意外穿越到蛮荒时代，开局只有一座简陋潮湿的石洞，外面是凶猛的史前巨兽、未知的原始部落，还有变幻莫测的极端天气，生存危机无处不在。毫无准备的他，在濒死之际激活 “史前生存系统”，靠着系统加持，从石洞出发，开启硬核求生路！

一家偏远的制砖厂以古老的方式生产砖块。许多不同民族的家庭在工厂工作，老板似乎掌握着解决他们问题的钥匙。40岁的Lotfollah出生在现场，他是工厂的主管，是工人和老板的中间人。老板让Lotfollah把所有工人召集到他的办公室前。他想和他们谈谈工厂停产的事情。现在对Lotfollah来说，所有的事情就是要保证他爱了很久的女人Sarvar不受伤害。

《原始求生记：极致非洲远征 第一季》是一档由国家地理频道出品的纪录片，它展示了生存专家哈森·奥德尔（Hazen Audel）徒步穿越非洲大裂谷的极限探险旅程。在这个系列中，奥德尔深入非洲的荒野，观察并体验那里稀有且壮观的野生动物。这个节目不仅带领观众领略非洲的自然美景，也展示了在极端条件下的生存技巧和对自然环境的深刻理解。

本系列节目中，荒野探险家海森·奥德尔将沿着雄伟的湄公河进行长达500英里的冒险之旅。他将穿越老挝境内，跨过地球上最偏僻、生物最多元的地区，最终抵达位于老挝最南部的孔恩瀑布。雨季的湄公河流域呈现狂野的自然景观，而这也意味着此次冒险将更具挑战。海森从高耸的云雾森林出发进入湄公河流域，在古老的原始森林中寻找珍贵的蘑菇，在广阔的布拉万高原遇见传统的火枪猎手，在丛林深处发现与世隔绝的隐秘村庄，在野生动物天堂的沼泽地追寻巨型网纹蟒，还与勇敢的渔民一起在湄公河最狂野的水域惊险捕鱼。面对洪水泛滥的平原、迷宫般的石灰岩山峰、陡峭的悬崖峭壁、深不见底的洪水洞穴、难以逾越的丛林，海森通过观察河流情况，依靠湄公河原住民的传统生存技能，完成这次史诗般的生存之旅。

三十岁出头的丛林（任素汐 饰）如何也想不到，与哥哥丛来（李晨 饰）的又一次戈壁“寻人之旅”，会被一场沙暴推向生命绝境。哥哥身负重伤，丛林必须独自前行，为两条生命寻找一线生机。

三十岁出头的丛林（任素汐 饰）如何也想不到，与哥哥丛来（李晨 饰）的又一次戈壁“寻人之旅”，会被一场沙暴推向生命绝境。 哥哥身负重伤，丛林必须独自前行，为两条生命寻找一线生机。

三十岁出头的丛林（任素汐 饰）如何也想不到，与哥哥丛来（李晨 饰）的又一次戈壁“寻人之旅”，会被一场沙暴推向生命绝境。 　　哥哥身负重伤，丛林必须独自前行，为两条生命寻找一线生机。

在未来的北美洲大陆上，「世界彻底分裂」。七个巨头瓜分了所有的土地，他们和他们的私人武装对辖区实施独裁统治。未来没有枪支，没有火器。一个受训练﹑粗鲁，叫Sunny的战士（吴彦祖饰演），以及一个男孩M.K.（Aramis Knight），为找到教化一同踏上旅程。

2022年，杭州亚运会施工建设正如火如荼展开。傍晚，一对恋人开摩托车行驶在城郊，剖开城市肌理，寻找记忆中的游乐场。当一阵风吹过的时候，他们回想起一名诗人说过的一句话：世界是一片荒原。

To an American audience, "The Abandoned Field: Free-Fire Zone" is an unusual movie in many ways. First, this Vietnamese film tells a story of the Vietnam War through the eyes of Viet Cong guerillas. Instead of the camera hovering above the ground in the U.S. helicopters, it's in the rice paddies looking up at those lethal machines. Second, it depicts the effects of war on a family (mother, father, and child) whose daily life is made unpredictable and uncertain by the whims of battle. Granted, the father and mother are VC guerillas who voluntarily put themselves – and their child – in harm's way, but this touches upon another uncommon element: Hollywood audiences aren't used to seeing a woman (the wife) as a protagonist in a war drama. These qualities alone would make "The Abandoned Field" of great interest, but the film also does more. This movie is quite well made. The story is briskly paced, but it still takes time for quiet observations of the couple's frugal family life as they hide from the choppers. The film's visual surface appears equally frugal. The hand-held black & white cinematography gives the images a rough-hewn feel that captures the spirit of the 1960s New Wave and resembles early newsreels of the war. This visual approach might have been completely determined by the economic realities of the time, but the film's low-tech look seems to stand in defiant opposition to Hollywood's high-gloss surface. It's as though director Hong Sen Nguyen wanted to utilize a "guerilla" visual style to match the content of his story. Of course, being from Vietnam, "The Abandoned Field" wants us to side with the guerillas, but the movie also acknowledges the humanity of an American soldier and presents him as an equal victim of the war. Certainly, the movie is more even-handed than most American films about Vietnam, especially those of the Rambo/Chuck Norris variety. The movie's biggest drawback for U.S. audiences is that its American characters are played by Vietnamese actors (some of whom look racially mixed) speaking in the Vietnamese language. Of course, this instance of unbelievable casting arose from Vietnam's lack of access at the time to professional American talent. The American viewer simply has to accept it as a convention. Another admirer of "The Abandoned Field" is director Oliver Stone, who also bemoans the film's lack of authenticity in things American. He once remarked at a UCLA panel that he wished he could have been the film's technical advisor. But its inaccuracies didn't interfere with his enjoyment of the movie. (Stone would go on to direct his own war drama told from the perspective of a Vietnamese woman: 1993's "Heaven & Earth.") "The Abandoned Field" offers American audiences an unusual and absorbing story. Coming to the movie with an open mind, viewer