂的忘记俊吾。

故事发生在90年代的西班牙，年轻的作曲家乔从故乡柏林独自一人前往伊维萨岛，在这里的一家非常有名的夜店中，乔找到了一份DJ的工作，他希望这份工作能够成为他进入当地电子音乐圈子的敲门砖。

20世纪，人类和被称作monster（怪物）的生物们之间发生了一场很大的战争。这场激烈得令人无法想象的战争最后以monster一方的胜利告终。随着时间的流逝，人们逐渐忘记了这件事，迎来了新世纪。 一日，过着无聊的高中生活的主人公，少年ボッカ面前出现了一名曾与怪物作战的战士——黑船。“你们为什么会忘记了这个旋律！”他说道，故事就从这里开始。