人生就像小说，被奸人陷害而亡还能复活去做复仇任务？

人生就像小说，被奸人陷害而亡还能复活去做复仇任务？

Hanna爱着Yann，也爱他寄给她的情书：用iPhone录制的短而富有诗意的电影。然而，Yann的爱并不止于此。他的视频信件构成威胁，Hanna不知道该信任谁。本片开始是一个浪漫的爱情故事，但逐渐变成复杂的心理惊悚片，模糊了内在和外在知觉之间，以及真相和欺骗之间的界限。 　　Hanna loves Yann and the love letters that he sends her: short, poetic films recorded with an iPhone. However, Yann does not leave her alone. His video-letters become a threat and Hanna does not know whom to trust. Ma Folie starts as a romantic love-story but gradually turns out to be a complex psychological thriller, blurring the lines between internal and external perception, as well as truth and deception.

在建党百年之际，中共湖南省委宣传部联合湖南教育电视台等单位策划制作推出大型电视理论节目《小康之大》，节目用历史的眼光、全局的视野和全球的思维，聚焦中华民族、中国共产党带领亿万人民从追求、建设到实现全面小康的伟大梦想、伟大实践、伟大成就、伟大意义。

A couple of kids in high school rent a book called the pollonomicon, from the school library in hopes to possess an ancient demon to help them combat some bullies picking on them during school. After reading from the dreaded book, the boys soon realize they are in way over there heads as the demon takes form as a rubber chicken, and goes on a violent killing spree. Hellbent on killing everything in its path, the bodies pile up, as the boys try and stop what they created.

唐老鸭和高菲在撒哈拉沙漠里穿行，他们的车没汽油了，只能走路

故事发生在1940年秋的日本。政府在战时为了加强文化监管，在警察局设立了演剧检查科。刚从中国东北伪满洲国调来的审查官向坂（役所广司 饰）是个不苟言笑、不通情理的铁面判官，他掌握着演剧剧本的生杀大权。笑之大学剧团的喜剧作家椿一（稻垣吾郎 饰）带着他的剧本来到了向坂的调查室，一场喜剧剧本的搞笑升级拉锯战由此拉开了帷幕。故事发生在七天的时间里，每天向坂的恶意刁难都层层升级，一个个无理的要求向编剧椿一逐个抛出，椿一见招拆招努力应对的同时却创造出了前所未有的精彩喜剧剧本。连一向厌恶喜剧、希望喜剧从地球上消失的向坂都迷失了初衷，渐渐陶醉在椿一搞笑故事中。甚至帮助椿一修改剧本，使剧本的搞笑程度达到了又一个高峰。然而俩人的政治立场决定二人最终走向了对立，向坂向椿一使出了杀手锏，椿一是否能完成这个不可能完成的任务呢...... 　　本片在2005年的日本电影学院奖上获得了最佳编剧和最佳男演员的提名。

这影片原是Fox拍摄的一部美剧的试播集，但FOX最终决定将其拍摄为为一部80分钟的电影在netflix上首映。作为电影可能挖了太多天坑，但一个男人通过一座神秘建筑进入无限的平行宇宙，遇到无限个的自己的故事很绝。

After a decade in prison, artist George Anthony Morton returns home to reconcile with his family and grapple with past traumas by painting a series of portraits. 　　While serving out a federal sentence for drug dealing, classical painter Morton further developed his artistic approach. Upon his release, he chose to rail against a predominantly white cultural landscape, forging his own unique style and vision. When he returns to the family home in Kansas City, he faces ghosts from his past. While attempting to rebuild his relationship with his mother, whose life is spent in and out of prison, Morton paints family members in the style of Dutch Masters. But he also explores the influential role that African art has played within the realist tradition.