影片以机器生成的声音为一位垂死者制作了一部“故乡的悲伤影像”以慰藉其临终时刻：肯尼迪1961年访问委内瑞拉的影像在蒙太奇失误中被慢放，一首看似永无止境的诗篇最后一次焕发生机。

"恋爱选择困难症？苏甜甜的桃花运炸了！高冷霸总、年下奶狗、青梅竹马三款男主任你pick！当她意外获得‘读心术’技能，才发现——最甜告白藏最深？这场心动选择题，每一帧都让你嘴角疯狂上扬！"

姜鱼刚回国就收到母亲送来的结婚证，据说结婚对象人品德行都很烂，姜鱼为了离婚当晚阴差阳错的睡了一个男模，没想到这个假男模就是自己的老公。

姜鱼刚回国就收到母亲送来的结婚证，据说结婚对象人品德行都很烂，姜鱼为了离婚当晚阴差阳错的睡了一个男模，没想到这个假男模就是自己的老公。

Caetano Gotardo, whose contribution to the omnibus film Neverquiet (Film of Wonders) was screened in 2011 at IFFR, stays close to home in his second feature. He writes, directs, edits and also plays the leading role. The story is set in the Brazilian artists’ milieu. 　　Joao has extensive conversations with friends, strangers and himself. For instance with his best friend Irene, who cannot let go of memories of her ex; and the boy he meets in the metro, with whom he wants to have sex. Beside life and love, the creative process is a recurring theme in the conversations, in the best traditions of filmmakers like Éric Rohmer or Hong Sang-soo. Piece by piece, the encounters, conversations and monologues have a great influence on Joao, who literally wrestles with his attitude to life. A puzzle unfolds within which time, narrative, character and perspective are all jumbled up in an intriguing way.

Caetano Gotardo, whose contribution to the omnibus film Neverquiet (Film of Wonders) was screened in 2011 at IFFR, stays close to home in his second feature. He writes, directs, edits and also plays the leading role. The story is set in the Brazilian artists’ milieu. 　　Joao has extensive conversations with friends, strangers and himself. For instance with his best friend Irene, who cannot let go of memories of her ex; and the boy he meets in the metro, with whom he wants to have sex. Beside life and love, the creative process is a recurring theme in the conversations, in the best traditions of filmmakers like Éric Rohmer or Hong Sang-soo. Piece by piece, the encounters, conversations and monologues have a great influence on Joao, who literally wrestles with his attitude to life. A puzzle unfolds within which time, narrative, character and perspective are all jumbled up in an intriguing way.

Kari, an Indigenous girl, is afraid to laugh. But a new interpretation of the old legend of Kiraparamia helps her to set herself free.

Kari, an Indigenous girl, is afraid to laugh. But a new interpretation of the old legend of Kiraparamia helps her to set herself free.

1992年，坪洲少年俊贤邂逅了清纯的戏院女售票员阿欣，对她一见钟情。只是，第二天当他回到戏院寻找伊人时，发现她已离职。在那个只有call机，连手提电话都未普及的前互联网年代，要找一个只有一面之缘的人，谈何容易。俊贤于是凭借阿欣名牌上的全名“王家欣”这一个线索，开始寻找梦中情人 。

1992年，坪洲少年俊贤邂逅了清纯的戏院女售票员阿欣，对她一见钟情。只是，第二天当他回到戏院寻找伊人时，发现她已离职。在那个只有call机，连手提电话都未普及的前互联网年代，要找一个只有一面之缘的人，谈何容易。俊贤于是凭借阿欣名牌上的全名“王家欣”这一个线索，开始寻找梦中情人 。