This is a rather schizoid movie as is evidenced by its two alternate titles "Blue Summer" on one hand, or "Love Truck", on the other. At times this seems like a typically stupid and painfully unfunny early 70's softcore sex romp with a lot of idiotic and unrealistic situations and some pretty unappealing actresses. The movie follows a pretty typical formula--two guys who have just graduated high school go off on a road trip in a customized van looking some female action, and fall into all kinds of increasingly absurd, but not particularly funny situations--and, of course, they have a lot of sex on the way. 　　There are places, however, where this movie really transcends its formulaic softcore origins. Reality intrudes in a couple places like the one another reviewer mentioned where a sexual tryst one protagonist is having with an older woman is interrupted by her son who's about the same age he is (and it's treated rather realistically and a little sadly, not in the comical way of something like "American Pie"). My favorite scene though, and really the one that makes the whole movie at all worthwhile, comes in the first half hour: the pair pick up a couple of female hitchhikers (the ONLY attractive women in this movie) and they having a long and surprisingly beautifully filmed double sex scene at a campsite while groovy early 70's music plays on the soundtrack. As unrealistic as the rest of the movie may be, this one scene really captures what it was like (or, at least, what I imagine it was like--this was ten or fifteen years before my time) to be alive and young in the early 70's. This scene alone might be worth seeing the rest of the movie.

This is a rather schizoid movie as is evidenced by its two alternate titles "Blue Summer" on one hand, or "Love Truck", on the other. At times this seems like a typically stupid and painfully unfunny early 70's softcore sex romp with a lot of idiotic and unrealistic situations and some pretty unappealing actresses. The movie follows a pretty typical formula--two guys who have just graduated high school go off on a road trip in a customized van looking some female action, and fall into all kinds of increasingly absurd, but not particularly funny situations--and, of course, they have a lot of sex on the way. 　　There are places, however, where this movie really transcends its formulaic softcore origins. Reality intrudes in a couple places like the one another reviewer mentioned where a sexual tryst one protagonist is having with an older woman is interrupted by her son who's about the same age he is (and it's treated rather realistically and a little sadly, not in the comical way of something like "American Pie"). My favorite scene though, and really the one that makes the whole movie at all worthwhile, comes in the first half hour: the pair pick up a couple of female hitchhikers (the ONLY attractive women in this movie) and they having a long and surprisingly beautifully filmed double sex scene at a campsite while groovy early 70's music plays on the soundtrack. As unrealistic as the rest of the movie may be, this one scene really captures what it was like (or, at least, what I imagine it was like--this was ten or fifteen years before my time) to be alive and young in the early 70's. This scene alone might be worth seeing the rest of the movie.

Dana是个失败的生物学家，她与几个同学一起穿越Dismal沼泽。这是一个充满生命的偏远地区，这里也充满了死亡，尽管他们遭遇了饿熊、毒蛇及致命的短吻鳄，但他们还未意识到真正的危险。在他们营地不远处，潜伏着一个……吃？或被吃？

Dana是个失败的生物学家，她与几个同学一起穿越Dismal沼泽。这是一个充满生命的偏远地区，这里也充满了死亡，尽管他们遭遇了饿熊、毒蛇及致命的短吻鳄，但他们还未意识到真正的危险。在他们营地不远处，潜伏着一个……吃？或被吃？

影片入围第68届柏林电影节全景单元片单。《天空上三公尺》拉蒙·萨拉萨尔自编自导的新作，从小就被丢弃的琪拉在几十年过去后找到妈妈，并要求他在一处偏远的地方，和她共度10天时光.（胖鸟电影网）

Acteurs Principaux : Eric Frey, Anne Petit Lagrange 　　Leading Cast 　　Réalisateur : Léo Scarax 　　Director 　　Scénario : Léo Scarax 　　Script 　　Chef Opérateur : Bertrand Chatry 　　Director of Photography 　　Production : Les Films du Lagon Bleu 　　Format : 35mm - Couleur 　　Durée : 16' 　　Length 　　Catégorie : Fiction - Comédies et Drames 　　Category 　　Prix : Grand Prix du CM au festival du Jeune 　　Awards Cinéma International de Hyères 1981 　　Une nuit très parisienne. Paul joue à étrangler Colette parce qu'elle ne lui inspire pas un foutu plan de cinéma. Au petit matin, il prend la fuite parce que l'avenir est à ceux qui se lèvent tôt. Etait-il trop tard ? C'est encore trop tôt pour le dire. 　　A very Parisian night. Paul plays at strangling Colette because she doesn't inspire him a single, damn camera shot. Early in the morning, he takes flight because the future is for those who get up early. Was it too late ? It's too early to say.

Acteurs Principaux : Eric Frey, Anne Petit Lagrange 　　Leading Cast 　　Réalisateur : Léo Scarax 　　Director 　　Scénario : Léo Scarax 　　Script 　　Chef Opérateur : Bertrand Chatry 　　Director of Photography 　　Production : Les Films du Lagon Bleu 　　Format : 35mm - Couleur 　　Durée : 16' 　　Length 　　Catégorie : Fiction - Comédies et Drames 　　Category 　　Prix : Grand Prix du CM au festival du Jeune 　　Awards Cinéma International de Hyères 1981 　　Une nuit très parisienne. Paul joue à étrangler Colette parce qu'elle ne lui inspire pas un foutu plan de cinéma. Au petit matin, il prend la fuite parce que l'avenir est à ceux qui se lèvent tôt. Etait-il trop tard ? C'est encore trop tôt pour le dire. 　　A very Parisian night. Paul plays at strangling Colette because she doesn't inspire him a single, damn camera shot. Early in the morning, he takes flight because the future is for those who get up early. Was it too late ? It's too early to say.

影片入围第68届柏林电影节全景单元片单。《天空上三公尺》拉蒙·萨拉萨尔自编自导的新作，从小就被丢弃的琪拉在几十年过去后找到妈妈，并要求他在一处偏远的地方，和她共度10天时光.（胖鸟电影网）

A dark secret connects middle-aged Katze and Brauth. The former has the clue that his end is near. The two meet again after years to share their last days in the old house of their past. With three women they met on their way, the atmosphere begins to recur a second time. When artist Heinrich decides to attend, the friends have their last chance to renew and cut with the history and to settle an old score. In the melancholy of the near end, Katze passes again all the situations in his life. In the hour of death, he is not alone anymore. His body is gone and his soul stays back in the same place where his destiny and fulfillment occurred.

奥尔加（简-伯金饰）是一个充实的女人。她住在瑞士里维埃拉卢加诺一栋舒适的房子里，由一名女管家打理所有家务。奥尔加发现自己越来越难以应付丈夫洛朗的商务晚宴，而这是她过于平静的生活中唯一的消遣。于是，在老朋友克莱尔的鼓励下，她同意去见丈夫最近的客人皮埃尔（让--路易·特兰蒂尼昂饰）。一段时间以来，皮埃尔一直收留着失业的克劳德（让-吕克-比多饰），但他并不领情。当晚，正是他邀请奥尔加到湖畔餐厅共进晚餐。但奥尔加突然沉醉于这次偷情，整晚都在跳舞，这让想过一个安静夜晚的克劳德大失所望。第二天，餐厅的一个服务员把她骗到了游乐场。但那晚她梦见的是皮埃尔，他和一群朋友在一起......