因抚养一名弃婴所产生的爱情故事

苏云璃追剧时意外穿越，成了剧中荒淫无道的祸国公主， 并被男主萧逸寒一箭穿心。再次睁眼后她没有回到21世纪，反而重生在了这部剧的第一集。为避免未来被萧逸寒杀掉的命运，她决定助力萧逸寒成为大将军，成全他和官配白璎璎，可是故事并没有按苏云璃的期望发展， 她不知道其实萧逸寒也重生了。前世萧逸寒杀了苏云璃后毒发而亡，重活一次，他决定趁早下手，成为离苏云璃最近的人，然后杀了她..

寰亚和曼茶罗影视联合出品的武侠甜宠剧《家主大人请指教》

苏云璃追剧时意外穿越，成了剧中荒淫无道的祸国公主， 并被男主萧逸寒一箭穿心。再次睁眼后她没有回到21世纪，反而重生在了这部剧的第一集。为避免未来被萧逸寒杀掉的命运，她决定助力萧逸寒成为大将军，成全他和官配白璎璎，可是故事并没有按苏云璃的期望发展， 她不知道其实萧逸寒也重生了。前世萧逸寒杀了苏云璃后毒发而亡，重活一次，他决定趁早下手，成为离苏云璃最近的人，然后杀了她..

寰亚和曼茶罗影视联合出品的武侠甜宠剧《家主大人请指教》

“在这座城市里拥有爱情，我配么？”这也许是每一个“漂一族”的自我怀疑。

“在这座城市里拥有爱情，我配么？”这也许是每一个“漂一族”的自我怀疑。一次交通意外，让王惜月（王智 饰）陷入了一场从未预想的“一见钟情”；同为…

The series is a complex story of destinies that intersect when they assassinate a media mogul on their wedding day, at the same time that an assassin in the United States is executed in the electric chair. The tycoon's soul is reincarnated in the body of the hit man and, in turn, the killer's soul ends up in the body of a professor of anthropology. Now, every man will not only have to deal with a new body, but also adapt to a new spirit.

The series is a complex story of destinies that intersect when they assassinate a media mogul on their wedding day, at the same time that an assassin in the United States is executed in the electric chair. The tycoon's soul is reincarnated in the body of the hit man and, in turn, the killer's soul ends up in the body of a professor of anthropology. Now, every man will not only have to deal with a new body, but also adapt to a new spirit.

“Deep love has finally happened in Ukraine.” 　　Perhaps the most prominent and radical figure in Ukrainian animation, Lyskov (b. 1983) crafts a surreal portrait of his home city Dnipro. Documenting how the people of the riverine metropolis weathered post-USSR storms of social upheaval, this colourful exercise in urban surrealism is a non-verbal phantasmagoria in which entities absurdly and oneirically intermingle. Essentially empathetic and humane, it explores the idea of “Kohannia”—defined by Lyskov as “a feeling that arises in the soul and has a connection with the transcendental and divine… which I do not see around me nowadays.” (N.Y.)