Behind the scenes of a porn shoot, the actors are practicing various positions. The rumour is that one of the girls is doing a double anal, an advanced routine that requires someone extremely tough. A startling film about workplace intrigue, set at a decidedly different place of work.

Behind the scenes of a porn shoot, the actors are practicing various positions. The rumour is that one of the girls is doing a double anal, an advanced routine that requires someone extremely tough. A startling film about workplace intrigue, set at a decidedly different place of work.

To the south of the Indian metropolis of Surat in Gujarat province lies a vast industrial zone that has been growing ever since the 1960s. Director Rahul Jain filmed the grueling daily routine in just one of the many textile factories there. In the factory, man and machine seem to have fused into one being. It is dark and dank, and barely any daylight penetrates the space. The labor is heavy and mind-numbing, and the work days seem endless. We are drawn into a gloomy world where the cacophonous beat of machinery sets the rhythm of toil. Jain is as interested in the mysterious connection between worker and product (the fabrics are treated mechanically, but also with love) as he is in the degrading conditions. Each shift lasts 12 hours, for adults and children alike, and wages are extremely low. Short interviews are interspersed throughout the observational sequences, some of which are captivating in their beauty while others are painful to watch – such as when we see a boy nodding violently in his struggle to stay awake. (From IDFA official website)

To the south of the Indian metropolis of Surat in Gujarat province lies a vast industrial zone that has been growing ever since the 1960s. Director Rahul Jain filmed the grueling daily routine in just one of the many textile factories there. In the factory, man and machine seem to have fused into one being. It is dark and dank, and barely any daylight penetrates the space. The labor is heavy and mind-numbing, and the work days seem endless. We are drawn into a gloomy world where the cacophonous beat of machinery sets the rhythm of toil. Jain is as interested in the mysterious connection between worker and product (the fabrics are treated mechanically, but also with love) as he is in the degrading conditions. Each shift lasts 12 hours, for adults and children alike, and wages are extremely low. Short interviews are interspersed throughout the observational sequences, some of which are captivating in their beauty while others are painful to watch – such as when we see a boy nodding violently in his struggle to stay awake. (From IDFA official website)

我们这个时代已经进入了宅文化统治的时代，越来越多的年轻人喜欢宅在家中，工作、购物、生活，逐渐的，他们都成为各方专家，有的精通时政，有的精通星座速配，有的精通经济，甚至有人精通养生，本剧就汇集了这样一群宅男宅女，他们机缘巧合，共同生活在了一个屋檐下，上演了一出出嬉笑怒骂、让人欲罢不能的爆笑故事。

我们这个时代已经进入了宅文化统治的时代，越来越多的年轻人喜欢宅在家中，工作、购物、生活，逐渐的，他们都成为各方专家，有的精通时政，有的精通星座速配，有的精通经济，甚至有人精通养生，本剧就汇集了这样一群宅男宅女，他们机缘巧合，共同生活在了一个屋檐下，上演了一出出嬉笑怒骂、让人欲罢不能的爆笑故事。

《快乐520》是一部风格新颖的都市系列治愈型网络轻喜剧，全部剧由资深港产片班底人员们倾情奉献。

《快乐520》是一部风格新颖的都市系列治愈型网络轻喜剧，全部剧由资深港产片班底人员们倾情奉献。

改革开放后昌南某乡村，农村面貌发生了巨大变化，乡文化站站长杨贵生自筹资金，组织农民拍起了农民电视剧，妻子胡月娥不理解，阻止他的工作，困境中裁缝萍萍出面帮助。拍摄中，村民闹出了许多笑话，出现了许多啼笑皆非的故事，正是这些故事演绎着这个乡村村民的快乐和幸福。

广东第一个水上明星访谈节目，《快乐邀请》打破了传统访谈节目“排排坐聊心事”的访谈形式，大胆采用以嘉宾答问的关键词或动作为机关来“惩罚”主持人的搞笑形式，真正达到了快乐地邀请嘉宾，快乐地进行访谈的节目宗旨。