A Hitchcockian narrative and noirish atmosphere characterise this effective, taut thriller, made the same year as the director's magnum opus, JIGOKU (Hell). Set in the present day, DEATH ROW WOMAN is at once a prison film, an innocent-man/woman-on-the-run story, a police procedural, and a family melodrama, that is equal parts Hitchcock, Samuel Fuller and Douglas Sirk. 　　Rich industrialist Imai wishes to marry his elder daughter Kyoko off to Aoki, who he sees as the ideal candidate to take over his business. Kyoko, however, prefers the rugged but poor Soichi to Aoki's goody-two-shoes. That night, Kyoko decides to confront her father, refusing to marry Aoki and dropping the bombshell that she is pregnant with Soichi's child. She is banned from the family, but seconds after she leaves the room, her father drops dead, poisoned. All evidence points toward Kyoko, who is sentenced to death despite her insistent claims that she is innocent. When she goes on the lam after a prison break, she realizes that in order to prove her innocence, she has to team up with the fiancé she rejected.

死刑犯 A，杀害好友后勒赎。死刑犯陈昱安，砍杀父亲 111 刀。死刑犯郑捷，于捷运上随机杀人。「死 刑犯」是司法给他们的一个标籤，但这三个人作为 人的身分却为人漠视，而至亲所背负之痛，更从来 无人知晓⋯⋯。曾以纪录片《起点》、《我无罪，我是郑性泽》长 期关注司法议题的导演李家骅，这次选择了三位犯 行各异的死刑犯为主角，有人尚在服刑，有人在狱 中自戕身亡，有人已遭到枪决伏法。在「杀人偿命」 的正义大纛前，他们的命运殊途同归，宛如报废的 物件，但在律师、死囚家属面前，标籤之后却是一 个个血肉之躯。全片以平实的採访片段与报导影像， 不拘泥于法条本身，而是深刻表达了导演对「人」 的处境的关怀，爬梳现代台湾司法死刑史之馀，也 引出了对现行体制的叩问。

死刑犯 A，杀害好友后勒赎。死刑犯陈昱安，砍杀父亲 111 刀。死刑犯郑捷，于捷运上随机杀人。「死 刑犯」是司法给他们的一个标籤，但这三个人作为 人的身分却为人漠视，而至亲所背负之痛，更从来 无人知晓⋯⋯。曾以纪录片《起点》、《我无罪，我是郑性泽》长 期关注司法议题的导演李家骅，这次选择了三位犯 行各异的死刑犯为主角，有人尚在服刑，有人在狱 中自戕身亡，有人已遭到枪决伏法。在「杀人偿命」 的正义大纛前，他们的命运殊途同归，宛如报废的 物件，但在律师、死囚家属面前，标籤之后却是一 个个血肉之躯。全片以平实的採访片段与报导影像， 不拘泥于法条本身，而是深刻表达了导演对「人」 的处境的关怀，爬梳现代台湾司法死刑史之馀，也 引出了对现行体制的叩问。

节目以沈月、王敬轩、吴宇恒、周彦辰为核心的原生好友圈为主，通过让嘉宾自行策划并制作自己的节目为切口，共同寻找当代年轻人“快乐生活”的秘诀，鼓励更多年轻人一起做快乐的大人。

Anand (Rajesh Khanna饰)，一个癌症末期的病人，却活得问心无愧，不像其他抑郁和绝望病人，他享受着余下生命的每一刻。他的医生Bhaskar (Amitabh Bachchan饰)，被人们亲热地称呼为Moshai先生，他的精神拥有着令人惊讶的力量，以自己的方式让周围的人了解生命的意义。可是，Bhaskar却对Anand的病无能为力… 　　《Anand》成功塑造了一个勇敢面对死亡的人，这是一部令人感动的电影。该片在1972年的 Filmfare Awards颁奖典礼上获得六个奖项，包括最佳男主角（Rajesh Khanna）、最佳男配角（Amitabh Bachchan）、最佳对白（Sampooran Singh Gulzar）、最佳编剧（Hrishikesh Mukherjee）、最佳影片（Hrishikesh Mukherjee，N.C. Sippy）、最佳剧情（Hrishikesh Mukherjee）。

艾玛是魁北克古典音乐界最闪亮的明星之一。她的父亲以她为荣，但认为对她的严格管束是他最大的责任，而艾玛觉得自己可以挣脱束缚。当另一位带着孩子的杰出音乐家娜埃勒闯入艾玛的生活，她感觉自己完全活了过来......并准备好与那个不愿放手的男人一较高下。

艾玛是魁北克古典音乐界最闪亮的明星之一。她的父亲以她为荣，但认为对她的严格管束是他最大的责任，而艾玛觉得自己可以挣脱束缚。当另一位带着孩子的杰出音乐家娜埃勒闯入艾玛的生活，她感觉自己完全活了过来......并准备好与那个不愿放手的男人一较高下。

A few years before he went on to make a big splash in the cannibal sub-genre, Ruggero Deodato directed this successful rip-off of Roman Polanski's brilliant Knife in the Water. Naturally, being an Italian film - there's more of a focus on sex than the relationship between the central couples, but the claustrophobic atmosphere and entertaining characters help to keep the tension bubbling over, which ensures that the movie is interesting for the duration. The film doesn't have nearly as much 'bite' as Cannibal Holocaust and most of the rest of Ruggero Deodato's filmography, but it's obvious that even with this early film; Deodato is a director with the potential to make a mark on cinema. The plot is simple in that it just focuses on two couples. George and Silvia invite Irem and Barbara for a weekend cruise on their yacht. It soon transpires that George isn't the most sensitive man to ever live, and Silvia doesn't seem to mind him treating her badly. The situation escalates, and Irem and Barbara join forces with Silvia for vengeance against George...and three way sex, of course. 　　The film is set aboard a yacht for the majority of its duration, and this makes for a great setting for the movie to take place in. The isolated setting means that Deodato can keep the focus on the characters, which is definitely a good thing for the film. As is the case with a lot of trashy Italian films, some of the characters actions are a bit fishy and the dialogue is largely inane - but these sorts of things don't bother me too much, and Waves of Lust is lots of fun to watch. There are plenty of sex scenes, and while the film features very little blood, it's not important as it's clear where the focus is meant to be. The film doesn't feature any particularly well known performers, although the four central actors would all go on to star in better known Italian films. John Steiner is the biggest standout in acting terms and delivers a good performance alongside eye candy Elizabeth Turner and Silvia Dionisio. Al Cliver (from Zombie Flesh-Eaters) rounds off the central foursome. Overall, Waves of Lust is definitely worth seeing. The atmosphere and tension are good and it all boils down to a satisfying conclusion.

A few years before he went on to make a big splash in the cannibal sub-genre, Ruggero Deodato directed this successful rip-off of Roman Polanski's brilliant Knife in the Water. Naturally, being an Italian film - there's more of a focus on sex than the relationship between the central couples, but the claustrophobic atmosphere and entertaining characters help to keep the tension bubbling over, which ensures that the movie is interesting for the duration. The film doesn't have nearly as much 'bite' as Cannibal Holocaust and most of the rest of Ruggero Deodato's filmography, but it's obvious that even with this early film; Deodato is a director with the potential to make a mark on cinema. The plot is simple in that it just focuses on two couples. George and Silvia invite Irem and Barbara for a weekend cruise on their yacht. It soon transpires that George isn't the most sensitive man to ever live, and Silvia doesn't seem to mind him treating her badly. The situation escalates, and Irem and Barbara join forces with Silvia for vengeance against George...and three way sex, of course. 　　The film is set aboard a yacht for the majority of its duration, and this makes for a great setting for the movie to take place in. The isolated setting means that Deodato can keep the focus on the characters, which is definitely a good thing for the film. As is the case with a lot of trashy Italian films, some of the characters actions are a bit fishy and the dialogue is largely inane - but these sorts of things don't bother me too much, and Waves of Lust is lots of fun to watch. There are plenty of sex scenes, and while the film features very little blood, it's not important as it's clear where the focus is meant to be. The film doesn't feature any particularly well known performers, although the four central actors would all go on to star in better known Italian films. John Steiner is the biggest standout in acting terms and delivers a good performance alongside eye candy Elizabeth Turner and Silvia Dionisio. Al Cliver (from Zombie Flesh-Eaters) rounds off the central foursome. Overall, Waves of Lust is definitely worth seeing. The atmosphere and tension are good and it all boils down to a satisfying conclusion.

警察公务员考试准备生尹秀被恋人陈京通知分手。一边叹息自己的处境一边喝酒的尹秀在深夜营业的BAR喝了酒晕倒了。店主恩熙和慧静把晕倒的尹秀带回家..