Dr David Starkey explores how the story of British music has been shaped by the monarchy.

Dr David Starkey explores how the story of British music has been shaped by the monarchy.

身无分文的歌手山姆发现自己染上爱滋病后，终日借酒消愁，但很快就疯狂地恋爱了。在前东德的破旧环境里，他要为千禧年、为染上爱滋病的年轻患者建立一个“家庭”。他这个组建的“家庭”包括前任男友Rainer，他的密友Bastl和他的性伙伴Mike。这些形形色色的“同志”带出一个充满怀旧东欧色彩，甜蜜而催人泪下的悲剧故事。

身无分文的歌手山姆发现自己染上爱滋病后，终日借酒消愁，但很快就疯狂地恋爱了。在前东德的破旧环境里，他要为千禧年、为染上爱滋病的年轻患者建立一个“家庭”。他这个组建的“家庭”包括前任男友Rainer，他的密友Bastl和他的性伙伴Mike。这些形形色色的“同志”带出一个充满怀旧东欧色彩，甜蜜而催人泪下的悲剧故事。

露西娅和埃伦娜从孩提时期就是一对好朋友。她们驾车从巴黎到乡下。她们的谈话内容公开地亲密，但更引人入胜的是她们对彼此性格以及情欲的一致的理解……

根据澳大利亚早期著名诗人C.J. Dennis的《Songs of a Sentimental Bloke》改编，是澳国百年影史的最佳默片。网上有片段可在线观看：http://dl.filmaust.com.au/module/1187/ 　　THE SENTIMENTAL BLOKE is regarded by many as the greatest silent film that Australia has produced. 　　The Sentimental Bloke (1919) is an Australian silent film based on the 1915 Australian poem The Songs of a Sentimental Bloke by C.J. Dennis. 　　The film from the Southern Cross Feature Film Company of Adelaide, was made by Raymond Longford and Lottie Lyell, at the time best known partnership in Australian cinema, starring Lyell and a vaudeville comedian, Arthur Tauchert, and filmed mainly in the inner city Sydney suburb of Woolloomooloo. 　　Tauchert plays the 'sentimental bloke', a Sydney larrikin, who vows to abandon his life of gambling (playing Two-up) and drinking when he falls in love with Doreen (Lyell), who works in a pickle factory. 　　Lyell is thought to have co-authored the screenplay, written the titles, edited the film and helped with the direction. 　　The Sentimental Bloke uses intertitles taken from the original poem written in Australian slang and was a hit when it opened in Melbourne Town Hall on October 4 1919, breaking all existing box office records. It was also popular in Britain and New Zealand, but did not succeed in the U.S., where test audiences failed to understand the language. Despite being recut with Americanised intertitles, having some scenes cut out, and renamed for the American market as The Story of a Tough Guy, it was withdrawn from distribution. 　　The film was rediscovered in the 1950s and a new print screened at the Sydney Film Festival in 1955, and Longford was found to be working as a night watchman on the Sydney wharfs, (Lyell had died in 1925 of tuberculosis). 　　Since then the original negative sent to the U.S. was discovered (labelled as The Sentimental Blonde) at the Film Archive at George Eastman House International Museum of Photography and Film in Rochester, New York, found to be a different version and of a better quality print than any of the Australian copies. The new version premiered at the 2004 Sydney Film Festival and has played at the 2005 London Film Festival.

Behind the scenes of a porn shoot, the actors are practicing various positions. The rumour is that one of the girls is doing a double anal, an advanced routine that requires someone extremely tough. A startling film about workplace intrigue, set at a decidedly different place of work.

简介 　　这个记录片探究了柏林爱乐乐团在二战期间，确切地说是从1933年到1945年，所扮演的角色，。有的人把这个阶段柏林爱乐乐团描述成“纳粹的乐团”，这个记录片就此观点进行了深入的论证，目的在于识别真伪，澄清事实。 　　当这个记录片2004年开始拍摄的时候，只有两名二战时期供职柏林爱乐乐团的成员健在，他们是小提琴手HansBastiaan和低音贝司手ErichHartmann。两个人的访谈在电影里被广泛应用。其他的地方导演采用了他们的子女的谈话，以及资料影片——这也是该片最吸引人的地方——富特文格勒、老克莱伯、切利毕达奇指挥柏林爱乐的珍贵电影资料。 　　柏林爱乐乐团从很多方面不能被说成是纳粹乐队。真实的情况是，在纳粹党1933年上台之前，它是以独立机构的方式存在的。后面发生的事情，文献记载很少。起初，乐队只有极少数乐手是犹太人，当然他们在1930年代失去了乐团的职位。同样，柏林爱乐中纳粹正式党员也是极少数，大部分的音乐家在政治方面的立场是不明确的。按照这个记录片说法就是：他们既不是英雄，也不是恶人，只是普通人。当然他们也有特殊的地方，他们在这个期间被当作宣传工具，享受着普通老百姓所没有的特权。最突出的就是他们可以免除兵役，直到战争结束他们一直享受这种权利。另一方面是乐器的使用，他们中...

我们这个时代已经进入了宅文化统治的时代，越来越多的年轻人喜欢宅在家中，工作、购物、生活，逐渐的，他们都成为各方专家，有的精通时政，有的精通星座速配，有的精通经济，甚至有人精通养生，本剧就汇集了这样一群宅男宅女，他们机缘巧合，共同生活在了一个屋檐下，上演了一出出嬉笑怒骂、让人欲罢不能的爆笑故事。

我们这个时代已经进入了宅文化统治的时代，越来越多的年轻人喜欢宅在家中，工作、购物、生活，逐渐的，他们都成为各方专家，有的精通时政，有的精通星座速配，有的精通经济，甚至有人精通养生，本剧就汇集了这样一群宅男宅女，他们机缘巧合，共同生活在了一个屋檐下，上演了一出出嬉笑怒骂、让人欲罢不能的爆笑故事。