在不知情的情况下将位高权重的小皇叔始乱终弃了怎么办？两年前，小周朝公主裘星辰偶遇外出云游大邺朝小皇叔燕玄，将其骗身又骗心，两年后，她落入对方的网……只看到不苟言笑，一副生人勿近的模样的燕玄勾了勾手指，冷笑道：想跑？晚了！套路本王，是要付出代价的。

一个前程似锦的医女，为姐妹复仇，只身潜入豪门与路家兄弟周旋而赌上自己的未来，一人两面，以身为饵，以心入局，一场腹黑医女与心机少爷的谋略之爱即将上演。

何茉在一场车祸后，意外魂穿成富家女安宁，原主安宁的丈夫傅庭琛是个风流渣男，对安宁冷漠至极，还在外面沾花惹草。何茉发现自己拥有了“渣男报应系统”空间，系统告知她，只要让傅庭琛主动提出离婚，她就能重生回到原本的世界，并继承傅庭琛的全部财富。于是，何茉开启了一系列让傅庭琛主动提离婚的计划。而何茉在与傅庭琛的相处过程中，也渐渐发现了他外表光鲜下隐藏的孤独与脆弱......

姐姐林望舒，接手了自己并不喜欢的家族企业，妹妹林星遥出国追求梦想，在国外多年，成为令人闻风丧胆的国际佣兵，林星遥回国见姐姐之时，却收到了林望舒自杀的消息，悲痛至极，为了调查真相，林星遥决定假扮姐姐。在林星遥的调查中，姐姐自杀的真相被一步步揭开。

辉哥是洪兴的老大，性格火爆和好色，其妻不能忍受而离开，辉对独女咏琪如掌上明珠。 　　一次辉在的士高里搞上了一个迷幻少女，但这个女孩是义兴老大林晓东的女儿。东向辉提出赔偿要求，但辉不肯承认。双方正准备火拼之际，反黑组吕sir赶到制止，东幸然离去。东的爱将赵志龙献计，指使金牌姑爷仔志华假装有为青年向咏琪下手，要辉亦尝到女儿被辱之痛。 　　咏琪与志华迅速发展，但辉反对二人来往，咏琪唯有向母亲求助。辉手下恐吓志华，要他离开咏琪，但被咏琪知悉，对父亲更为讨厌，并离家出走要与志华结婚。咏琪替志华担保借下高利贷，并将初夜献给志华。事后志华竟露出姑爷仔之面目，咏琪大受打击。辉得知后大怒，查出志华是义兴林晓东的人，於是连夜伏击东，誓要将义兴众人一举消灭。

For two minutes, all we see are calves, bare feet and asphalt. Every time a foot hits the ground, it makes a slapping sound, accompanied by the runner’s rapid breathing. The rhythm is steady, and yet there is an urgency to the shot. 　　The runner is Félix Bruzzone, a writer who lives near the Campo de Mayo military base on the outskirts of Buenos Aires. His research and experiences serve as the basis for Jonathan Perel’s film Camuflaje. He explains what drives him in voice-over: his mother was disappeared by the military when he was an infant. It was only after purchasing a property close to Campo de Mayo that he learnt that she also died there. 　　What should be done with this wasteland on which the military killed its opponents 45 years ago? Bruzzone speaks with those who live in the area in a series of staged encounters. An estate agent gushes over the rise in property values, a run-in with soldiers turns out better than expected, a survivor of the camp describes how much resistance she faced in trying to erect a memorial, to say nothing of a documentation centre. Bruzzone keeps on running, tirelessly.

For two minutes, all we see are calves, bare feet and asphalt. Every time a foot hits the ground, it makes a slapping sound, accompanied by the runner’s rapid breathing. The rhythm is steady, and yet there is an urgency to the shot. 　　The runner is Félix Bruzzone, a writer who lives near the Campo de Mayo military base on the outskirts of Buenos Aires. His research and experiences serve as the basis for Jonathan Perel’s film Camuflaje. He explains what drives him in voice-over: his mother was disappeared by the military when he was an infant. It was only after purchasing a property close to Campo de Mayo that he learnt that she also died there. 　　What should be done with this wasteland on which the military killed its opponents 45 years ago? Bruzzone speaks with those who live in the area in a series of staged encounters. An estate agent gushes over the rise in property values, a run-in with soldiers turns out better than expected, a survivor of the camp describes how much resistance she faced in trying to erect a memorial, to say nothing of a documentation centre. Bruzzone keeps on running, tirelessly.

Lennon observes on the sidelines of the thriving Columbus indie music scene, yearning for a personal connection that might shepherd her into the inner sanctum. Enter the enigmatic Bobbi Kitten, who takes Lennon under her confident wing—unwittingly entangling herself in a dark obsession. With Sylvie Mix, Bobbi Kitten.